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Constant Anton Nieuwenhuys

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83/ 70 Cobra. Silkeborg, Galerie Moderne, 1988, 5 colour lithographs by CONSTANT, Egill JACOBSEN, Carl-Henning PEDERSEN, Pierre ALECHINSKY and CORNEILLE, all ±85x60 cm., signed, "31/35" or "XXXI/XXXV" and 1x titled in pencil, letterpress textleaf, printed in 185 numb. copies (35), loose as issued in orig. cl. portfolio, large folio.[*]

= One of 35 Roman numb. copies for the artists and collaborators. Provenance: the estate of Constant Anton Nieuwenhuys.

€ (1.200-1.500) 1200

83/ 116 Jorn, A. Held og hasar. Dolg og guitar. Silkeborg, Privattryk, 1952, 96p., 79 orig. linocut ills. (printed in 1 or 2 colours) by A. JORN, printed in various colours in 109 numb. and signed copies (25), orig. clothbacked boards w. col. linocut on front- and backcover, 4to.[*]

- Endpapers and first and last leaf trifle foxed. Front- and backcover trifle yellowed and w. some foxed spots. Nevertheless a fine copy.

= Number 22 of a series of 25 marked "A" on "imit. bøttepapir". This text on aesthetics ('Risk and Change') was written by Asger Jorn during his hospitalization with tuberculosis in Silkeborg Sanatorium. He printed the book on the small handpress of the Sanatorium in cooperation with the institute's typographer Johs. Gregersen, thus explaining the typographical irregularities ("håndtrykt på en korrekturpresse, hvilken udførelse forklarer de mange unreglmaessigheder" [colophon]). Although the colophon states that 109 copies were printed, in reality only 20 or 30 copies were produced. Extremely rare. Provenance: the estate of Constant Anton Nieuwenhuys. This lot is subject to 4% resale royalties ('droit de suite') over the total amount of hammerprice and buyer's premium.

€ (4.000-6.000)

83/ 117 Jorn, A. and Debord, G.-E. Fin de Copenhague. Copenhagen, Permild & Rosengreen ("Edité par le Bauhus imaginiste"), 1957, (36)p., profusely illustrated by A. JORN, printed in an edition of 200 copies, orig. blindst. boards, 4to.[*]

- Bookblock sl. loosening. One of 2 binding threads broken; covers trifle yellowed.

= This copy SIGNED in pencil by both authors. Monod 3532; G. Berréby, Textes et documents situationnistes, 1957-1960, p.96: "La collaboration de Guy Debord à Fin de Copenhague, petit livre spontané fait en vingt-quatre heures, a été plutôt remarquée: les effets s'en sont répandus avec une étonnante vitesse, en quelques mois, parmi les spécialistes du livre d'art et de la typographie, en Amérique et en Europe. Ce rayonnement d'influence n'a pas cessé de s'enchaîner depuis". Revolutionary collaboration between the most important founders of the Situationist International. The cover, made from the printing plates of a Danish newspaper, is slightly different for each copy. The title can be understood as the end of Cobra, the movement with which Jorn had just broken. Provenance: the estate of Constant Anton Nieuwenhuys.

€ (5.000-7.000) 5000

83/ 163 Pour Jorn. Silkeborg, Asger Jorn Foundation, 1976, 14 col. lithographs by Pierre ALECHINSKY, Karel APPEL, Enrico BAJ, CONSTANT, CORNEILLE, Christian DOTREMONT, Wilfredo LAM, Roberto MATTA, Henri MICHAUX, Antonio SAURA, Walasse TING, Bram VAN VELDE, Piere WEMAËRE, Maurice WYCKAERT and Asger JORN, all ±70x52 cm. (or vice versa), signed and numb. "VIII/XX" in pencil (1x in red crayon), 1x titled in pencil, letterpress title, textleaf, contents and colophon, offset leaf showing the woodcut process in 8 ills., printed in 120 copies (20), loose as issued in orig. cl. portfolio, large folio.[*]

- Fine.

= One of 20 Roman numb. copies. Rarely seen on the market. Provenance: the estate of Constant Anton Nieuwenhuys. This lot is subject to 4% resale royalties ('droit de suite') over the total amount of hammerprice and buyer's premium.

€ (4.000-6.000)

83/ 197 [Situationists]. Debord, G.-E. Mémoires. Copenhagen, L'internationale Situationniste, 1959, no pagination, num. (double-p.) col. ills. by A. JORN, orig. wr. w. stiff heavy-grade sandpaper dustwr., 4to.[*]

- Small portion of sandpaper loose on fold of outer margin; nevertheless fine.

= The book is most famous for its sandpaper dustwrapper. Debord and Jorn wanted to use a material that would give away whether or not the reader held the book in his hands by leaving scratches. Provenance: the estate of Constant Anton Nieuwenhuys. With a light brown envelope with in ms. on front: "Asger Jorn. Guy Debord - Mémoires" in Constant's hand, "L'Anti Légende du Siècle" in unidentified hand and "Pour constant, qui s'y retrouvera. Jean-Clarence [Lambert]" (all in pen and black or blue ink).

€ (1.000-1.500) 1200

83/ 198 [Situationists]. Debord, G.-E. Rapport sur la construction des situations et sur les conditions de l'organisation et de l'action de la tendance situationniste internationale. N.pl., the author, n.d. (1957), 1st ed., 20p., orig. red. wr.[*]

- Fine.

= Very rare founding text of the Situationist International. "(...) ne saurait être en aucun cas mis en vente." Provenance: the estate of Constant Anton Nieuwenhuys.

€ (300-500)

83/ 737 [Constant]. Cobra. Silkeborg, Galerie Moderne, 1988, 5 colour lithographs by CONSTANT, Egill JACOBSEN, Carl-Henning PEDERSEN, Pierre ALECHINSKY and CORNEILLE, all ±85x60 cm., signed, "29/35" or "XXIX/XXXV" and 1x titled in pencil, letterpress textleaf, printed in 185 numb. copies (35), loose as issued in orig. cl. portfolio, large folio.

= One of 35 Roman numb. copies for the artists and collaborators. Provenance: the estate of Constant Anton Nieuwenhuys.

€ (1.200-1.500)

83/3751 [Clement, P.]. "30 Jaar Piet Clement." Amst., Printshop, 1988, 22 prints by Sjoerd BAKKER, Dick CASSEE, CONSTANT, Jan CREMER, Jef DIEDEREN, Peter VAN DRUMPT, Martin ENGELMAN, Harry GERRITZ, Klaas GUBBELS, Jan HENDRIX, Jeroen HENNEMAN, Jaap HILLENIUS, Ger LATASTER, Reinier LUCASSEN, LUCEBERT, Roger RAVEEL, Guillaume LE ROY, Jan SIERHUIS, Kees SLEGT, Kees SPERMON, Ronald TOLMAN and Wilfred VOET, various techniques, all ±75x56 cm. (or vice versa), signed and numb. "V/XXXV" in pencil, letterpress colophon leaf, printed in 85 copies (35), loose as issued in orig. cl. portfolio, large folio.

- Print by Cassee w. fold in blank margin. Portfolio partly sunned.

= One of 35 Roman numb. copies for the artists and collaborators. Provenance: the estate of Constant Anton Nieuwenhuys. SEE ILLUSTRATION PLATE X.

€ (1.500-2.500) 1500

83 3862 Dotremont Christian 1922 1979 and Jorn Asger 1914 1973

83/3862 Dotremont, Christian (1922-1979) and Jorn, Asger (1914-1973). "Le Sommeil. Le Surmôle. La Semoule. La Simule. Le Surmelo". Drawing, brush and Indian ink, 18,5x21,5 cm., signed "Dotremont" and "Jorn 1963", titled in the image (fine). - LOOSELY INSERTED IN: Dotremont, C. and Jorn, A. La chevelure des choses. Paris, Édition Galerie Rive Gauche, 1961, printed in black and red, no pagination, num. plates, printed in 320 numb. copies (300), orig. wr. w. dustwr., green cardboard chemise and slipcase, 4to.

= Provenance: the estate of Constant Anton Nieuwenhuys. SEE ILLUSTRATION PLATE XII.

€ (2.000-3.000)

83/4532 Stillevens Tien kleurenlitho's Tekst K Schippers

83/4532 Stillevens. Tien kleurenlitho's (...). Tekst K. Schippers. N.pl., Uitgeverij Polychrome, 1982, 10 col. lithographs by Pat ANDREA, CONSTANT, Marlene DUMAS (titled "Agter die nog bedrieglik die dood" in pencil), Mareike GEYS, Klaas GUBBELS, Jeroen HENNEMAN, Mart KEMPERS, Walter NOBBE, Hannes POSTMA and Elisabeth DE VAAL, all ±70x52 cm. (or vice versa), signed and numb. "II/XV" in pencil, letterpress textleaf by K. SCHIPPERS (signed in pencil), printed in 75 numb. copies (15), loose as issued in orig. cl. portfolio by Pau GROENENDIJK and David SIMALEAVICH, large folio.

= One of 15 Roman numb. copies. Provenance: the estate of Constant Anton Nieuwenhuys. SEE ILLUSTRATION PLATE XXXIV.

€ (1.000-1.500) 1200

Results 1 - 10 of 10