- Wrappers dam.
= With AUTOGRAPH NOTES and marks by ARMANDO on several photogr. ills., presumably the inspiration for several "Schuldig landschap" artworks.
Alphen, E. van. Armando. Vormen van herinnering. Rott./ Amersfoort, NAi/ Armando Museum, 2000, 240p., (full-p.) (col.) ills., orig. blindst. cl. w. dustwr., 4to.
= SIGNED by the artist.
Armando a.o. Het Werkmanmonument. Gron., Centrum Beeldende Kunst Groningen, 1995, (56)p., mounted photogr. plates, monochr. ills., orig. dec. boards, 4to.
= SIGNED by ARMANDO.
Veld, E. De handen van de meester. Die Hände des Meisters. Amst., Erika Veld, 2013, 136p., Dutch and German text, num. (full-p.) col. ills., orig. pict. boards, obl. 4to.
= Title-p. w. dedication to ARMANDO by i.a. RINI DIPPEL.
AND 28 others by/ on ARMANDO, mostly w. embossed Museum Oud Amelisweerd stamp, i.a. A. MELISSEN (ed.), Armando. Tussen het weten en begrijpen (Rott., 2015, num. ills., orig. boards, large 4to) and M. VAN PUTTEN and W. VONK, Boot 8mx3m (n.pl., 2006, printed in 7 copies, num. col. ills., orig. cl., obl. 4to).
= I.a. GALLI, Unerwünschte Wirkung (Berlin, 1991); J. GECCELLI, Lovis-Corinth-Preis 1998 (n.pl., n.d.); R. MAULWURF, Scratching the surface (The Hague, 2014) and A.T. SCHAEFER, Oper in Stuttgart (Hamburg, n.d.).
AND 1 other from the library of ARMANDO.
- Frontcover sl. warped. Otherwise fine. = Bool/ Broos p.49f. SEE ILLUSTRATION PLATE III.
- Sl. foxed, mainly endpapers. Lacks dustwr.; covers. sl. soiled; spine sunned.
= The first Dutch edition was published 1940. See the following:
Idem. De Moderne Mensch Ontstaat. Een reportage van vreugde en vrees. Dutch transl. B.F. van Overdiep. Amst., Noord-hollandsche uitgevers maatschappij, 1940, 2nd printing, 159p., num. (col.) isotype graphics by G. ARNTZ, orig. cl., 4to.
- Sm. bookseller ticket on upper pastedown; trifle foxed. Covers sl. soiled; spine sunned.
- Fine.
= Probably a proof printed in red, before publishing in MERZ 6, Oct. 1923 and before the captions "Diese Zeitschrift heisst von hinten Merz. a.d. Inhalt: Arp. Tzara. Aufruf. Hirschel-Protsch. Mondrian. Neo Plasticisme. Arab. Sprüche" in upper margin. Verso w. stamp "Epreuve" and w. the collector's stamp of Emile Maeyens in red (Lugt 4178). SEE ILLUSTRATION PLATE IV.
- Endpapers sl. browned.
= With contibutions by i.a. Berlage, Dudok, Lauweriks, Lion Cachet, Sluyters and Wichman. With loosely inserted letterpress fold. brochure leaf with order form.
- Owner's entry on first free endpaper.
= With contibutions by i.a. Berlage, Dudok, Lauweriks, Lion Cachet, Sluyters and Wichman. With loosely inserted letterpress fold. brochure leaf with order form.
- Board sl. stained (w. blue paint?). = With dedication by the artist to ARMANDO on title-p.
Lindhorst, A. and Clifford Kocq van Breugel, E. Jan de Beus. Schilderijen/ Bilder 2000-2006. Oosterhout, idem, 2006, 64p., col. ills, orig. pict. boards, 4to.
= With SIGNED DEDICATION by the artist to ARMANDO on first free endpaper.
Garrel, B. van. Willem den Ouden. Boven de Waal. Varik, De Weideblik, 2010, 111,(1)p., col. ills., orig. (sl. soiled) boards w. mounted col. plate, large 4to.
= With dedication by the author to ARMANDO.
AND 14 others (incl. 2 duplicates), mostly w. dedication by the artist/ author to ARMANDO, i.a. H. PLAAT, Fotocollages 1965-1985 (Amst., 1986, col. ills., orig. wr., sq. 8vo, dedication by the artist to ARMANDO); F. GRIBLING, In search of nowhereland. A space odyssey in 75 lightyears (Amst., 2008, ills., orig. wr., sm. 4to) and P. WAGEMAN, Waanzin en Liefde. Love and madness. Frank van Hemert (Eelde, 2016, num. col. ills., orig. pict. wr., folio, dedication by the artist to ARMANDO).
= The five films of Matthew Barney's Cremaster project presented in numerological order, with extensive introductory essay, its exhibition history, film credits and screening history and a 'Cremaster Glossary' by Neville Wakefield.
- All vols. binding rubbed/ sl. worn along extremities (one vol. covers also dampstained). Otherwise a good set.
= Including (uniformly bound) the following two vols.: R. WEIGEL, Suppléments au peintre-graveur de Adam Bartsch. Vol.I. Leipsic, 1843, VIII,350p., orig. wr. and a plate vol. with 16 engr. plates by A. BARTSCH after i.a. N. BERCHEM, H. ROOS and J. VAN DER MEER DE JONGE. All published.Arntzen/Rainwater N13: "The foundation work for the modern systematic study of Dutch, Flemish, German and Italian painter-engravers through the 17th century. Although now outdated in many instances, subsequent oeuvre-catalogues and histories refer to Bartsch almost universally and for some lesser artists, Bartsch remains the only, or most important source."
- Wrappers (sl.) yellowed along margins. Contents fine.
= With loosely inserted overview sheet of 1962-1972 exhibitions and works by the artist.
AND 2 others on the same, i.a. Georg Baselitz. Bilder 1977-1978 (Eindh., 1979, ills., wr., 4to).
= From the library of ARMANDO.
- Slipcase partly worn on edges. Otherwise fine.
= Sumptuous publication. The most comprehensive catalogue of the oeuvre of Jean-Michel Basquiat (1960-1988).
- Binding sl. foxed; frontcover w. some offsetting in lower edge; spine faded.
= Bauhausbücher 9.
- Backstrip lacks a portions at spine-ends; frontwr. w. large tear closed on verso and sl. frayed/ creased; sm. stamps on backwr.
= The rare Russian edition of Malerei, Fotografie, Film (Munich, 1925; Bauhausbücher 8) with a different cover design. Parr/ Badger I, p.92; Rowell/ Wye no.851.
- Wrappers trifle dustsoiled.
= One of 75 numb. and signed copies, with the accomp. silkscreen print "Hausfassade Ubierring 6-8" (80x60 cm., signed, "85" and "37/75" in pencil.
- Sm. tear in frontcover. = With loosely inserted menu card of the restaurant, designed by ?
AND 12 other exhibition catalogues/ folders.
= Arntzen/ Rainwater E37: "After Thieme-Becker the most useful universal dictionary of artists".
- Lacks possibly postcards.
= SIGNED in pencil by artist on frontcover lid. The postcard series was published between 1968 and 1986 by Staeck.