80 1935 Leopold J H 
- Endpapers and first and last blanks trifle foxed. Ties sl. worn. A fine copy.
= Stols, Bibl. Boutens p.21; Rijkse 2.167. First edition of the author's first publication in bookform, published without his knowledge by P.C. Boutens. "Ingewijden weten hoe in 1912 de eerste uitgaaf van de "Verzen" van J.H. Leopold door Boutens werd "uitgegeven". Zij kwam in September 1912 van de persen van Eduard Verbeke en geleek uiterlijk weer sterk op de "Poems by Lord Alfred Douglas", al had de drukker ditmaal kennelijk beter zijn best gedaan. Leopold wilde in dien tijd van bundelen niets weten en nam het Boutens dan ook kwalijk, dat hij de verzen slechts met een korte inleiding en zonder verder commentaar had overgenomen uit "De Nieuwe Gids" (...). Boutens' uitgave, welke Leopold qua tekst zeer gebrekkig vond, is er gelukkig de aanleiding toe geworden, dat de dichter nu zelf de uitgave zijner "Verzen" ter hand ging nemen." (Stols, P.C. Boutens als uitgever, p.9). Very rare, especially in its orig. full vellum binding.
80 1936 Loeber L Franke S 
80 1936 Loeber L Franke S 
80 1936 Loeber L Franke S 
80 1936 Loeber L Franke S 
80 1936 Loeber L Franke S 
80 1936 Loeber L Franke S 
- First leaf and title-p. trifle nibbled by silverfish in lower right corner, otherwise contents fine. Both covers nibbled by silverfish; spine dam.
= Rare. De Bodt/ Kapelle p.45/46 and p.245: "Zij vertelde in haar later uitgegeven herinneringen dat zij de afbeeldingen had 'gebaseerd op het horizontaal-verticaal-diagonaal systeem en getekend op ruitjespapier'."
80 1937 Lovett R 
80 1937 Lovett R 
80 1937 Lovett R 
- Vols. occas. (sl.) foxed; 4x without advert.p.; 7x with owner's entry/ schoolprize; 2x one quire loose(ning).
= All copies in diff. coloured unif. binding (yellow (4x), blue, green and brown).
80 1938 Lucebert 
80 1939 Lucebert 
- Very fine copy.
= Unnumb. copy, as most copies we traced (Slagter 67 describes the edition as being numb. and signed).
80 1940 De Luis Maarseveen H T J F 
80 1940 De Luis Maarseveen H T J F 
80 1940 De Luis Maarseveen H T J F 
80 1940 De Luis Maarseveen H T J F 
80 1941 Maillol A Vergilius Maro P 
80 1941 Maillol A Vergilius Maro P 
80 1941 Maillol A Vergilius Maro P 
- A few foxed spots. Vellum spine portfolio fingersoiled.
= One of 250 Arabic numbered copies on 'papier special de chanvre'. Simultaneously also published in an English and German language edition of resp. 264 and 294 copies. Monod 11336; Strachan, The Artist and the Book in France, p.76-78; The Artist & the Book 1860-1960, no.172: "As early as 1908, Count Kessler, the director of the Cranach Presse, was attracted to Maillol's sculpture and invited the artist to go with him to Greece, where the Virgil project was conceived. Begun in 1912, it was delayed by the war. A classical spirit pervades the finished volume, form the harmonious composition of the type to the slightly archaic grace of the figures." SEE ILLUSTRATION PLATE LI.
80 1942 Mars 
80 1942 Mars 
- Trifle foxed. Binding sl. dustsoiled.
Caran d'Ache. Les Courses dans l'Antiquité. Paris, E. Plon, Nourrit et Cie., n.d. (1888), 64p., num. pochoir col. (double-p.) ills., orig. cl., obl. 4to.
- Trifle foxed. Binding sl. (water)stained.
80 1943 Masereel F 
- Foxed (worse at the beginning and end). = Ritter B a) Nr. 30.
Idem. Die Idee. Munich, K. Wolff, 1928, 5th-9th thous., 18 textp., 83 woodcuts by F. MASEREEL, orig. boards, sm. 8vo.
= Ritter B a) Nr. 11. II.
80 1944 Masereel F 
80 1944 Masereel F 
80 1944 Masereel F 
- Endpapers browned/ sl. soiled; annots. and stamp on title-p. Cloth sl. worn. = Ritter 1919, Ba).6.II.
Idem. Die Sonne. Introd. C.G. Heise. Munich, K. Wolff, 1927, 6th-10th thous., 19p., 63 woodcut plates by F. MASEREEL, orig. boards.
- First free endpaper partly worn; last few lvs. waterst. in lower right corner. Backstrip dam at top.
= Ritter 1919, Ba)7. II and p.153.
AND 5 others (illustrated) by the same, i.a. IDEM, Die Passion eines Menschen (Munich, 1924, 2nd ed., 25 woodcuts, orig. (browned and worn) boards) and S. ZWEIG, Der Zwang. Phantastische Nacht (Vienna, 1929, 10 woodcuts by F. MASEREEL and 5 woodcuts by OTTO R. SCHATZ, contemp. hcl.).
80 1945 Masereel F 
80 1945 Masereel F 
80 1945 Masereel F 
- A very fine copy. = Ritter Ba) 21.
80 1946 Masson A 
80 1946 Masson A 
80 1946 Masson A 
- Margins of first and final leaf sl. soiled from rubbing against chemise; margins of some lvs. sl. dampstained. Portfolio sl. worn along edges; joints splitting.
= Includes the texts "Eros solaire" by A.P. DE MANDIARGUES and an introduction by G. BROWNSTONE.
80 1947 Masson A Maurois A 
80 1947 Masson A Maurois A 
80 1947 Masson A Maurois A 
80 1947 Masson A Maurois A 
= This copy printed for Marcel Thomasset. Monod 7963; Cramer 47. "Parodiant Jonathan Swift (...) André Maurois composa une fantaisie d'un pays gullivérien où la race, sur l'habitat de laquelle un couple est abandonné, est mue par la soif plutôt que par la faim sexuelle (...). Maurois a suggéré à Masson un thème doublement érotique. Non seulement les illustrations de Masson renferment une certaine dose d'humour, abstraction faite du portrait de l'auteur qui sert d'introduction, mais encore leur sensualité, particulièrement dans les couleurs, est rarement égalée même dans l'oeuvre de Masson." (Cramer, p.122). SEE ILLUSTRATION PLATE LI.
80/1948 Matrix A Review for Printers and Bibliophiles No 11 21 22 25 29 
80 1949 Mayne Reid T 
- First 2 plates sl. foxed. Joints and spine-ends rubbed.
Wilson, H. and Caulfield, J. The Book of Wonderful Characters. Memoirs and Anecdotes of Remarkable and Eccentric Persons in All Ages and Countries. London, Chatto and Windus, n.d. (1869?), (3),XXII,(1),24-416,32p., handcol. engr. frontisp., 59 (of 60) fullp. engr. and lithogr. plates.
- Lacks 1 plate; library stamps on all plates and on title-p.; new endpapers. Neatly rebacked w. use of orig. cl.
AND 6 miscellaneous others, i.a. C.M. TAYLOR JR., Odd Bits of Travel with Brush and Camera (Philadelphia, 1900, num. photogr. plates, orig. gilt pict. cl.) and D. MENPES, Japan. A Record in Colour (London, 1901, col. plates by M. MENPES, orig. gilt cl.).
80 1950 Mensinga J Rilke R M 
80 1950 Mensinga J Rilke R M 
- Fine copy.
80 1951 Merth F D 
80 1951 Merth F D 
= Edice Sladké Jádro Srdce, no.6.
Křídla Hudby. Prague, Lyra Pragensis, 1987, 79,(3)p., 5 col. etchings and aquatint by PETER KOČAK, all signed in pencil, printed in 200 numb. copies, loose as issued in orig. wr., 4to. - AND 8 others, all containing orig. graphics by Czech artists, i.a. by P. NOVOTNÝ, O. VYCHODILOVÁ, P. SUKDOLÁK and J. KÁBRT.
80 1952 Mézl Z 
= Czech adaptation of Aesopus' fables. With dedication by the artist (to J. Souverein) in colophon.
AND 2 others containing woodcut ills. by the same, partly signed in pencil.
80 1953 Miletti V 
80 1953 Miletti V 
- Backwr. trifle soiled and a few tiny stains. Otherwise a (very) fine copy.
= Very rare futurist work of poetry, partly w. remarkable experimental typography. "In questo poema mi soni proposti di: 1. rendere la simultaneità di suono-impressione provocata del jazz; 2. sincronizzare i ritmi delle parole in libertà con quelli del jazz; 3. vivificare e sintetizzare l'ambiente caracteristico dell jazz" (In this poem I set out to: 1. convey the simultaneity of sound-impression caused by jazz; 2. synchronize the rhythms of free words with those of jazz; 3. vivify and synthesize the characteristic environment of jazz) [the author in his introduction].
80 1954 Milne A A 
- Endpapers sl. foxed. Binding sl. dust/ fingersoiled; frontcover rubbed spot in lower margin; backcover trifle yellowed along upper margin.
= Heller 17. One of 500 deluxe copies on large paper (folio size), numb. and signed by the author, bound in gilt dec. offwhite cl., t.e.g.