- Two sm. closed tears iat foot of spine of dustwr. Fine copy. = All published.
- Two sm. tears at foot of dustwr. Both outer corners trifle rubbed. A fine copy.
= Cramer 34; Mourlot 192-205, 207. SEE ILLUSTRATION PLATE V.
- Lacks (as often) the col. lithogr. frontisp.; backwr. trifle foxed. = Sorlier 88.
- Fine copy. = Cramer 95; Sorlier 116.
- Very fine copy.
- Fine copy. = Sorlier 89.
- Very fine copy. = Cramer 89; Sorlier 111.
- Backwr. trifle creased in upper outer corner. Fine copy.
- Wrappers occas. trifle worn. A good/ fine run (lacks only no.0, published as supplement to Derrière le Miroir, no.173).
= Rare complete run of this important French art periodical of the 1970's, documenting all aspects of contemporary (avant-garde) art, and giving attention to established artists as well as upcoming artists, not only covering fine arts, but also cinema, music, literature, dance and theatre. Includes specials issues on the Russian avant-garde, the USA, Great Britain, Italy, Belgium, Germany, Spain, the (French) province, as well as thematic issues devoted to i.a. realism, death, the city, photography, light and the body.
- Spine-ends and letterpiece (sl.) worn. = Rare.
- Trifle (finger)soiled. Wr. (sl.) creased/ soiled; spine cracked.
Idem. La pendule française des origines à nos jours. Des Origines au Louis XV./ Du Louis XVI á nos jours./ De l'Horloge Gothique á la Pendule Louis XV./ Du Louis XVI à nos jours./ Les Provinces Française Horloges et pendules étrangères. Ibid., idem, 1967-1974, 5 vols., num. (photogr.) ills., orig. unif. wr., large 4to.
- Wrs. sl. soiled/ rubbed.
= Slagter 153. Rare.
Idem. Pepie en Jaco. N.pl., Meulenhoff/ Landshoff, 1981, (16)p., 7 full-p. col. ills. and facs. col. text by KAREL APPEL, printed in 1000 numb. copies, orig. clothbacked boards, folio.
= SIGNED by the artist on first free endpaper. Reprint of the ms. made by Appel in Paris, 1951.
Tekeningen van Corneille. Amst., Stedelijk Mus. cat. 246, 1960, (24)p., ills., serigraph wr. in black and red by Corneille, 4to. - AND 10 others, incl. small publications, i.a. P. DAGEN, Constant Graveur (Paris, 2004, (col.) ills., orig. cl. w. dustwr., 4to); K. APPEL, De kleurige onbekende. Gedichten en tekeningen (Amst., 1986, ills., orig. wr., 4to); CONSTANT, Opstand van de homo ludens (Bussum, 1969, orig. wr.) and F. GARCIA LORCA, Dichter in New York (Zaandijk, 1959, ills. and orig. wr. by CORNEILLE).
= With owner's entry of ARMANDO on title-p.
Shinkichi Tajiri Universal Paradoxes. Ed. H. Westgeest a.o. Leyden, Leiden Publications, 2015, 176p., richly illustrated, orig. boards, square 8vo. Colpaart, A., Wingen, A. a.o. (ed.). Eugène Brands Schilderijen. Amst., Stichting Eugène Brands. 2001, 200p., num. (full-p.) (col.) ills., orig. cl. w .dustwr., square 4to. - AND 5 others, i.a. W. HAZEU, Lucebert. Biografie (Amst., 2018, (col.) plates, orig. boards) and CARL-HENNING PEDERSEN, ELSE ALFELT. Ed. M. Barbusse a.o. (Herning, 1993, richly illustrated, orig. cl. w. dustwr., 4to).
- Mint.
= Purvis p.128; Maan '82, p.25; Maan/ Van der Ree '90, p.21; Broos/ Hefting p.77; cf. Dooijes/ Brattinga no.203 (larger size, w. sl. variant typography).
- A few lvs. sl. foxed. Wr. somewhat soiled and spine-end sl. worn.
= Yearly publication with many examples of mostly German graphic design.
- Spine sl. dam.
= With furniture designs by GERRIT RIETVELD, MIËS VAN DER ROHE, LE CORBUSIER and ANDRÉ LURÇAT. Van Dam/ Van Praag p.110; Timmer, Metz & Co, p.75: "Vanaf 1926 verzorgde de uit Wenen afkomstige reclame-ontwerper Stefan Schlesinger (...) Metz' typografie. De catalogi kregen een moderner en overzichtelijker aanzien (...). Schlesingers koele en evenwichtige zwart-wit ontwerpen pasten goed bij de verstrakking van het meubel en de vereenvoudiging in decoratie die in Metz' collectie optrad in die jaren."
= With many examples of German graphic design of posters, advertisements, trademarks etc.