Page 46 of 3696 Results 451 - 460 of 36952
75 451 Roodenburg Schadd C 75 451 Roodenburg Schadd C
75/ 451 Roodenburg-Schadd, C. Expressie en ordening. Het verzamelbeleid van Willem Sandberg voor het Stedelijk Museum 1945-1962. Amst./ Rott., Stedelijk Museum/ NAi Uitgevers, (2004), 941,(1)p., num. (col.) ills., orig. limp boards. Petersen, A. and Brattinga, P. Sandberg. Een documentaire, A documentary. Amst., Kosmos, 1975, 256p., num. (col.) ills., orig. wr., 4to (owner's entry). - AND 2 others by/ on Sandberg, i.a. Nu 2 Kwadraatblad (Hilv., 1967, wr., 4to).
€ (40-60) 40
75 452 Rooses M 75 452 Rooses M
75/ 452 Rooses, M. Peintres Néerlandais du XIXème siècle. Antw., L.H. Smeding, ±1900, 4 vols., num. plates on chine collé/ ills., orig. unif. gilt dec. cl., 4to.

- Some foxed spots; otherwise fine.

€ (50-70) 60
75 453 Rothko M  Clearwater B 75 453 Rothko M Clearwater B
75/ 453 [Rothko, M.]. Clearwater, B. Mark Rothko. Die Gewalt der Stille. Arbeiten auf Papier. Klagenfurt, Ritter, 1999, 3rd ed., 143p., richly illustrated, orig. boards w. dustwr., 4to. Borchardt-Hume, A. Rothko. The Late Series. London, Tate Modern, 2008, 256p., richly illustrated, orig. pict. stiff wr., 4to. - AND 4 others on the same, i.a. B. CLEARWATER, Mark Rothko. Oeuvres sur Papier (Paris, 1993, ills., orig. pict. stiff wr., 4to).
€ (50-70) 50
75 454 Rubens P P  Burchard L and d'Hulst R A 75 454 Rubens P P Burchard L and d'Hulst R A
75/ 454 [Rubens, P.P.]. Burchard, L. and d'Hulst, R.-A. Rubens drawings. Brussels, Arcade Press, 1963, 2 vols., text vol.: (8),356,(3)p.; plate vol.: over 200 ills. on (fold.) plates, orig. unif. cl., slipcase.

- A few sm. tears in dustwrs. Otherwise fine.

€ (50-70) 50
75 455 Russian avant garde  Arkin D  ed  75 455 Russian avant garde Arkin D ed
75/ 455 [Russian avant-garde]. Arkin, D. (ed.). Arkhitektura sovremennogo Zapada (Modern western architecture). Moscow, Izogiz, 1932, 185,(2)p., ills., orig. cl. w. photomontage dustwr. by EL LISSITZKY, 4to.

- Title-p. w. brown offsetting. Dustwr. yellowed, sl. brittle and w. num. (marginal) tears and dam. spots, partly rather crudely repaired w. sellotape.

= Lissitzky-Küppers 168. Contains chapters on i.a. Le Corbusier, Moholy-Nagy, J.J.P. Oud and Frank Lloyd Wright.

€ (200-300) 200
75 456 Russian avant garde  Arvatov B 75 456 Russian avant garde Arvatov B
75/ 456 [Russian avant-garde]. Arvatov, B. Iskusstvo i klassy (Art and the classes). Moscow/ Petrograd, Gosizdat, 1923, 87,(1)p., orig. wr. (monogrammed "L.N.").

- Frontwr. w. sm. additions in pen and ink; spine and fore-edge frontwr. restored/ strengthened.

€ (70-90) 70
75 457 Russian avant garde  Burlyuk D and Vermel' S  ed  75 457 Russian avant garde Burlyuk D and Vermel' S ed
75/ 457 [Russian avant-garde]. Burlyuk, D. and Vermel', S. (ed.). Vesennee kontragentstvo muz (The vernal forwarding-agency of the muses). Moscow, n.publ., 1915, 107,(5)p., 2 plates, ills. by V. BURLYUK, D. BURLYUK and A. LENTULOV, orig. wr. by A. LENTULOV, sm. 4to.

- Title-p. and a few lvs. at the beginning w. restorations (mostly) in upper margin. Lacks orig. backwr. and backstrip (neatly replaced w. matching col. paper); frontcover sl. creased and w. restoration in lower corner.

= Rowell/ Wye 106; Compton, Russian futurist books 1912-16, p.126. With literary contributions by i.a. V. Aseev, V. Mayakovsky, B. Pasternak and V. Khlebnikov. SEE ILLUSTRATION PLATE XII.

€ (400-600)
75/458 Russian avant garde  Dayoš No 4 75/458 Russian avant garde Dayoš No 4
75/458 Russian avant garde  Dayoš No 4 75/458 Russian avant garde Dayoš No 4
75/458 Russian avant garde  Dayoš No 4 75/458 Russian avant garde Dayoš No 4
75/ 458 [Russian avant-garde]. Dayoš. No.4. Moscow, Molodaya Gvardia, (1929), (28)p., 2 col. plates by A. DEINEKA and D. MOOR (= D. Orlov), (photogr.) ills. by i.a. A. RODCHENKO and B. IGNATOVITCH, orig. wr. by D. MOOR, 4to.

- Sl. creased; some sm. annots. on frontwr.

= Khan-Magomedov p.142f; Rowell/ Wye 852 and ills. p.237. SEE ILLUSTRATION PLATE XIII.

€ (150-250) 300
75 459 Russian avant garde  Dollar Jim = M Shaginyan 75 459 Russian avant garde Dollar Jim = M Shaginyan
75/ 459 [Russian avant-garde]. Dollar, Jim (= M. Shaginyan). Mess Mend ili Yankee v Petrograde. Vypusk 2. Taina znaka (Mess Mend or the Yankee in Petrograd. Issue 2. The secret of the sign). Moscow, Gos. Izd., 1924, (3),280-304p., orig. photomontage wr. by A. RODCHENKO, sm. 8vo.

- Wr. chipped and restored along edges; vague stamp on backwr.

= Khan-Magomedov p.121 and 125; Compton, Russian Avant-Garde Books 1917-34 p.82, 86 and 157 note 50: "Rodchenko's fascination with film continued to inspire many of his book covers, including a scheme capable of variation for a series of popular detective stories - Mess Mend or the Yankee in Petrograd (...) - written by Marietta Shaginian under the pseudonym Jim Dollar. For all ten volumes Rodchenko devised a complicated geometric layout combining colour with black and white, by dividing the cover into alternating coloured and black fields carrying white lettering. The central areas vary from cover to cover: they include cleverly cut photographs, including close-ups, reflecting the description to be found on the title page of volume one: 'cinematographic novel'. He chose a different colour for each cover and the series, which came out in 1924, remains most effective, though cheaply produced" (p.82).

€ (200-300)
75 460 Russian avant garde  Dollar Jim = M Shaginyan 75 460 Russian avant garde Dollar Jim = M Shaginyan
75/ 460 [Russian avant-garde]. Dollar, Jim (= M. Shaginyan). Mess Mend ili Yankee v Petrograde. Vypusk 4. Trup v tryume (Mess Mend or the Yankee in Petrograd. Issue 4. A corpse belowdecks). Moscow, Gos. Izd., 1924, (2),125-157,(1)p., orig. photomontage wr. by A. RODCHENKO, sm. 8vo.

- Spine and edges of wrapper restored. Stamp on backwr.

= Khan-Magomedov p.121 and 125; Compton, Russian Avant-Garde Books 1917-34 p.82, 86 and 157 note 50: "Rodchenko's fascination with film continued to inspire many of his book covers, including a scheme capable of variation for a series of popular detective stories - Mess Mend or the Yankee in Petrograd (...) - written by Marietta Shaginian under the pseudonym Jim Dollar. For all ten volumes Rodchenko devised a complicated geometric layout combining colour with black and white, by dividing the cover into alternating coloured and black fields carrying white lettering. The central areas vary from cover to cover: they include cleverly cut photographs, including close-ups, reflecting the description to be found on the title page of volume one: 'cinematographic novel'. He chose a different colour for each cover and the series, which came out in 1924, remains most effective, though cheaply produced" (p.82). SEE ILLUSTRATION PLATE XII.

€ (200-300)