79 5645 Wolgemut Michael 1434 1519 and Pleydenwurff Wilhelm ±1460 1494 
79 5645 Wolgemut Michael 1434 1519 and Pleydenwurff Wilhelm ±1460 1494 
79 5646 Zimermann Josef Anton 1705 1797 
79 5646 Zimermann Josef Anton 1705 1797 
- Trimmed to the border line (lower right corner just within borderline); two sm. foxed spots.
= After the gobelin by Peter Candid. Rare.
AND 9 others, i.a. Jan VAN DER MEER DE JONGE, (Wooded landscape) (etching and engraving, signed in lower right corner. Vague creases); Richard VAN ORLEY, (Two scenes, both(?) from Il Pastor Fido) (2 engravings, both signed "R. van Orleÿ fecit" below image. One laid down) and Aelbert MEYERINGH, (Mountainous landscape with a traveler crossing a river) (engraving, signed "A. Meyeringh Inv. et Fecit" below image).
79 5647 Zuccarelli Francesco 1702 1788 
79 5647 Zuccarelli Francesco 1702 1788 
79 5647 Zuccarelli Francesco 1702 1788 
79 5647 Zuccarelli Francesco 1702 1788 
79 5647 Zuccarelli Francesco 1702 1788 
- Two closed tears in left margin (1x two centimeters into image).
Voyez, Francois (1746-1805). "La jeune bergère". Engraving after BOUCHER, 43x28,3 cm., w. engr. caption, verses and address ("A Paris chez Beauvarlet") below image. - AND 4 others, i.a. by Jacob OUYS and Willem Hendrik HOOGKAMER.
79 5649 Allebé August 1838 1927 
79 5650 Andriessen Anthonie 1746 1813 
= Provenance: the collection of A.M. van den Broek with his collector's mark on verso.
79 5651 Anonymous late 16th/ early 17th cent 
- Laid down; browned and soiled; various closed holes.
= A combination after two engravings by Johannes Sadeler after Maerten de Vos (cf. Hollstein 20 and 23 or Hollstein 28 and 31 (Vos)).
79 5652 Anonymous late 16th/ early 17th cent 
= With later pencil attribution(?) to Cornelis van Haarlem.
79 5653 Anonymous 17th cent German school 
- Doubled w. Japanese; some vague foxed spots; flattened vertical fold in centre.
= With an unidenfied circular watermark showing a border filled with circles.
79 5654 Anonymous 17th cent Italian school 
- Slightly foxed; a few sm. stains; margins strengthened on verso.
= With similar sketches on verso. With reference to Bernardo Buontalenti on passepartout.
79 5655 Anonymous 17th cent Italian school 
- Browned (unevenly) and foxed; laid down, closed holes in lower part; lower right corner worn away and repaired with part of another drawing showing a semi-nude sitting man.
= With the collector's marks of R. Lamponi (Lugt 1760, act. 2nd half 19th cent.) and unidentified collector (Lugt 609, sometimes attributed to the Belgian industrialist Charles Henri Marcellis). With a later (plausible) attribution on verso to Anton Domenico Gabbiani. According to Lugt several drawings were bought by Lamponi from the alleged Marcellis.
79 5656 Anonymous 17th cent Italian school 
- Trifle yellowed/ thumbed. = With the collector's mark of W.A. Freund on verso (Lugt 954).
79 5657 Anonymous 17th cent South German school 
= On paper w. flower watermark. SEE ILLUSTRATION PLATE CXIII.
79 5658 Anonymous 17th cent 
- Verso traces of former mounting. = In the style of Adriaen van Ostade.
79 5659 Anonymous 17th cent 
- Some soiling/ foxing. = SEE ILLUSTRATION PLATE CX.
79 5660 Anonymous 17th cent 
- Cut out image and remargined; trifle thumbed. = On paper with unidentified collector's mark (Lugt 4993).
79 5661 Anonymous 17th cent 
- Mediocre condition. Laid down on mount (w. some defects in outer margins; some foxing.
79 5662 Anonymous 17th cent 
- Partly (water)stained. = On paper with "M[?]AB" watermark.
AND another portrait en face, probably of the same young man in armour holding a crown (badly dam., with loss of image. On paper with a horn watermark).
79 5663 Anonymous 17th cent 
- Laid down on mount. = On laid paper with unidentified watermark.
79 5664 Anonymous 17th cent 
- A few spots.
= Charmingly naive drawing on laid paper with foolscap watermark. Very rare and early view of Akersloot. Provenance: the collection A.M. van den Broek with his collector's mark on verso. SEE ILLUSTRATION PLATE CXIII.