- A few spots and some foxing.
= Perhaps the surroundings of Domenico Zampieri (1581-1641). But the composition also reminds us of the later artist Giovanni Francesco Grimaldi.
- Trifle yellowed. A few chipped spots on frame. = A fine view. SEE ILLUSTRATION PLATE CXVIII.
- Vaguely waterst./ sl. foxed; old handling creases.
= Mount with unidentified collector's stamp (Lugt 2111). SEE ILLUSTRATION PLATE CXIX.
= A very delicate drawing with four small 'scenes': an older and a young fisher woman, a view of 'bomschuiten'on the beach and view of fishermen homes.Provenance: the collection A.M. van den Broek; sold at auction Sotheby's Amsterdam, 1981. SEE ILLUSTRATION PLATE CXIX.
= Provenance: the collection of A.M. van den Broek with his collector's mark on verso and, according to his notes, before that from the collection Hoog (Haarlem). Signature probably erased, "Hillegom 1819" still vaguely visible on verso. Attractive drawing with a pair of turkeys in the foreground. SEE ILLUSTRATION PLATE CXX.
- Lower left corner creased.
AND 4 other (early) 19th cent. drawings: a watercolour of the ruin of Egmond, a view of a house, manor, a drawing of the ruined church of Bergen and an unidentified walled town near a river.
= Showing probably a caricature of the artist Fernand Cormon (by himself?) on a rather wild feast. On verso a small manuscript note (unread).
= Provenance: the collection A.M. van den Broek, with his manuscript collector's mark on verso.
= Provenance: the collection A.M. van den Broek, with his manuscript collector's mark on verso,
- Laid down on (chafed) blue laid paper; somewhat foxed; a few weak spots and sm. holes; chafed spot in lower left corner.
= Design for the etched titlepage or frontispiece of 't Verwerd Europa, ofte Politijke en historische beschryvinge der waare fundamenten (...) van de oorlogen (...) in Europa (Amsterdam, 1675) by P. Valkenier. The title-page was etched by Coenraet Decker in the style of Romeyn de Hooghe. The final etching differs mostly in the details, the general composition is the same.
= Sketch for the monumental fresco in the Begijnhof, Amst. Provenance: the I.Q van Regterern Altena sale (Christie's, Amst., 2015). SEE ILLUSTRATION PLATE CXX.
- Vaguely foxed/ trifle browned. = In the style of Rembrandt. SEE ILLUSTRATION PLATE CXVII.
- Sl. soiled.
= Provenance: the collection A.M. van den Broek. Sold at auction Paul Brandt, ±1978.
- Small sl. browned spot in upper right corner.
= Title and attribution in pen on mount. Provenance: the collection of Hans van Leeuwen (sold at auction 1992-1999, lot 279, with title: "Travellers on a wooded road") and, according to a note on the passepartout, purchased at Pfann (Amsterdam in 1957). Another annot. on passepartout suggesting Willem Uppink might be the artist.
= Provenance: the collection A.M. van den Broek with his collector's mark on verso.
= Provenance: the collection A.M. van den Broek, w. his collector's stamp on verso.
- Vaguely browned; sm. chip in upper edge; lower right corner w. small repair.
= With a stamped unidentified collector's mark (Lugt 5638) and an unidentified manuscript collector's mark (A. Baduner?) on verso. SEE ILLUSTRATION PLATE CXXI.
- Pinholes in corners; partly discoloured; a few tiny rubbed spots.
= Artist identified in pencil on passepartout. SEE ILLUSTRATION PLATE CXXI.