736 - 1327 FINE and APPLIED ARTS, ART REFERENCE
80/1236 Situationists The Situationist Times No 2 and 6 
80/1236 Situationists The Situationist Times No 2 and 6 
- No. 2 wr. sl. dustsoiled; no.6 partly loosening as usual, otherwise a fine copy.
= Vol. 6 International Parisian edition with 34 orig. col. lithographs by i.a. P. ALECHINSKY, A. JORN, W. LAM, P. DE LUSSANET, A. SEGUI (2 ident. lithographs present); A.H. SØRENSEN (idem); Y. TABUCHI and TOPOR and the lithogr. wrapper by U. TROTZIG.
80/1237 Situationists The Situationist Times No 5 
80/1237 Situationists The Situationist Times No 5 
80/1237 Situationists The Situationist Times No 5 
- Wr. trifle frayed/ thumbed.
= This issue is centred around the theme of "the problem of the ring, interlaced rings and consequently, chains".
80/1238 Situationists The Situationist Times No 6 Ed J de Jong 
- Bookblock loosening as often; a few plates loose(ning). = International Parisian edition.
80 1239 Skarlant P a o 
80/1240 Socialistische Kunst Heden 
80/1240 Socialistische Kunst Heden 
- Frontwrapper w. sm. fold in lower right corner.
= Catalogue of the large exhibition organized by the Socialistische Kunstenaarskring (SKK).
80 1241 Spinelli S 
80 1241 Spinelli S 
80 1241 Spinelli S 
- Trifle soiled/ yellowed; one panel w. traces of silverfish activity. = Numb. and signed "59/70 Sara Spinelli" in pencil.
Higgins, D. Some Poetry Intermedia./ Five Traditions of Art History, an Essay. New York, Unpublished Editions, (1976), 2 fold. broadsides, 56,5x43,5/ 53x41 cm., printed in black and 2 shades of pink/ black and light blue.
- The first broadside partly sl. yellowed.
AND 3 others similar.
80 1242 Stedelijk Museum Mahlow D 
= Stedelijk Museum and Staatlichen Kunsthalle exhibition catalogue for Schrift und Bild (1963), providing a historical survey of visual poetry, typographic experiments, calligraphy and art from the areas of design, typography, Dada, Futurism, Lettrisme, conceptual art, abstract expressionism, and others.
Braun, C. and Storr, R. Eye Infection. Amst./ Düsseldorf, Stedelijk Mus./ Richter Verlag, 2001, 207,(1)p., num. (full-p.) (col.) ills., w. separate index booklet, orig. pict. boards, 4to. Sandberg, W. and Jaffé, H.L.C. Kunst van heden in het Stedelijk. Amst., Stedelijk Mus., 1961, no pagination, 444 (col.) plates/ ills., w. separate index booklet, orig. cl. w. dustwr., 4to. - AND 2 others on the history and the collection of the Stedelijk Museum.
80/1243 Stedelijk Museum Lot of ±160 catalogues and related publications 
80/1243 Stedelijk Museum Lot of ±160 catalogues and related publications 
- All (but a few) fine.
= Comprises i.a. Rondom Rodin (without no., 1939), Moderne primitieven (without no., 1941), In Holland staat een huis (without no., 1941), Picasso/ Matisse (without no., 1946), Agoes Djaya en Otto Djaya (without no., 1947), Kandinsky (without no., 1947), Voor jonge mensen. Wikor (no.7), Zadkine (no.40), Paul Klee (no.41), Hodler (no.42), Twaalf Britse schilders (no.56), 19 schilders uit Haïti (no.75), Alexander Calder (no.76), Rembrandt, Hokusai, Van Gogh (no.83), Edgar Degas (no.87), Honderd meesterwerken (no.89), Elf tijdgenoten uit Parijs (no.101), Pablo Picasso (no.103), Saul Steinberg (no.106), Acht Argentijnse Abstracten (no.108), August Macke (no.114), Collectie Philippe Dotremont (no.116), M.C. Escher (no.118), Ben Nicholson (no.122), Lyonel Feininger (no.123), Franz Marc (no.128), Campigli (no.130), Adam (no.132), Liliy Benz (no.139), Hoe laat was het? (no.145), John Raedecker 1885-1956 (no.148), Kurt Schwitters (no.152), Chagall (no.156), Léger. De wegbereider (no.158), Johannes Itten (no.169), Jacques Lipchitz (no.184), Jackson Pollock (no.189), Jean Lurçat (no.201), Bart van der Leck (no.204), Alexander Calder Stabilen Mobilen (no.208), Zweedse vormgeving (no.215), Henri Matisse (no.237), Arp (no.238), Corneille (no.246), Arikha Panter (no.248), Arden (no.251), Hans Richter (no.262), Alechinsky+Reinoud (no.273), Umberto Boccioni (no.304), Francis Bacon (no.326), Que d'encre (no.327), Design for Industry (no.321) and Paul Klee (no.341).
80/1244 Stedelijk Museum Lot of ±380 catalogues and related publications 
80/1244 Stedelijk Museum Lot of ±380 catalogues and related publications 
80/1244 Stedelijk Museum Lot of ±380 catalogues and related publications 
80/1244 Stedelijk Museum Lot of ±380 catalogues and related publications 
80/1244 Stedelijk Museum Lot of ±380 catalogues and related publications 
80/1244 Stedelijk Museum Lot of ±380 catalogues and related publications 
80/1244 Stedelijk Museum Lot of ±380 catalogues and related publications 
80/1244 Stedelijk Museum Lot of ±380 catalogues and related publications 
80/1244 Stedelijk Museum Lot of ±380 catalogues and related publications 
80/1244 Stedelijk Museum Lot of ±380 catalogues and related publications 
80/1244 Stedelijk Museum Lot of ±380 catalogues and related publications 
80/1244 Stedelijk Museum Lot of ±380 catalogues and related publications 
80/1244 Stedelijk Museum Lot of ±380 catalogues and related publications 
- All fine.
= Comprises i.a. Tentoonstelling Rodin (without no., 1930), Eere-tentoonstelling W.O.J. Nieuwenkamp (without no., 1934), Van Dongen Eere-tentoonstelling (without no., 1937), H.N. Werkman, Drukker-schilder (without no., 1945), Pablo Picasso. 43 lithographies (without no., 1945-1947), Pablo Picasso - Henri Matisse in het Stedelijk Museum (without no., 1947), Zo wonen wij in Zweden (without no., 1948), De Film. Eere-tentoonstelling (without no., 1948), Kandinsky (without no., 1948), Zadkine (no.40), Ferdinand Hodler (no.42), Het Hildebrand monument (no.43), Opsomer (no.54), Bart van der Leck (no.57), Henry Moore (no.67), Alexander Calder (no.76, with silkscreen and silkscr. wr. by CALDER), Surrealisme+abstractie (no.77), Mathieu Wiegman (no.88), Photographie (no.90, w. contributions by eva BESNYÖ, Cas OORTHUYS and Emmy ANDRIESSE), Graham Sutherland (no.99), Saul Steinberg (no.106), Toon Kelder (no.110), August Macke (no.114), Oskar Schlemmer (no.121), Massimo Campigli (no.130), Lily Benz (no.139), Kurt Schwitters (no.152), Chris+Lucila Engels (no.162), Grieshaber (no.185), Jong Amerika schildert (no.194), Leo Wollner textielontwerper (no.197, w. cl. samples and cl. dustwr.), Dada (no.199), Lucebert (no.207), Bouwen in onze tijd (no.213), Benner (no.224), Tajiri (no.232), Jean Arp (no.238), Carel Visser (no.240), Arikha Panter (no.248), Hans Richter (no.262), Josef Albers (no.265), Alechinsky+Reinhoud (no.273), Zeventiende salon de Mai (no.274), H.N. Werkman (no.292), Tussen spiegel en venster (no.302), Design for industry (no.321), Schrift und Bild (no.333), Herbin (no.339), Hartung (no.349), Antonio Saura (no.358), Vier kanten (no.374), Jean Dubuffet (no.399), Corneille (no.402), Victor Vasarely (no.406), Tajiri/ Beelden (no.415), Roy Lichtenstein (no.424), Edward Kienholtz (no.478), 2x Daniel Spoerri (no.502a/ b), Cubaanse affiches (no.507), Constant (no.636), Jackson Pollock (no.662), Gerry Schum (no.666), Ad Dekkers (no. 689), Joel Shapiro (no.706), Kabakov - "Grand Archive."/ "Het grote archief."/ "Bol'shoi Arkhiv" (no.776), Gilbert & George - The naked shit pictures (no.795) and Nederlandse kunst in het Stedelijk Paleis (no.850). Inlcuding duplicates.
80 1245 Steinberg S Derrière le Miroir no 53 54 157 192 and 224 
80 1245 Steinberg S Derrière le Miroir no 53 54 157 192 and 224 
80 1245 Steinberg S Derrière le Miroir no 53 54 157 192 and 224 
- No.192 badly stained; no.157 sl. stained; no.224 sl. foxed along outer margin of frontwr.; no. 53-54 trifle foxed in fore-edge and outer margin contents.
80 1246 De Stijl Le Style Der Stil The Stile Le seul organe d'une nouvelle conscience plastique et poétique fondé en 1917 en Hollande 
- Sl. yellowed as usual. = Hoek 659b3; Purvis/ De Jong p.79.
80 1247 Still life Bergström I a o 
- Dustwr. w. fold on spine. Otherwise fine. = A sumptuous publication.
80 1248 Still life Grant M H 
= Rare work on this flower and fruit painter, containing a catalogue raisonné.
AND 10 others, i.a. F. LEWIS, Simon Pietersz Verelst 1644-1721 (ibid., 1979, plates, printed in 500 numb. copies, orig. cl. w. dustwr., 4to) and M.L. HAIRS, Les peintres Flamands de fleurs au XVIIe siècle (Paris etc., 1955, (tipped-in col.) plates, orig. giltlettered cl., 4to).
80 1249 Strauch M 
= With autograph signed dedication by the artist on first free endpaper.
80 1250 Stüttgen J 
80/1251 Suchánek V Vladimír Suchánek Grafika 
= With AUTOGRAPH SIGNED DEDICATION "Für Johan Souverein, herzlich und freundlich (...)" on htitle.
AND 1 other: VLADIMÍR SUCHÁNEK. Melancholická ulita (Prague, 2013, col. ills., orig. wr., sq. 8vo. SIGNED on first leaf). - WITH: 1 AUTOGRAPH SIGNED LETTER (to "Lieber Johan [Souverein]"), 1 col. lithograph (signed in pencil), 3 picture postcards (1x AUTOGRAPH SIGNED) and an AUTOGRAPH SIGNED New Year's Wish, all by the same.
80/1252 Tapestries and textiles Eski Türk Halilarindan ve Kilimlerinden Örnekler Samples of the Old Turkish Carpets and Kilims 
80/1252 Tapestries and textiles Eski Türk Halilarindan ve Kilimlerinden Örnekler Samples of the Old Turkish Carpets and Kilims 
- Edges sl. rubbed; one corner bumped; dustwr. wrinkled and repaired; contents fine.
= Plates showing 40 carpets/ kilims (13th-19th cent.) from the Turkish-Islamic Arts Museum in Istanbul.
80 1253 Tapestries and textiles Hendley T H 
80 1253 Tapestries and textiles Hendley T H 
80 1253 Tapestries and textiles Hendley T H 
80 1253 Tapestries and textiles Hendley T H 
80 1253 Tapestries and textiles Hendley T H 
- Lacks 8 plates (LXXVIII, LXXIX, LXXXVIII, LXXXIX, CXII, CXIII, CXXIV and CXXV); plates C and CI misbound; several plates w. stamp on verso; two stamps on title-p.; bookblock cut sl. short (a few plates trimmed to image or w. (partial) loss of plate number). Binding sl. stained and chafed; cloth splitting at board edges.
= Siegelaub p.163. The plates are arranged in 6 parts of 25 plates each. "The first four parts of the work are devoted to the Jaipur carpets. The fifth is reserved for the famous Ardebil carpet, which is now one of the glories of the Indian Museum; and the last part contains, in addition to Persian carpets, a few from Turkey, which have been included in order to illustrate some of the main differences in design and workmanship between them and the Persian examples (...)" (introduction). SEE ILLUSTRATION PLATE XXXVI.
80 1254 Tapestries and textiles Kooijman S 
- Plates waterstained and w. some dam. spots.
Gantzhorn, V. Oriental Carpets. Their Iconology and Iconography from the Earliest Times to the 18th Century. Cologne etc., Taschen, 1998, 532p., profusely illustrated, orig. boards w. dustwr., 4to. Sovereign Carpet. Unknown Masterpieces from European Collections. Ed. E. Concaro and A. Levi. Milan, Skira, 1999, 233p., richly illustrated, orig. boards w. dustwr., 4to. - ADDED: 2 others.
80 1255 Tapestries and textiles Orendi J 
- Very fine copy.
= Sought after standard work on oriental rugs, with the rarely preserved dustwrappers. Siegelaub p.248: "An encyclopedic historical survey & desc. covering all types and facets of oriental rugs from all period & regions, esp. design & patterns; ca. 1150 motifs & rugs shown, incl. some early Islamic textiles. Basic work."
Grote-Hasenbalg, W. Der Orientteppich. Seine Geschichte und seine Kultur. Berlin, Scarabaeus, 1922, 3 vols., text vol.: XVI,228p., fold. lithogr. map, 31 (col.) plates; plate vols.: 120 mounted col. plates, orig. unif. cl., 4to.
- All vols. owner's entry on title-p. Covers sl. duststained. Otherwise fine.