huszar
- Good, complete run of the first year and 3 issues of the second year. Some sl. occas. foxing. Wrappers occas. trifle soiled/ foxed (the issues of the second year somewhat more); frontwr. occas. sl. sunned on spine and along outer margins; frontwr. of no.7 w. circular stain of a glass, frontwr. of no.11 a few sm. stains and vague fold in lower corner. A very good/ fine set.
= Bolliger IV, 362. i10, the renowned Dutch avantgarde magazine, was published between 1927 and 1929 in 22 issues. Its editorial board consisted of A. Müller Lehning, J.J.P. Oud, W. Pijper and L. Moholy-Nagy. Contributors included H. Arp, M. ter Braak, C. van Eesteren, V. Huszar, E. Kallai, W. Kandinsky, El Lissitzky, H. Marsman, L. Moholy-Nagy, P. Mondriaan, J.J.P. Oud, G. Rietveld, P. Schuitema, K. Schwitters, M. Stam and G. Vantongerloo. SEE ILLUSTRATION PLATE IX.
- The bookplate mounted on upper pastedown. Sl. worn along extremities.
= SIGNED by Huszár and his wife J. van Teylingen on first free endpaper.
- Mounted on the loose (dam.) halftitle of Góste Berling by Selma Lagerlöf. = Ex/ Hoek p.111 and ill. 168. Rare.
ADDED: IDEM, "Stilleven Compositie 1917" (cliché(?) print in red and yellow, mounted on a leaf w. letterpress caption, publ. as "Supplément à la Revue La Cité, IIIe Année No.9". Verso of mount w. pencil annot. "eig. Piet Zwart").
- Some sm. marginal tears (repaired on verso) (1x sm chip); verso partly browned.
= Cf. Ex/ Hoek p.54, ill. 78, showing a similar interior design ("Reclamestand voor Bruynzeel, 1918, verloren gegaan; foto nalatenschap van de kunstenaar"). The present photograph with pencil annotations by PIET ZWART on verso: "±1922/ Bruynzeel jaarbeurs stand/ vormgeving Klaarhamer/ kleurgeving v/d Beek/ archief piet zwart/ wassenaar".
- Spine split. Frontwr. small portion of upper and lower right corner lacking; right margin sunned and some worn spots. Frontwr. left margin sunned an w. small tear; some wrinkling.
= Very rare. E. Brinkman, De Branding 1917-1926, p.44ff: "Of de catalogus klaar was bij de opening van de Amsterdamse tentoonstelling is onduidelijk. Ladage klaagde over tijdnood in zijn brief aan Van Kuik en had bovendien onenigheid met Bieling gekregen: 'Ben niet meer in Amsterdam geweest. Zou volgens afspraak er met de Kerstdagen zijn, doch Bieling kon het, met behulp van zijn vrouw en een paar neefjes, alléén af' (...)". Very rare exhibition catalogue for the tenth anniversary of the art collective "De Branding", with remarkable typography by Herman Bieling. The exhibition was first held in the Stedelijk Museum in Amsterdam. Contains illustrations by Kurt Schwitters, Herman Bieling, Gerlwh (= Ger Ladage), Otto Gleichmann, V. Huszar, Rober and T. van Doesburg. SEE ILLUSTRATION PLATE IV.
AND the (dam.) wr. only of De Branding. Catalogus (Rott., 1922). - AND WITH: E. BRINKMAN, De Branding 1917-1926 (Rott., 1991, ills., orig. cl. w. (sl. dam.) dustwr., 4to).
- Covers trifle foxed. Otherwise fine.
= Ex/ Hoek p.126 and ill. 204; Brusse 652; Purvis, col. ill. between p.122/ 123; Purvis/ De Jong p.95; Broos/ Hefting p.63. With illustrations after i.a. P. Bromberg, A. Kurvers, P. Zwart, E. Wichmann, J.F. van Royen, F. Cohen, A.D. Copier, W.H. Gispen, P. Schuitema, V. Huszár, T. van Doesburg and G. Rietveld.
- Contents mostly fine; occas. some foxing; 2 lvs. w. tear in no. 3. Three vols. ties partly broken; frontwr. no. 10 loose; occas. some sm. stains.
= Le Coultre 10 - 1-3, 7, 8 and 10d.
- Title leaf and first text leaf (sl.) browned. A few scratches on frontcover.
= Ex p.110f and ill. no.166.
- Some sm. marginal tears (repaired on verso) (1x sm chip); verso partly browned.
= Cf. Ex/ Hoek p.54, ill. 78, showing a similar interior design ("Reclamestand voor Bruynzeel, 1918, verloren gegaan; foto nalatenschap van de kunstenaar"). The present photograph with pencil annotations by PIET ZWART on verso: "±1922/ Bruynzeel jaarbeurs stand/ vormgeving Klaarhamer/ kleurgeving v/d Beek/ archief piet zwart/ wassenaar".
- Contents sl. browned/ foxed; the plate frayed and some dustsoiling. Wr. sl. discoloured and (dust)soiled.
= Global Avantgarde Netherlands 1; Ex/ Hoek p.36. Original fourth issue of the first year of one of the most important and influential modernist periodicals of the 20th cent. Contains i.a. contributions by J.J.P. Oud ("Kunst en machine"), P. Mondriaan ("De nieuwe beelding in de schilderkunst") and V. Huszar ("Aesthetische beschouwingen").
- Fine. = Ex/ Hoek p.129.
Idem. Miss Blanche. Bon 2 waardepunten (...). Voucher, 4x6,5 cm., Rott., The Vittoria Egyptina Cigarette Comp., n.d. (±1926), logo des. by VILMOS HUSZÁR, printed in green, recto and verso.
- Some vague creases and vertical middle fold. = Cf. Ex/ Hoek p.114.
- Spine sl. dam. at staples; wr. trifle yellowed; frontwr. w. sm. waterstain in upper blank margin..
= Global Avantgarde Netherlands 34; Le Fonds Paul Destribats 262; Bolliger IV, 362. Renowned Dutch avantgarde magazine, published between 1927 and 1929 in 22 issues. Its editorial board consisted of A. Müller Lehning, J.J.P. Oud, W. Pijper and L. Moholy-Nagy. This issue w. contributions by i.a. V. Huszar ("De reclame als beeldende kunst") and K. Schwitters ("Der Eine und der Andere").
- Black felt on verso moth eaten.
= After a design made by Vilmos Huszár in 1921. SEE ILLUSTRATION PLATE XVI.
= The wooden box and one of the board boxes w. use of the Bruynzeel vignette des. by VILMOS HÚSZAR. Comprising a flat wooden box w. sliding lid w. 3 cut-out circles, for 12 col. pencils (19x10,5x1,3 cm., giltlettered "Bruynzeel"); board box w. 6 ident. unused ("1009 Copiëer Medium") pencils (18,3x5x1,9 cm., w. dec. (incl. Huszar vignette) and lettering "Bruynzeel Pencils" in brown and purple. Lid sl. stained); board box w. 6 ident. unused ("1605 HB") pencils (18,3x5x1,9 cm., w. dec. and lettering "Bruynzeel School-tekenpotloden" in black and olive green. Box trifle soiled). Brentjens p.288; see at large Huygen '83.