80 6400 Saftleven Herman 1609 1685 
- Broad margins; somewhat grey impression.
= On laid paper, prob. 18th century, perhaps early 19th century. Hollstein 19, 3rd state of 3. With the collector's marks of museum Boymans van Beuningen (Lugt 700a (doublure stamp) and 288).
80 6401 Sandrart Joachim von 1606 1688 after 
80 6401 Sandrart Joachim von 1606 1688 after 
= Both from J. VON SANDRART, L'Academia Todesca della Architectura, Scultura & Pittura: Oder Teutsche Academie der Edlen Bau-Bild- und Mahlerey-Künste (1675).
AND 10 others similar, all from the same work, i.a. "Flora", "Hygiaea", "Nilus" (fold in upper left corner), "Silenus" and "Viro Vestalis".
- Occas. (sl.) foxed/ yellowed in blank margins.
80 6402 Savery Roelant 1576 1639 after 
- Cut on the borderline, except the upper margin cut irregularly and within the borderline; upper right corner and right edge w. various closed tears and repairs; lower right corner lacks portion, added in pen and ink; a few sm. stains.
= This is the left half of a large landscape, printed on 2 sheets, as seen by Roelant Savery in Bohemia. Jacob Matham is the printer and therefore the print is usually attributed to him, although it is not in his usual style. New Hollstein (Matham) 345. This is the rare first state, not mentioned by Hollstein. The horseman below is not present in this state.
80 6403 Savery Salomon 1593 1683 
80 6403 Savery Salomon 1593 1683 
80 6403 Savery Salomon 1593 1683 
- The large profile w. ships (g), w. closed tear in lower part (beneath the central ship in the front), w. sl. yellowing along the tear; the plate w. the Magistrates taking leave of Maria (h) w. closed tears in margins.
= Hollstein 144c (1st state of 3), d (2nd state of 3), e and f (both 1st state of 3), g and h (2nd state of 3).
80 6404 Savery Salomon 1593 1683 
- Lacks a tiny part of lower left corner.
= From an early edition of W. BARTJENS, De vernieuwde cyfferinge (...) (possibly from the 1st edition of the second part, publ. Zwolle, 1637).
80 6405 Savery Salomon 1593 1683 
80 6405 Savery Salomon 1593 1683 
- Traces of mount on verso. Otherwise very fine. = Hollstein 88. Rare.
Cantarini, Simone (1612-1648). (Holy family in the clouds). Etching, 14,2x11,3 cm., "S.C. de Pesaro fe" in the plate in lower right corner,
- Cut inside the borderline; foxed.
80 6406 Savery Salomon 1593 1683 
80 6406 Savery Salomon 1593 1683 
- Number "5" erased. = Hollstein 228.
AND 1 engraving of a ship by Joannes VAN DOETECUM, from J.H. VAN LINSCHOTEN, Itinerario, 1596.
80 6407 Schäufelein Hans Leonhard 1480 1540 
- On laid paper with watermark of an ox head, topped with a bar and a Tau(?) (±1520). With sm. vague horizontal brown stain in centre. Without text on verso.
= Hollstein 710, 1 of 29 woodcuts in "Ulrich Pinder, Speculum Passionis domini nostri ihesu christi. In quo relucet hec omnia ... manifestissime coprobat ..., Nuremberg: [Friedrich Peypus for Ulrich Pinder], 1507 (4)." With the collection's mark and doublette stamp of the "königliche Sächsische Kupferstichkabinet", both not in Lugt.
80 6408 Schenk Petrus 1660 1713 
- Sm. tear on lower middle fold (closed on verso); sm. hole in upper blank margin.
= First leaf from the first ed. of Schenk's rare Schouwburg van den Oorlog/ Theatrum bellicum, published between 1709 and 1727. The work illustrates the military history of the War of the Spanish succession, with this leaf showing i.a. the acceptance of the Spanish crown by the Duke of Anjou, his entry into Madrid and the armed encounter between French and German troops at Chiara in July 1701. F.M. 3031 ("Allen ongenommerd en behalve de laatste in rood gedrukt."); cf. Koeman, Sche 6-7.
80 6409 Schongauer Martin 1430 1491 
80 6409 Schongauer Martin 1430 1491 
- The right and upper margin cut short well within the image: the upper part lacks a horizontal strip of ±4 cm. in height and the right part lacks a vertical strip of ±6 cm. wide; various sm. closed tears and holes and strengthened pieces; vertical central crease; agetoned and sl. soiled.
= Rare. Lehrs V, 376, 1 (by different artist); Hollstein 116 I (von II). On laid paper with watermark showing a crown topped by a star. SEE ILLUSTRATION PLATE CXXIX.