4611 - 4784     FINE ARTS - JAPANESE PRINTS, DRAWINGS and ILLUSTRATED BOOKS, ORIENTAL and TRIBAL ARTS

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79 4651 Hiroshige 1797 1858 79 4651 Hiroshige 1797 1858
79 4651 Hiroshige 1797 1858 79 4651 Hiroshige 1797 1858
79 4651 Hiroshige 1797 1858 79 4651 Hiroshige 1797 1858
79/4651 Hiroshige (1797-1858). Tōkaidō gojūsan-tsugi gashū (Fifty-three stattions along the Tokaido road). Series of 53 col. woodcut copies, Tokyo, Tokyo National Museum, n.d. (±1980?), kept in 27 unif. paper portlios, w. 3 loosely added facs. textpages (incl. title-p.), in orig. orange cl. dropback box.

- Box sl. faded. Otherwise very fine. = Published under editorship of Munishige Narazaki and Sadao Kikuchi.

€ (100-150) 210
79 4652 Hiroshige 1797 1858 79 4652 Hiroshige 1797 1858
79/4652 Hiroshige (1797-1858). (Two mandarin ducks in the snow). Col. woodcut, 12,5x37,6 cm., publ. unread.

- Three horizontal folds; doubled w. Japanese.

= The poem above the snowy branches reads "Oshidori no, sakazuki to chiyo, usukori" and translates as: For mandarin ducks/ thin ice is a wedding cup/ for a thousand year.

AND 2 others (both sl. creased and sl. stained).

€ (50-70) 130
79 4653 Hiroshige III 1843 1894 79 4653 Hiroshige III 1843 1894
79 4653 Hiroshige III 1843 1894 79 4653 Hiroshige III 1843 1894
79/4653 Hiroshige III (1843-1894). (True View of the Foreign Buildings along the Kaigandôri Seen from the Yokohama Wharves). Left part of col. woodcut ôban triptych, 37x24,5 cm., signed Ojû Hiroshige hitsu, published by Tsujiokaya Kamekichi, 1870.

- Left part only; yellowed; some portions paper restored.

AND a small woodcut by the same(?) showing people on rowing boats and sails behind waves.

€ (50-70) 90
79 4654 Hokuei ±1824 1837 79 4654 Hokuei ±1824 1837
79/4654 Hokuei (±1824-1837). (An actor drawing his sword). Col. woodcut ôban, signed Shunkôsai Hokuei, publisher unread.

- Sl. creased and strengthened in left margin; sm. frayed spot in left margin.

AND a col. woodcut ôban by KUNIHIRO (Lady in a garden near a gate) (creased and sl. waterstained; paper mounting tickets on verso in all corners).

€ (50-70) 80
79 4655 Hokusai 1760 1849 79 4655 Hokusai 1760 1849
79 4655 Hokusai 1760 1849 79 4655 Hokusai 1760 1849
79 4655 Hokusai 1760 1849 79 4655 Hokusai 1760 1849
79/4655 Hokusai (1760-1849). Fugaku Hyakkei (A Hundred Views of Mount Fuji). Ehon, n.pl., (1875), 3 vols., each 26 leaves, 100 (mostly double-p.) woodcut plates printed in grey, orig. unif. wr. w. title strip printed in green.

- Good set. = SEE ILLUSTRATION PLATE LVI.

€ (1.500-2.500) 2500
79 4656 Hokusai 1760 1849  after 79 4656 Hokusai 1760 1849 after
79 4656 Hokusai 1760 1849  after 79 4656 Hokusai 1760 1849 after
79 4656 Hokusai 1760 1849  after 79 4656 Hokusai 1760 1849 after
79/4656 Hokusai (1760-1849) (after). Bushū Tamagawa (Tama River in Musashi Province). Col. woodcut ôban, signed Hokusai hitsu.

- Yellowed.

= Later copy (with various small differences). Part of the series Fugaku sanjūrokkei (Thirty-six Views of Mount Fuji).

Idem. (A man chasing away two demons). Woodcut on two lvs., 19x26 cm.

= Illustration from an unidentified e-hon.

AND 4 others.

€ (60-80) 60
79 4657 Hokusai 1760 1849 and Hokkei 1780 1850 79 4657 Hokusai 1760 1849 and Hokkei 1780 1850
79 4657 Hokusai 1760 1849 and Hokkei 1780 1850 79 4657 Hokusai 1760 1849 and Hokkei 1780 1850
79 4657 Hokusai 1760 1849 and Hokkei 1780 1850 79 4657 Hokusai 1760 1849 and Hokkei 1780 1850
79 4657 Hokusai 1760 1849 and Hokkei 1780 1850 79 4657 Hokusai 1760 1849 and Hokkei 1780 1850
79/4657 Hokusai (1760-1849) and Hokkei (1780-1850). Lot of 4 double-p. tinted woodcut ills. from Hokusai dochu gafu, all ±19,5x28 cm.

= Views along the Tokaido road.

€ (60-80)
79 4658 Kaneko b 1949 79 4658 Kaneko b 1949
79/4658 Kaneko (b.1949). "Whisper Whisper 3". Col. woodcut, with use of silver and gold pigments, 22x31,4 cm., signed, titled, numb. and dated "Kunio Kaneko", "100/150" and "'05" in pencil below image (very fine).
€ (60-80) 130
79 4659 Keinen 1845 1924 79 4659 Keinen 1845 1924
79/4659 Keinen (1845-1924). (Bird standing on a tree stump in the reeds). Col. woodcut sho-tanzaku (10x25 cm.), signed Imao Keinen, framed.
€ (70-90) 80
79 4660 Keinen 1845 1924 79 4660 Keinen 1845 1924
79 4660 Keinen 1845 1924 79 4660 Keinen 1845 1924
79/4660 Keinen (1845-1924). (Two Birds and Chrysanthemums). Col. woodcut, from Keinen kachô gafu (Keinen's Flower and bird painting manual), 32x22,5 cm. (fine). Kawarazaki (1889-1973). (House plants). Col. woodcut ôban w. gauffrage, signed Shodo with seal, publisher Unso-do (fine).
€ (80-100) 80
79 4661 Kiyochika 1847 1915 79 4661 Kiyochika 1847 1915
79 4661 Kiyochika 1847 1915 79 4661 Kiyochika 1847 1915
79/4661 Kiyochika (1847-1915). (Egret amongst the reeds). Col. woodcut, 23,5x25 cm., signed Kiyochika, w. artist's seal in red.

- Upper blank corner restored.

Gochiku (act. mid-20th cent.). (Fireflies on leaves, a giant fan-shaped moon in the background). Col. woodcut, printed with silver pigment, 23x22,5 cm., signed Gochiku, w. artist's seal printed in red.

€ (80-100) 160
79 4662 Kiyochika 1847 1915 79 4662 Kiyochika 1847 1915
79 4662 Kiyochika 1847 1915 79 4662 Kiyochika 1847 1915
79/4662 Kiyochika (1847-1915). Sumidagawa yoru (Night on the Sumida River). Recarved col. woodcut ôban, 20,2x32,2 cm., signed Kiyochika, without publisher. Hiroshige (1797-1858). (New Year's Eve Foxfires at the Nettle Tree in Oji). Recarved col. woodcut ôban, signed Hiroshige ga, publisher Uoya Eikichi.

- Both fine 20th cent. recarved copies.

€ (60-80) 120
79 4663 Kobayashi act 1930 79 4663 Kobayashi act 1930
79/4663 Kobayashi (act. 1930) (Evening cool on the Sumida River). Col. woodcut chûban, signed with "Eijiro" artist's seal, publ. Nishinomiya Yosaku. Idem. (Evening cool on the Sumida River). The same woodcut printed in sepia-tints w. some colour, signed with "Eijiro" seal, publ. Nishinomiya Yosaku.

- Both in very fine condition. Both w. "Made in Japan" stamp on verso.

= Provenance: Robert O. Muller collection. SEE ILLUSTRATION PLATE LVII.

€ (300-500) 500
79 4664 Kôgyo 1869 1927 79 4664 Kôgyo 1869 1927
79/4664 Kôgyo (1869-1927). Atago Kûya. Col. woodcut ôban diptych, printed w. gold, signed on lefthand woodcut Kôgyo, w. seisui gyokusan ("Clear Water, Scattering of Jade") seal and publisher's seal of Daikokuya.

- Minimal traces of mounting on verso. Otherwise a very fine copy.

= From the series Nogaku hyakuban (One hundred Noh plays). Schaap/ Rimer, The Beauty of Silence, appendix no. 106 and 107. SEE ILLUSTRATION PLATE LVII.

€ (150-250)
79 4665 Kôgyo 1869 1927 79 4665 Kôgyo 1869 1927
79/4665 Kôgyo (1869-1927). Ema. Col. woodcut ôban triptych, printed with gold and silver, signed Kôgyo on lefthand sheet, w. artist's Yoshitoshi seal and publisher's seal of Daikokuya.

- Minimal vague traces of mounting on verso, otherwise very fine.

= From the series Nogaku hyakuban (One hundred Noh plays). Schaap/ Rimer, The Beauty of Silence, appendix no. 88, 89 and 90. SEE ILLUSTRATION PLATE LVIII.

€ (200-300) 200
79 4666 Kôgyo 1869 1927 79 4666 Kôgyo 1869 1927
79/4666 Kôgyo (1869-1927). Kogô. Col. woodcut ôban diptych, printed w. some silver, signed on lefthand woodcut Kôgyo, w. artist's seal in red on righthand woodcut and publisher's seal of Daikokuya on lefthand woodcut.

- Minimal traces of mounting on verso. Otherwise a very fine copy.

= From the series Nogaku hyakuban (One hundred Noh plays). Schaap/ Rimer, The Beauty of Silence, appendix no. 103 and 104.

€ (150-250)
79 4667 Kôgyo 1869 1927 79 4667 Kôgyo 1869 1927
79/4667 Kôgyo (1869-1927). Mekari. Col. woodcut ôban, printed w. some gold, signed Kôgyo, w. artist's seal, publ. by Daikokuya.

= From the series Nogaku hyakuban (One hundred Noh plays). Schaap/ Rimer, The Beauty of Silence, appendix no. 108.

€ (70-90)
79 4668 Kôgyo 1869 1927 79 4668 Kôgyo 1869 1927
79/4668 Kôgyo (1869-1927). Nue. Col. woodcut ôban, printed w. silver and gold, signed Kôgyo, w. unidentified seal and publisher's seal of Daikokuya.

- Very fine.

= From the series Nogaku hyakuban (One hundred Noh plays). Schaap/ Rimer, The Beauty of Silence, appendix no. 74.

€ (70-90) 70
79 4669 Kôgyo 1869 1927 79 4669 Kôgyo 1869 1927
79/4669 Kôgyo (1869-1927). Sagi (Heron). Col. woodcut ôban, printed with gold and silver, signed Kôgyo with red artist's seal, publ. Daikukoya. Idem. Hibariyama. Col. woodcut ôban, signed Kôgyo with red artist's seal, publ. Daikokuya.

= Both from the series Nogaku hyakuban (One hundred Noh plays). R. Schaap/ J.T. Rimer, The Beauty of Silence, appendix no. 67 and 92 (lefthand leaf of a diptych).

€ (100-150)
79 4670 Kôgyo 1869 1927 79 4670 Kôgyo 1869 1927
79 4670 Kôgyo 1869 1927 79 4670 Kôgyo 1869 1927
79/4670 Kôgyo (1869-1927). Shunkan. Col. woodcut ôban, printed with silver and gold, signed Kôgyo with red artist's seal, publ. Daikokuya. Idem. Sagi (heron). Col. woodcut ôban, printed with silver and gold, signed Kôgyo with red artist's seal, publ. Daikokuya.

- Both formerly mounted.

= From the series Nogaku hyakuban (One hundred Noh plays). Schaap/ Rimer, The Beauty of Silence, appendix no. 115 and 67.

€ (120-150)