5793 - 6157     FINE ARTS - 16th-19th CENTURY DRAWINGS, WATERCOLOURS and PAINTINGS

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76 5793 Amsterdam  Versteegen J  1735 1795 76 5793 Amsterdam Versteegen J 1735 1795
76 5793 Amsterdam  Versteegen J  1735 1795 76 5793 Amsterdam Versteegen J 1735 1795
76/5793 [Amsterdam]. Versteegen, J. (1735-1795). "Klein Kramers Gild. Wapens en Naamen der Heeren Overlieden: Volgens Rang van aanstelling tot heeden." Drawing, watercolour heightened w. gold and pen and ink on paper, 97x64,5 cm., signed in center of lower margin "Jacobus Verstegen Geinventeert en Getekent." and "J. Ooytink Gildeknegt 1791" in lower left corner.

- Tipped onto hardboard; closed tear in upper margin; vague horizontal fold.

= With 9 coats of arms filled in (36 shields left blank). "Dit gilde werd op 2 november 1621 opgericht. Hiertoe behoorden de uitslijters van kaas in het klein, de verkopers van erwten, bonen, gort, meel enz. bij de kleine maat, de vettewariers of commenijhouders en de kaarsenmakers. In de 18de eeuw werd het bestuur van het gilde gevormd door één overman uit de kaarsenmakers, één uit de graankopers en één uit de vettewariers. Alleen de kaarsenmakers hadden een proef af te leggen. Zij, die deze waren wilden verkopen, behoefden geen poorter te zijn, doch moesten een klein inkomgeld betalen en een gulden per jaar aan de bos. De kaarsenmakers daarentegen moesten fl. 25 gildegeld betalen en een leertijd van drie jaar doorlopen. (...). Tot 1721 had het gilde een kamer boven de Vleeshal in de Nes. In dit jaar werd een gildehuis in het Klooster in gebruik genomen, dat in 1792 werd verkocht. Er werd toen een huis in de Kerkstraat aangekocht, dat tot 1822 in het bezit van het gilde bleef." (quoted from the website of the Stadsarchief Amsterdam). SEE ILLUSTRATION PLATE CXV.

WITH (attached to hardboard): Ordonnantie van 't Klein Kramers Gild. Amst., Stadsdrukkerij, 1808, 71,(3)p., contemp. wr. (one quire browned).

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76 5794 Anonymous 16th cent  Flemish school 76 5794 Anonymous 16th cent Flemish school
76/5794 Anonymous (16th cent., Flemish school). (Venus mourns with the dead Adonis in her arms). Drawing, pen and brown ink, white gouache, black chalk wash, 20,3x31,5 cm.,

= With an (unread) contemporary annotation in pen and brown ink on verso and a later and modern attribution to J. de Wit. Perhaps the surroundings of Bartholomeus Spranger. SEE ILLUSTRATION PLATE CXV.

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76 5795 Anonymous 16th cent  76 5795 Anonymous 16th cent
76/5795 Anonymous (16th cent.). (Two standing female figures with two putti on the right). Drawing, pen and black ink, pencil, black ink framing line, 28x19,7 cm.

- Vaguely waterst. in right margin; old vage folds and vaguely foxed.

= Verso w. "Zollamt" mark. Perhaps portraying Saint Helena carrying the cross. SEE ILLUSTRATION PLATE.

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76 5796 Anonymous 16th/ early 17th cent  Dutch school 76 5796 Anonymous 16th/ early 17th cent Dutch school
76/5796 Anonymous (16th/ early 17th cent., Dutch school). (King Solomon being tempted into idolatry by one of his wives). Chiaroscuro drawing, brush and (blue?) ink, white gouache, 20,3x16,8 cm., on blue grey painted paper.

- Mounted (along edges); creases (prob. formerly rolled).

= Slightly in the style of Bartholomeus Spranger. SEE ILLUSTRATION PLATE CXV.

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76 5797 Anonymous 16th/ early 17th cent  Italian school 76 5797 Anonymous 16th/ early 17th cent Italian school
76/5797 Anonymous (16th/ early 17th cent., Italian school). (Man carrying a large beam). Drawing, pen and brown ink and red wash, 11,5x13,5 cm.

- Laid down; waterstain in lower left corner.

= On verso of the drawing a sketch (visible when lights shines through) of the lower body of a female nude and part of an ornamental sculpture with manuscript writing: "v(?)sa(?) di qu adri (?)". An attribution to Jacopo Chimenti da Empoli on mount.

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76 5798 Anonymous 16th/ 17th cent  76 5798 Anonymous 16th/ 17th cent
76 5798 Anonymous 16th/ 17th cent  76 5798 Anonymous 16th/ 17th cent
76/5798 Anonymous (16th/ 17th cent.). (Congregation of bishops and an archbishop in the centre). Drawing, pencil and grey wash, 19x31,3 cm., tipped onto mount.

- A few browned spots in lower margin; lower right corner torn loose from mount; formerly folded three times.

= Probably a study after a painting.

AND 1 other anonymous study in pen and ink and pencil, prob. late 17th cent. (22,5x17,5 cm. Laid down).

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76 5799 Anonymous early 17th cent  76 5799 Anonymous early 17th cent
76/5799 Anonymous (early 17th cent.). (Putti emptying their harvest grapes into a large treading bin). Drawing on prepared brown paper, pen and ink, 12,4x18,5 cm.

- Dam. in and near all corners; laid down under passepartout.

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76 5800 Anonymous 17th cent  Dutch school 76 5800 Anonymous 17th cent Dutch school
76 5800 Anonymous 17th cent  Dutch school 76 5800 Anonymous 17th cent Dutch school
76/5800 Anonymous (17th cent., Dutch school). (Packed mule and its rider, standing man giving directions to another persion with a packed mule). Drawing, pen and brown ink, grey wash, 14,5x20,6 cm. (leaf).

- Somewhat soiled and foxed.

= On verso a small sketch of a figure pulling a stubborn mule and a manuscript contemporary annotation in pen and ink: "gelant te moede jieve (?) die al sijt dat heij wiel, die moet dirmael dierhmael hoeren dat heij niet in wielt (?)". From the collection of Albert Welcker with his stamped collector's mark (Lugt 2793c) and manuscript inventory no. "403". The drawing was framed together with a Dutch newspaper dated 1942.

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76 5801 Anonymous 17th cent  Dutch school 76 5801 Anonymous 17th cent Dutch school
76/5801 Anonymous (17th cent., Dutch school). (Parade burgonet in the shape of a fantasy dolphin in auricular style). Drawing, 15,5x19,5 cm., (image), 17x20,9 cm. (framing line), silver/ metal pen (or black chalk) and white chalk.

- Sm. waterstain near left edge.

= The burgonet is faintly in the style of Filippo Negroli. On laid paper with a watermark showing a crowned double-headed eagle. On the watermark cf. Haywood 1300 (printed work, 1644) and Laurentius, watermerken 1600-1650, 385 (very similar but with a shield on the breast) (date 1643). SEE ILLUSTRATION PLATE CXVI.

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76 5802 Anonymous 17th cent  Dutch school 76 5802 Anonymous 17th cent Dutch school
76/5802 Anonymous (17th cent., Dutch school). (People on a quay loading goods on a sailing barge). Drawing, pen and ink and grey wash, 13,8x15,2 cm.

- Sl. foxed and fingersoiled. = Surroundings of Aelbert Cuyp. SEE ILLUSTRATION PLATE CXVI.

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76 5803 Anonymous 17th cent  Dutch school 76 5803 Anonymous 17th cent Dutch school
76/5803 Anonymous (17th cent., Dutch school). (Profile view of a small Dutch city or town). Drawing, brush and ink, 6,3x27 cm.

- Brownish (water?)stain in the sky; upper left corner section of the sky cut off, repaired w, later paper.

= City or town unidentified, but perhaps Naarden. With a later attribution in pencil to Salomon Ruysdael on mount. On laid 17th century paper with part of an unidentified watermark. Perhaps surroundings of Jacob Ruysdael or Jan van Kessel. SEE ILLUSTRATION PLATE CXVII.

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76 5804 Anonymous 17th cent  Dutch school 76 5804 Anonymous 17th cent Dutch school
76/5804 Anonymous (17th cent., Dutch school). (Ruinous castle). Drawing, black chalk, 12,3x18,2 cm., w. contemp. annot. (unread).

= With later inventory number "No.79" in pen and brown ink on recto. With partial watermark of a crowned eagle. With a modern attribution to Esaias van der Velde. Perhaps by Jan Baptist Weenix. SEE ILLUSTRATION PLATE CXVII.

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76 5805 Anonymous 17th cent  Dutch school 76 5805 Anonymous 17th cent Dutch school
76/5805 Anonymous (17th cent., Dutch school). (Skaters and other people on the ice near a town). Drawing, red chalk, 14x20,2 cm., w. monogram "JVG" in black chalk.

- Sl. fingersoiled and agetoned; a few spots.

= Somewhat in the style of Jan van Goyen. On laid paper with partial watermark showing a coat of arms with a french lily. SEE ILLUSTRATION PLATE CXVIII.

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76 5806 Anonymous 17th cent  Dutch school 76 5806 Anonymous 17th cent Dutch school
76/5806 Anonymous (17th cent., Dutch school). (Two sailing barges). Drawing, pen and brown ink and grey wash, 14x17,1 cm.

- Foxed.

= With an attribution on verso to Aelbert Cuyp ("A Cuyp). Perhaps by Jacob Esselens. Provenance: Collection Jacob de Vos (auctioned in 1883) and "gek. van R.W.P. de Vries 1917 F.150. Hft (Hooft)". SEE ILLUSTRATION PLATE CXVIII.

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76 5807 Anonymous 17th cent  Flemish school 76 5807 Anonymous 17th cent Flemish school
76/5807 Anonymous (17th cent., Flemish school). (Wooded landscape with a tiny chapel). Drawing, pen and brown ink and brown wash, 19x29,5 cm.

- A few sm. remnants of former mount along edges on verso.

= Perhaps surroundings of Paul Bril. SEE ILLUSTRATION PLATE CXIX.

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76 5808 Anonymous 17th cent  Italian school 76 5808 Anonymous 17th cent Italian school
76/5808 Anonymous (17th cent., Italian school). (Head of a bearded man looking up). Drawing, red chalk, heightened w. white chalk, 8,5x9 cm.

- Stain in centre.

= On blueish laid paper (no watermark visible). With the collector's mark of the 19th century Italian collector Pacini (Lugt 2011). SEE ILLUSTRATION PLATE CXIX.

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76 5809 Anonymous 17th cent  Italian school 76 5809 Anonymous 17th cent Italian school
76/5809 Anonymous (17th cent., Italian school). (The Holy Virgin and Child confirming Saint Roch as the patron saint for plague victims, below a putto scaring off a woman a with a torch). Drawing, brush/ pen and brown ink, 23x16,8 cm.

- Heavily soiled w. mould spots; corners repaired

= Perhaps an allegory in which Faith chases the plague away. With attribution on recto "caracio". On verso a partial attribution to "Lanfra(....)" (G. Lanfranco?) and manuscript collector's (?) mark with remnant wax seal "de Paolo (?)avonaso" in pen and ink. SEE ILLUSTRATION PLATE CXX.

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76 5810 Anonymous 17th cent  76 5810 Anonymous 17th cent
76/5810 Anonymous (17th cent.). (Cripples and beggars). Small drawing, pen and brown ink, 9,2x12,7 cm.
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76 5811 Anonymous 17th cent  76 5811 Anonymous 17th cent
76/5811 Anonymous (17th cent.). (Full-length portrait of a man with a cape and a turban). Drawing, pencil, 11,3x7,3 cm., monogrammed "P." in lower left corner, vague captions in [later?] pen and brown ink "Joseph"[?] in lower blank margin, tipped onto mount w. brown ink fillet lines.

- Rather vague drawing; sl. browned/ dustsoiled; 2 vague oblique folds. Mount some moulding.

= With unidentified collector's mark in left corner (Lugt 4698), possibly attributed to Nicholas Lanier. SEE ILLUSTRATION PLATE CXX.

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76 5812 Anonymous 17th cent  76 5812 Anonymous 17th cent
76/5812 Anonymous (17th cent.). (Grim men). Drawing, pen and black ink, some brown wash, 20,2x15,3 cm., on brownish paper.

- Large tear in lower half (repaired w. tape on verso).

VERSO with another black pen and brown wash drawing of an angry woman.

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76 5813 Anonymous 17th cent  76 5813 Anonymous 17th cent
76/5813 Anonymous (17th cent.). (Head of a bearded man). Drawing, red chalk, 20x15,5 cm.

= With the collector's mark of A. Weber (1844-1918, Verviers) (Lugt 2551b) on recto.

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76 5814 Anonymous 17th cent  76 5814 Anonymous 17th cent
76/5814 Anonymous (17th cent.). "Horst aan de Zuyd Zyde". Drawing, pen and brown ink, grey wash, 13,9x18 cm.

- Sm. cut in right part.

= According to annotations on the mount the drawing depicts the castle Nederhorst den Berg, but that is very unlikely. Perhaps it shows the castle Ter Horst in Wassenaar before the grand renovation by Reinier Pauw.

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76 5815 Anonymous 17th cent  76 5815 Anonymous 17th cent
76/5815 Anonymous (17th cent.). (Italian landscape with four military men). Drawing, pen and brown ink, 11x17 cm., framed.

- Lower left corner restored/ retouched; lower right corner worn/ restored.

= Provenance: the collection of J. and C. Ulmann.

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76 5816 Anonymous 17th cent  76 5816 Anonymous 17th cent
76/5816 Anonymous (17th cent.). (Jesus meets the women of Jerusalem). Painting, oil on copper, 42,4x32,2 cm., framed.

= One of the Stations of the Cross, prob. from a church interior. SEE ILLUSTRATION PLATE CXX.

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76 5817 Anonymous 17th cent  76 5817 Anonymous 17th cent
76/5817 Anonymous (17th cent.). (The Lord looking down on a battle). Drawing, red crayon, 21,1x15 cm.

- Dam. spot near left edge; some superficially worn spots.

= Provenance: from the collection of J. and C. Ulmann. Attribution to "Piazetta" in modern hand on verso.

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76 5818 Anonymous 17th cent  76 5818 Anonymous 17th cent
76/5818 Anonymous (17th cent.). (Massacre of the innocents). Drawing, pen and brown ink, brown wash, 26,2x12,5 cm.

- Oxidation spots and foxing; upper left corner sl. dam. = Verso w. attrib. to G. Romani.

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76 5819 Anonymous 17th cent  76 5819 Anonymous 17th cent
76/5819 Anonymous (17th cent.). (Mythological scene with a godess, nymphs and putti). Drawing, pen and black and brown ink, grey wash, 28x22 cm.

- Some foxing.

= On paper with a crowned watermark and a lily, a V and an R. SEE ILLUSTRATION PLATE CXX.

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76 5820 Anonymous 17th cent  76 5820 Anonymous 17th cent
76/5820 Anonymous (17th cent.). (A woman holding a fainted or dead woman). Drawing, black and red chalk, heightened w. white chalk, 42x27 cm.

- Browned; waterstain in lower left and upper right corner.

= Perhaps Mary Magdalene supporting the fainted Holy virgin. Probably by a Flemish artist.

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76 5821 Anonymous 17th cent  76 5821 Anonymous 17th cent
76/5821 Anonymous (17th cent.). (Portrait of a young woman en face). Drawing, black and some white and red chalk, 26,5x20 cm., numb. "4"[?] in pen and brown ink in upper right corner, on greyish paper.

- Vaguely foxed/ stained; some vague creases. Verso traces of former mount in upper margin.

= With watermark of a circle topped by a clover. SEE ILLUSTRATION PLATE CXXI.

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76 5822 Anonymous 17th cent  76 5822 Anonymous 17th cent
76/5822 Anonymous (17th cent.). (Portrait of Jacques Callot). Drawing, red crayon, 14,2x10,8 cm., laid down on mount, mount w. later manuscript "Giacomo Callot".

- Partly foxed.

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76 5823 Anonymous 17th cent  76 5823 Anonymous 17th cent
76/5823 Anonymous (17th cent.). (Study for a portrait of a lady facing left). Drawing, pencil and black crayon, 28,5x19,5 cm.

- Doubled; 2 large closed tears through image (repaired and only sl. visible); margins occas. sl. chipped; tipped-in.

= Attributed to ADRIAEN HANNEMAN (ca.1601-1671) by the previous owner (see: O. ter Kuile. Adriaan Hanneman 1604-1671, ill.16 en 70 for the portraits of Sophie van der Palts showing great similarities). With pencil annotation on mount stating the drawing was previously in the collection of Johan Lord Somers (Lugt 2981). With annotation in pencil on verso "Original drawing by Van Dyck". And with annotation in pencil on verso mount "Sir Peter Lely".

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76 5824 Anonymous 17th cent  76 5824 Anonymous 17th cent
76/5824 Anonymous (17th cent.). (A woman holding a sword). Drawing, pen and black ink, grey wash, heightened w. white, 15x9,8 cm., with collector's mark on recto, framed.

- Yellowed; crease in lower left part. = Provenance: the collection of J. and C. Ulmann.

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noimage
76/5825 Anonymous (17th cent.). (Putti playing with a goat). Drawing, pencil, heightened w. white crayon, 21,5x37,3 cm., on blue paper.

- Verso w. unidentified collector's mark "A.L" [?]

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76 5826 Anonymous late 17th cent  76 5826 Anonymous late 17th cent
76/5826 Anonymous (late 17th cent.). (Arithmetica). Drawing after C. DREBBEL, pen and brown and black ink, 17,5x14 cm.

- Sl. foxed.

= With the collector's mark of Giuseppe Vallardi (1784-1863) (Lugt 1223) on recto and Robert Witt (1872-1952) (Lugt 2228b). Cf. Hollstein 5 (after a design by H. Goltzius).

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76 5827 Anonymous late 17th cent  76 5827 Anonymous late 17th cent
76/5827 Anonymous (late 17th cent.). (Classical couple on a cloud with an flying eagle below). Drawing, brush and black ink, 20x24,5 cm., on green tinted paper.

- Creased and heavily rubbed.

= Probably Jupiter and an unidentified goddess. Design for a ceiling. With an attribution to Johann Michael Rottmayr on passepartout.

AND 7 other drawings with human figures, all 19th cent.

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76 5828 Anonymous late 17th cent  76 5828 Anonymous late 17th cent
76/5828 Anonymous (late 17th cent.). (Couple drinking coffee). (Lady seated on the knee of a gentleman). Two drawings, gouache, pen and ink and gold, both ±18,2x15 cm., on vellum, ±1690.

= The ladies and gentlemen in the typical fashion of the 1690's. Perhaps part of a series showing the five senses. Cf. the mezzotint series by Jacob Gole, showing a similar couple drinking coffee (representing Taste). The other drawing of the amourous couple, could represent Touch. SEE ILLUSTRATION PLATE CXXI.

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76 5829 Anonymous 17th/ 18th cent  76 5829 Anonymous 17th/ 18th cent
76/5829 Anonymous (17th/ 18th cent.). (Battle scene). Drawing, pencil, black ink framing line, 14,5x20,5 cm., tipped onto mount.

- Some foxing/ soiling.

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76 5830 Anonymous 17th/ 18th cent  76 5830 Anonymous 17th/ 18th cent
76 5830 Anonymous 17th/ 18th cent  76 5830 Anonymous 17th/ 18th cent
76/5830 Anonymous (17th/ 18th cent.). (Christ preaching). Drawing, brush and brown and grey ink, pencil underdrawing, 14x12 cm., in richly gilt dec. frame.
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76 5831 Anonymous 17th/ 18th cent  76 5831 Anonymous 17th/ 18th cent
76 5831 Anonymous 17th/ 18th cent  76 5831 Anonymous 17th/ 18th cent
76/5831 Anonymous (17th/ 18th cent.). (Forest). Drawing, black and some white chalk, 32,5x53 cm., on blue laid paper.

- Slightly soiled; vaguely waterst.

AND 1 other anonymous 18th cent. pen drawing of two people and a dog in a rocky landscape (watermark "GR").

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76 5832 Anonymous 17th/ 18th cent  76 5832 Anonymous 17th/ 18th cent
76/5832 Anonymous (17th/ 18th cent.). (Head of a young man looking down). Drawing, red chalk, 12,5x10 cm.

= On rather thick laid paper. With the part of the collector's mark of the 19th century italian collector Pacini (Lugt 2100).

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76 5833 Anonymous 17th/ 18th cent  76 5833 Anonymous 17th/ 18th cent
76/5833 Anonymous (17th/ 18th cent.). (Landscape with a fallen column). Drawing, brush and black ink, 9x15,2 cm.
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76 5834 Anonymous late 17th/ early 18th cent  76 5834 Anonymous late 17th/ early 18th cent
76/5834 Anonymous (late 17th/ early 18th cent.). "Maria Medici. F. MDIXXXVII." Drawing, pen and ink, 24,5x13,5 cm., titled below the image.
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76 5835 Anonymous 17th/ 18th cent  76 5835 Anonymous 17th/ 18th cent
76/5835 Anonymous (17th/ 18th cent.). (Nude men carrying a large crown and a vase). Drawing, pencil on white wash ground, 22,7x18,5 cm.

- Verso oxidized remains of former mount in corners.

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76 5836 Anonymous 17th/ 18th cent  76 5836 Anonymous 17th/ 18th cent
76 5836 Anonymous 17th/ 18th cent  76 5836 Anonymous 17th/ 18th cent
76/5836 Anonymous (17th/ 18th cent.). (Study of a cow's head). Oil on paper, mounted on panel, 16x14,2 cm., framed. - AND another similar study by the same artist, framed.

= According to note on verso of one of the panels, from the former collection of B. Smith van Gelder and W. Russell. With an older manuscript attribution to Paulus Potter.

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76 5837 Anonymous early 18th cent  76 5837 Anonymous early 18th cent
76/5837 Anonymous (early 18th cent.). (Biblical scene with an old man giving alms). Drawing, black and white crayon on greyish ground, 26,5x27 cm. (leaf 35,5x41,2 cm.).

- Some dustsoiling; blank margins some wear; verso foxed.

= WITH attrib. to Luca Giordano (1634-1705) in pencil on verso.

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76 5838 Anonymous early 18th cent  76 5838 Anonymous early 18th cent
76/5838 Anonymous (early 18th cent.). (Statues of three female saints and their attributes). Three drawings, pen and black ink and brown wash, heightened w. (oxidated) white, each ±23,7x12,5 cm., 1x w. "580" in lower right corner, all w. manuscript Latin text on verso, together tipped onto mount.

- White oxidated; text shining through; sl. browned/ foxed/ waterst.

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76 5839 Anonymous 18th cent  German school 76 5839 Anonymous 18th cent German school
76/5839 Anonymous (18th cent., German school). (The Coronation of the Holy Virgin with two allegorical figures, above a burning house). Drawing, white gouache on dark brown tinted paper, with a grid, 31,8x20 cm.

- Horizontally split, but professionally reattached and restored on verso; a few sm. chips and holes.

= One of the allegorical figures is pouring a bucket of water and appears to extinguish the fire. Perhaps a design for a painting or wall painting commemorating a remarkable event. With the collector's mark of Erwin Holzer (Vienna) (not in Lugt) on verso.

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76 5840 Anonymous 18th cent  76 5840 Anonymous 18th cent
76/5840 Anonymous (18th cent.). (A clearing in the forest of the Prater in Vienna). Drawing, brush and brown ink, 29x35,5 cm., heightened w. white, "Au Prater à Vienne" in brush and ink.

- Waterstain on verso near left edge.

= On laid paper with watermark showing a large beehive. A small monogram/ annotation on verso "44 C. de R."

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76 5841 Anonymous 18th cent  76 5841 Anonymous 18th cent
76 5841 Anonymous 18th cent  76 5841 Anonymous 18th cent
76/5841 Anonymous (18th cent.). (Flowering poppy plant)./ (Flowering Fritillaria imperialis). Two drawings, watercolour, 37,2x22,3 and 37,6x22,6 cm. (framing line), on fold. lvs.

- Lvs. sl. fingersoiled, mostly along edges.

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76 5842 Anonymous 18th cent  76 5842 Anonymous 18th cent
76/5842 Anonymous (18th cent.). (Kitchen scene with children being fed). Drawing, brush/ pen and ink, grey wash, 15,3x21 cm., ±1770.

- Tipped onto mount; sl. fingersoiled.

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