- Wrappers trifle worn. = Parr/ Badger I, p.244 (1st ed., 1955).
Eisenstadt, A. Witness to our time. New York, Viking Press, 1966, 343p., richly illustrated, orig. cl. w. (defective) dustwr., 4to. - AND 10 others, i.a. R. CAPA, Grote fotografen (Amst., 2011, ills., orig. wr., folio) and FACES AND FACADES. Introd. P.C. Bunnell (Cambridge, 1977, ills., orig. boards w. dustwr., 4to).
- Without dustwr. and without the separately published booklet; binding w. some fading (esp. backstrip).
= Album Petite Planète 1. Parr/ Badger I, p.243: (...) Robert Frank's The Americans is usually regarded as the epitome of the Beat photobook. But William Klein's magnum opus, Life is Good and Good for You in New York (...), a book with a Beat mantra for a title, surely has the edge in this regard. This is partly because it was the earlier model, partly because it is less political and more exuberant, and, importantly, because its conception is so complete - photographs, layout, design, topography, 'found' ephemera coalescing into what is in effect one of the first great 'Pop' books. (...)."
- Owner's entry on upper pastedown and htitle. Fine copy.
- Lacks CD; otherwise fine.
- Lacks 1 plate. Vol. 5 lacks portion of backstrip. Otherwise fine.
AND 1 other: M. BOVIN and F. SAINT-JULIEN, Nus d'autrefois 1850-1900 (Paris, 1953, num. ills., orig. wr. (dam./ loosening)).
- Wrapper sl. yellowed at board edges. Contents fine.
Elsken, E. van der. Hallo! Bussum, Van Holkema & Warendorf, 1978, 1st ed., without pagination, col. photogr. ills. by ED VAN DER ELSKEN, orig. dec. boards, sq. 8vo. Cartier-Bresson, H. Sowjetunion. Photographische Notizen. Luzern/ Frankf. a.M., C.J. Bucher, 1973, (180)p., (double-p./ full-p.) photogr. ills. by HENRI CARTIER-BRESSON, orig. boards w. dustwr., large 4to. - AND 8 others similar, i.a. N. SEEFF, Hot Shots (New York, 1974, photogr. ills., orig. (yellowed) wr., sq. 8vo) and C. OORTHUYS, 1944-45 het laatste jaar (Amst., 1970, photogr. ills., orig. wr., large 4to. Pages (sl.) yellowed along outer margins).
- Upper joint box splitting at foot of spine. = SEE ILLUSTRATION PLATE XI.
= "This publication evolved form research for the exhibition One Step Big Shot: Portraits by Andy Warhol and Gus van Sant at the Jordan Schnitzer Museum of Art (...) 2010".
= From the library of Armando, all vols. w. AUTOGRAPH SIGNED DEDICATION (1x w. loosely inserted short autograph letter by A.T. Schaefer).
= With AUTOGRAPH SIGNED DEDICATION to Armando on title-p.
AND 8 others, i.a. J.H. DARCHINGER, Wirtschaftswunder. Deutschland nach dem Krieg 1952-1967 (Cologne etc., 2008, num. col. ills., orig. boards w. dustwr., obl. 4to); M. KUPFERNAGEL, Die Berliner Mauer 1989 (Berlin, 2009, ills., orig. wr.); J. STRAUSS, Potsdam 1984. Photographien (n.pl., 2014, ills., orig. boards, obl. 4to. SIGNED by the photographer) and H. HAMPEL, Wo die Mauer war. Text T. Friedrich (Berlin, 1996, ills., orig. wr. w. dustwr.).
- Transparent wr. yellowed.
Newton, J. (ed.). Helmut Newton. Work. Cologne etc., Taschen, 2000, 279,(1)p., richly illustrated, orig. boards w. dustwr., 4to. - AND 4 others, i.a. A. BIROLEAU and J.-P. WITKIN, Heaven or Hell (Paris, 1996, richly illustrated, orig. limp boards, 4to).
= Comprises i.a. J. YOORS, The Heroes Present (New York, 2004); H. EIJKELBOOM, Paris, New York, Shanghai (ibid., 2007); E. ETTY, Kors van Bennekom (Amst., 2002); R. ENSEL, De Nederlander in beeld (ibid., 2014); B. MOEYAERT and E. BROEKAERT, Vlees is het mooiste (ibid., 2007); H. EIJKELBOOM, Amsterdam by numbers (ibid., 2011, monogrammed in pencil by the author) and R. LONG, A walk across England (London/ New York, 1997).
- Occas. trifle foxed. Otherwise fine.
- Wrapper sl. rubbed, otherwise fine.
= Van Dam/Van Praag 504; Rond Paasheuvel en Prinsenhof p.50 (with ill.). Nice typography and photomontages.
Idem. Schiphol. Gemeente-luchthaven van Amsterdam. Geïllustreerde gids. Illustrated guide of Schiphol municipal airport of Amsterdam. Ibid., idem, n.d. (1932), (2),51,(15)p., typography/ design by FRÉ COHEN, printed in black and blue, orig. photomontage wr.
- Frontflap loose; wr. stained. Internally fine.
- Owner's entry and stamp on folding flap of frontcover; folding flap rubbed on fold; frontcover trifle fingersoiled.
= Van Dam/ Van Praag 477 (titled: "Het vertreksein, Schiphol een beeld van onzen tijd"): "(...) met 9 tekeningen en een advertentie voor Polis Balatum".
WITH loosely inserted advertising pamphlet "Bezoekt Schiphol. De gemeentelijke luchthaven van Amsterdam. De K.L.M. wacht op u!" ((8)p.
- Dustwr. sl. dam./ waterstained.
Sanouillet, M. (ed.). 391 Revue publiée de 1917 à 1924 par Francis Picabia. Francis Picabia et "391". Paris, Le Terrain Vague/ Eric Losfeld, 1960/ 1966, 2 vols., 158,(1); 284,(3)p., ills. by F. PICABIA, orig. not unif. wr., 4to.
- First vol. frontwr. creased/ w. some folds; 2nd vol. wr. sl. duststained.
= Facsimile reprint of the periodical "391" published from 1917 to 1924 by Picabia.
AND 3 others on the same. - ADDED: M. DUCHAMP, Manual of Instructions for Etant Donnes (Philadelphia, 1987, num. full-p. (photogr.) (facs.) ills., loosely inserted textbooklet w. English text (idem, (4)p., ills.), orig. boards, large 4to).
- Frontcover text booklet w. some sm. rubbed spots. Edges of box sl. soiled.
= With inserted booklet containing the German transl. of the introd. text. Nice and sumptuous publication, depicting the 347 engravings Picasso made between 16 March and 5 October 1968 at Mougins.
- Sm. closed tear in backwr. and top of spine of backwr.
= Contains a chronological list of 307 posters designed by Picasso.
AND 2 others on the same: D. GIRAUDY, Pablo Picasso. Die Bilanz eines schöpferischen Lebens (Stuttg./ Zurich, 1986, num. (fold.) (col.) plates and ills., printed in 4000 numb. copies, orig. cl. w. dustwr., slipcase, folio. Fine) and D. WIDMAIER PICASSO, Picasso "Art Can Only Be Erotic" (Munich etc., 2005, richly illustrated, orig. boards, folio).
= One of 400 SIGNED and numb. copies, with a thumb print by the author.
- Final vol. upper margin split at top over 6 cm. Fine set.
= 1. Sammlung E. Ullmann (1925, 150 (tinted/ col.) plates); 2. Die Wiener Bildnisminiatur (1926, 63 (tinted/ col.) plates); 3. Die englische Bildnisminiatur (1927, 74 (tinted/ col.) plates); 4. Die französische Bildnisminiatur (1928, 109 (tinted/ col.) plates).
= Poster designs concerning accident prevention and awareness. Each plate w. English translation in pencil in lower margin. Very rare. SEE ILLUSTRATION PLATE XII.
- Contents partly loose but fine. Dustwr. chipped/ frayed along upper margin and nibbled by silverfish in lower margin.
= Rare.
AND 1 other: M. ANTHONIOZ, Verve. The Ultimate Review of Art and LIterature (1937-1960) (New York, 1988, num. (col.) plates and ills., orig. cl. w. dustwr., folio. Fine copy).
- Title-p. creased and strengthened w. tape and w. stain in lower margin; occas. sl. foxed.
= Profusely illustrated (sale) catalogue.
AND 2 others, i.a. B.J. VAN BENTHEM, Twee eeuwen tafelzilver. De Amsterdamse zilversmeden Helweg 1753-1965 (Zwolle, 1993, num. (full-p.) ills., orig. cl. w. dustwr., large 4to).
- Pastedowns and endpapers sl. browned. Dustwrs. sl. soiled/ w. a few sm. tears.
= Arntzen/ Rainwater P522: "The definitive history of Dutch silver; indispensable for work in the field."
= No.IX of The Nasser D. Khalili collection of Islamic art.
Pijzel-Dommisse, J. Haags goud en zilver. Edelsmeedkunst uit de Hofstad. The Hague/ Zwolle, Gemeentemus./ Waanders, 2005, 447,(1)p., num. ills., orig. cl. w. dustwr., folio. - AND 7 others on precious metals and applied arts, i.a. T.G. TE DUITS, Kunstnijverheid en Industriële Vormgeving 1800-heden (Rott., 1996, num. (full-p. col.) ills., orig. boards w. dustwr., 4to) and T.M. ELIËNS a.o., Dutch Decorative Arts (Bussum, 1997, richly illustrated, orig. boards w. dustwr., 4to).
- All (but a few) plates w. sm. pinhole in corners; occas. trifle soiled; one plate sl. (water)stained. Lacks orig. paper portfolio.
= From the series Quadrat-Print/ Kwadraat-Blad.
AND 12 other kwadraat bladen (incl. one duplicate), i.a. PHILOMENE (1906), MUZIEKPAPIER (1970), CIJFER (1971) and A. MAGALHÃES, Topografische analyse van een bedrukt oppervlak (1974).
= With catalogue raisonné.
Wandrey, P. and Lenneman, J. Die Idee vom Haus im Grünen. Max Liebermann am Wannsee. Berlin, Reiter-Druck, 2010, 208p., num. (col.) ills., orig. boards, large 4to. - AND 4 others, all richly illustrated, all (near) fine, i.a. A. WERNER, Utrillo (New York, 1981, orig. cl. w. dustwr., folio) and G. FINCKH (ed)., Alfred Sisley (Wuppertal, 2011, orig. boards w. dustwr., 4to).