5355 - 5792 FINE ARTS - GRAPHIC ART, 16th-19th CENTURY
76 5395 Bloemaert C 1603 1684 and Natalis M 1610 1668 
- All on sl. thick laid paper, prob. late 17th cent.
= Apparently part of a series, all dedicated to marchioness Vincenzo Gustiniani.
76 5396 Bloemaert F ±1610 ±1669 
76 5396 Bloemaert F ±1610 ±1669 
= Title print of the series after A. BLOEMAERT. Hollstein 16.
AND 4 other prints by the same after A. BLOEMAERT, from Het tekenboek.
76 5397 Blooteling A 1640 1690 
- Tipped onto one mount; both trimmed to or just outside the platemark; traces from former tipping in partly sl. visible in corners on recto.
= Both etchings w. collector's name of "Huber" in pencil on verso (different from Lugt 1267c) and unidentified collector's mark. Hollstein 103 and 106, both 3rd state (of 3).
AND 2 mediocre copies of the same two etchings, also in the 3rd state (both cut sl. short w. loss of (part of) the number and 1x yellowed).
76 5398 Boel C 1620 1668 
= Hollstein 42. With the collector's mark of the prints collection of Leyden university (Lugt 2221).
76 5399 Bol F 1616 1680 
- Some foxing. = Hollstein 2, 5th state (of 5).
76 5400 Bol F 1616 1680 
- Good, later impression on thick paper, cut 5 mm outside the platemark.
= Hollstein 24, 2nd state (of 2).
76 5401 Bol F 1616 1680 after 
76 5401 Bol F 1616 1680 after 
- Strong impression. = Copy in the same direction of Hollstein 24. On 17th cent. laid paper.
AND 3 other sm. etchings, all etchings after Rembrandt.
76 5402 Bolswert B A 1580 1633 
- Sl. fingersoiled. = Hollstein 332. Part of a series of 14 pastoral views.
AND 17 other prints, 18th-19th cent., all with animals (mostly sheep and horses), i.a. by P. VAN OS and J. SCHINDLER, after P. POTTER and K. DUJARDIN,
76 5403 Bolswert B A 1580 1633 
- Brown stain; vertical printer's flaw; two thin spots. = Hollstein 338ff.
AND 7 other engravings (incl. 1 duplicate) by B.A. BOLSWERT after A. BLOEMAERT, all but 1 doubled.
76 5404 Bolswert S A ±1586 1659 
- Trimmed on the platemark; two closed tears near upper edge; two sm. restorations in left margin, just within the image (tiny sections redrawn).
= Hollstein 285, 1st state (of 3).
76 5405 Bonnet L M 1743 1793 
- Cut to the framing line and tipped onto mount, original caption cut off and tipped onto mount.
76 5406 Bonnet L M 1743 1793 
- Cut to the framing line and tipped onto mount, original caption cut off and tipped onto mount.
- All prints professionally restored (i.a. closed tears and repaired edges), w. margins extended w. Japanese paper; most prints unevenly agetoned/ yellowed; a few spots.
= Hollstein 5-10, the 3rd state (of 6), finished but before the artist's name, number and address. On paper w. foolscap watermark (5x) and crowned lily (1x). Verso with the collector's stamp of Dr. W.A. Ackermann (1793-1865) (Lugt 791) (1x), the signature in pencil of S. Coster (17th cent.) (Lugt 462) (1x), an unidentified circular collector's stamp (not in Lugt) (2x) and the stamp of J.E. Wetterauer (6x). The series comprises: Ponte Molle; The hinny-drover, Via Appia; View of the Tiber in the Campagna; The two cows near the river, Tivoli; The fishermen at the Tiber, near the Soracte; The wooden bridge, Sulmona near Tivoli.
76 5408 Both J 1610 1652 
76 5408 Both J 1610 1652 
76 5408 Both J 1610 1652 
- Waterstains in upper part; brownn offsetting; grey impression. = Hollstein 1, the 6th state (of 6).
Waterloo, A. (1609-1690). Watermill at the foot of a hill. Etching, 12,1x20,8 cm.
- Somewhat yellowed.
= Hollstein 94, 2nd (?) state (of 2). With the collector's mark of Hillinger (Lugt 4334) and an unidentified collector's mark showing a beehive (Lugt 2732, perhaps collection Moran(?)).
AND 1 other by the same: A Mother and three children under way (Hollstein 79, 1st and only state. W. collector's marks of Hillinger and Herman Weber (Lugt 1383)).
76 5409 Boxing Alken S 1784 ±1825 after 
- Yellowed. = Rare boxing print.
76 5410 Brasser L 1717 1793 
- Black margins sl. and unobtrusively waterstained.
AND 3 miscellaneous others, i.a. IDEM, (Sailing ships near the quay on a quiet day) (etching and engraving after C. DE GRIENT, 18x24 cm. Central fold in image).
= Van H. 13, not in LPN.
76 5412 Brueghel the Elder P 1526 1569 after 
- Fine.
= Rare. New Hollstein (Bruegel) 62, 1st state (of 2); cf. Hollstein (Huys) 16-26. Franz Huys died in 1562, so perhaps the print was finished by someone else. New Hollstein suggests Cornelis Cort. Probably for the coast of Enkhuizen. SEE ILLUSTRATION PLATE CI.
76 5413 Brueghel the Elder P 1526 1569 after 
- Sl. soiled.
= State with the number and bible chapter and verse. Part of the series Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. SEE ILLUSTRATION PLATE CI.
76 5414 Bruggen J van der 1648 1714 
76 5414 Bruggen J van der 1648 1714 
- Right margin trimmed to/ on the plate mark; upper margin trimmed just inside the image; margins partly strengthened on verso; vaguely foxed in left verse-lines.
= Rare mezzotint.
AND a mezzotint by R. HOUSTON after a follower of REMBRANDT: (Woman plucking a cock) (trimmed into the image; sharp fold and traces of silverfish nibbling in lower margin w. engr. text).