4646 - 4918 FINE ARTS - 16th-19th CENTURY DRAWINGS, WATERCOLOURS and PAINTINGS
= Scheen p.519: "Schilderde interieurs met doorkijkjes, meestal met effect van invallend zonlicht, geïnspireerd op Pieter de Hoogh".
= Provenance: family of the artist.
= Provenance: family of the artist.
= Provenance: family of the artist.
- Yellowed; vague brown stain in left margin; upper blank margin laid down on mount w. paper tape; traces of former mounting on verso.
= Attractive skating view. SEE ILLUSTRATION PLATE XCI.
- Yellowed; trifle foxed; verso remains of former mounting.
= Attractive skating scene. SEE ILLUSTRATION PLATE XCI.
- Under passepartout.
= Study for one of several known pastel drawings with the same subject. With annot. in pencil on verso by the former owner: "gekregen van de neef van de artiest Gerard de Josselin de Jong".
- Leaf yellowed.
Idem. "Vox Studiosorum Studenten weekblad". Handcol. lithogr. poster, 43x33,5 cm., signed on the stone.
- Sl. soiled.
= With corrections in pencil and pen and ink and extensive colour annotations in pen and ink and pencil (by the artist?).
AND 2 other lvs. with drawings by the same, i.a. a profile portrait. - AND 2 diplomas awarded to the artist at the World Exposition of 1889 in Paris and Louisiana Purchase Exhibition of 1904 in Saint Louis (for his oil painting "The Watering Place").
- Browned; tiny dam. spots on surface in right margin. = SEE ILLUSTRATION PLATE XC.
- Paper browned; vertical central fold.
Idem. (Lakeside at the foot of a rocky hillslope). Drawing, pencil, 17,5x9,4 cm., ±1825.
- A few sm. (foxed) specks.
AND 1 other drawing attributed to the same, showing a man or a boy standing.
- Sl. yellowed (margins worse); dam. spot in outer lower blank margin.
= With an accomp. typescript letter (1988) by B.M. Vermet, conservator of the Noordbrabants Museum, attributing the drawing to Henriette Knip.
= All three drawings may possibly have been made by Koelman during his stay in Northern Italy in 1855.
- Foxed.
- Sl. foxed.
= Sold at Gebr. Douwes Fine Art gallery (Amsterdam and London), with their ticket on verso frame. One leaf with the collector's mark of Eugene Susini (Lugt 3769). One leaf with sketch of a horse and part of a manuscript text (unread) on verso. A somewhat similar sketch leaf of heads is present in the collection of museum Boymans- van Beuningen (PAK 902).
- Vertical fold; brown spot in right part; lower right corner sl. dam.
= Perhaps by Louis Lafitte, although not his style.
= Batenburg Castle was destroyed by the French in 1794 and never rebuilt. The first mentioned anonymous drawing of this lot shows the Castle before its destruction.
- Foxed; laid down on mount.
= Jean François (or Jan Frans) Legillon (or Le Gillon) was a flemish artist who specialized in scenes with cattle. He made some travels through Europe and between 1779 and 1780 he toured in Switzerland.
= SEE ILLUSTRATION PLATE XCII.
- Laid down on board. Otherwise fine.
= De Eendracht belonged to the paper manufacturer "Papierfabriek De Eendracht", which later became "Van Gelder". Its owner at the time was Pieter Smidt van Gelder (1821-1887), which explains the initials "P.S.v.G." in the title.