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Auction 80, 13-17 May 2024

Auction 79, 21-24 Nov 2023

Auction 78, 23-26 May 2023

Auction 77, 22-25 November 2022

Auction 76, 17-20 May 2022

Auction 75, 23-26 November 2021

Page 40 of 3696 Results 391 - 400 of 36952
75 391 Photography Friedlander L 75 391 Photography Friedlander L
75/ 391 [Photography]. Friedlander, L. Photographs. Frederick Law Olmsted Landscapes. New York, Distributed Art Publishers, 2007, 89,(1)p., num. ills., orig. cl. w. plate mounted on frontcover, 4to. d'Haenens, T. a.o. Flanders Port Area. N.pl., Unidia, 2009, 229p., richly illustrated, orig. boards w. dustwr., large 4to. - ADDED: 6 others, i.a. 3 by/ on Christo and U. STAHEL and H. VISSER, Peter Hujar. Eine Retrospektive (New York, 1994, num. ills., orig. boards w. dustwr., 4to).
€ (80-100) 90
75 392 Photography Fukuda K 75 392 Photography Fukuda K
75 392 Photography Fukuda K 75 392 Photography Fukuda K
75/ 392 [Photography]. Fukuda, K. Photokunst von Frauen. (Tokyo, ARS, 1937?), without pagination, Japanese text, 100 photogr. plates by KATSUJI FUKUDA, orig. cl., orig. board slipcase, sm. 4to.

- Sm. rectangle cut from title; (sl.) foxed; first few lvs. bumped in lower corner. Binding soiled/ sl. stained; slipcase worn and badly (water)stainedl and partly split/ dam. on edges.

€ (30-50) 30
75 393 Photography Girard G 75 393 Photography Girard G
75/ 393 [Photography]. Girard, G. Phantom Shanghai. Foreword W. Gibson. Introd. L. Rubinfien. Toronto, Magenta Foundation, 2010, 3rd ed., 221,(3)p., full-p. col. ills by G. GERARD, orig. pict. wr., obl. 4to.
€ (50-70) 60
75 394 Photography Goldblatt D 75 394 Photography Goldblatt D
75/ 394 [Photography]. Goldblatt, D. South African Intersections. Munich/ Berlin/ London/ New York, Prestel, 2005, 123p., num. col. full-p. ills. by D. GOLDBLATT, orig. boards w. dustwr., obl. folio. Forresta, M. a.o. (ed.). Perpetual Motif. The Art of Man Ray. New York/ Amst., Abbeville Press/ E. Wierda, n.d., 348p., num. (col.) ills. by MAN RAY, orig. cl. w. (worn) dustwr., 4to. Giloy-Hirtz, P. Olaf Otto Becker. Under the Nordic Light. Ostfilern, Hatje Cantz, 2011, 159,(1)p., num. col. full-p. ills. by O.O. BECKER, orig. cl. w. mounted col. ill. on frontcover, obl. folio. - AND 4 others on i.a. Annie Leibovitz and Snowdon.
€ (50-70) 70
75 395 Photography Gusinde M 75 395 Photography Gusinde M
75 395 Photography Gusinde M 75 395 Photography Gusinde M
75/ 395 [Photography]. Gusinde, M. L'Esprit Des Hommes De La Terre De Feu. Paris, Éditions Xavier Barral, 2015, 295,(4)p., num. (full-p.) photogr. ills., orig. cl. w. mounted plate on frontcover, 4to.

- Covers sl. soiled.

€ (30-50) 40
75 396 Photography Höfer C 75 396 Photography Höfer C
75/ 396 [Photography]. Höfer, C. On Kawara. Date Paintings in Private Collections. Cologne, W. König, 2009, 252,(4)p., richly illustrated, orig. cl. w. dustwr., 4to. Idem. Architecture of Absence. New York, Aperture Foundation, 2005, 111,(1)p., richly illustrated, orig. boards w. dustwr., 4to. - AND 4 others on the same, Louise Bourgeois and Esther Tielemans.
€ (50-70) 50
75 397 Photography Hütte A 75 397 Photography Hütte A
75/ 397 [Photography]. Hütte, A. Kontinente. Text C. Nooteboom. Munich, Schirmer/ Mosel, 2000, 155,(1)p., full-p. col. ills., orig. cl. w. dustwr., obl. folio.

= With AUTOGRAPH DEDICATION "Voor Armando en Tony" by Cees Nooteboom on first free endpaper.

Brasser, F. Water Towers. Watertorens. Wassertürme. Rott., 010, 2005, 152p., full-p. ills., orig. cl. w. dustwr., 4to.

= With AUTOGRAPH DEDICATION "Für Armando uw Fonsenman! 4/05" on htitle.

Diepraam, W. Foto's. Photographs. Text G. van Westerloo. Amst., Fragment, 1985, 119,(2)p., full-p. ills., printed in 2000 copies, orig. cl. w. mounted photogr. plate, 4to.

- Spine sunned.

= With AUTOGRAPH SIGNED DEDICATION by the photographer "Voor Armando Dank!" on first free endpaper.

AND 7 others, i.a. A. CORBIJN, Inwards and onwards. Text F. Hodgson (Munich, 2011, ills., orig. boards w. dustwr.) and M. COPPENS, Land van stilte (Eindh., n.d., ills., printed in 500 numb. copies, orig. cl. w. dustwr., 4to. Owner's entry of ARMANDO on first free endpaper).

€ (50-70) 100
75 398 Photography Kander N 75 398 Photography Kander N
75/ 398 [Photography]. Kander, N. Yangtze - The Long River. Text by Kofi A. Annan, J.-P. Tchand. Ostfildern, Hatje Cantz, 2010, no pagination, 76 full-p. col. ills. by NADAV KANDER, orig. boards w. col. plate mounted on frontcover, obl. folio.

- Frontcover partly sunned.

€ (120-150) 230
75 399 Photography Katz V and Streuli B 75 399 Photography Katz V and Streuli B
75/ 399 [Photography]. Katz, V. and Streuli, B. Beat Streuli. New York City. Ostfildern, Hatje Cantz, 2003, 215,(1)p., num. col. (full-p.) ills., orig. boards w. dustwr., 4to. Reuters staff. September 11. A testimony. New York, Pearson Education, 2002, 266p., num. col. ills., orig. boards w. dustwr., 4to. - AND 3 others, i.a. P. JONES, California Photographs (New York, 2001, num. ills., orig. cl. w. dustwr., 4to).
€ (50-70) 50
75 400 Photography Keuken J van der 75 400 Photography Keuken J van der
75 400 Photography Keuken J van der 75 400 Photography Keuken J van der
75/ 400 [Photography]. Keuken, J. van der. Wij zijn 17. Introd. S. Carmiggelt. Bussum, C.A.J. van Dishoeck, n.d. (±1955), 1st ed., without pagination, photogr. plates and orig. wr. by J. VAN DER KEUKEN.

- Owner's entry on upper pastedown. Wrapper trifle worn along extremities; sm. dent in backcover.

= Parr/ Badger I, p.244: "In 1955, the 17-year old Joan van der Keuken caused a stir in Dutch publishing with his book Wij zijn 17 (We are 17), prefiguring the even greater furore that would greet the publication of Ed van der Elsken's Een liefdesgeschiedenis in Saint Germain des Prés (Love on the Left Bank) a year leater. Van der Keuken's book was as innovative as Van der Elsken's in its treatment of a section of society - not a class exactly, but a societal group - that was beginning to be regarded as a class apart. (...) The Beat Generation, the Beatnik movement, James Dean - the original rebel without a cause - and a pouting, gyrating phenomenon called Elvis Presley, drew the world's attention to the fact that, since the war, a new alien species seemed to have been dropped on to the planet - the teenager. Van der Keuken's two books, Wij zijn 17 and Achter Glas (Behind Glass, 1957), caught this mood perfectly. Whilst perhaps not stream-of-consciousness in style, they certainly are in terms of attitude, capturing a moment's experience in which nothing much happens except for the moment itself (...)."

€ (50-70) 60
Page 40 of 3696