= Van Wisselingh 251, 100 impressions.
= Van Wisselingh 65, 100 impressions.
AND an etching by Pieter DUPONT, Ophaalbrug Amsterdam (numb. "49" in pencil, w. the artist's atelier stamp) and a black crayon drawing by Gerrit DIJSSELHOF, (Studies of fish) (monogrammed in pencil. Browned).
- Occas. sl. frayed; one w. tear on middle-fold.
= See at large H. Slechte, Marius Bauer als kritisch kunstenaar (2010).
Hoytema, Theo van (1863-1917). "De Kroniek". Lithograph, printed in black, yellow and blue, 33,2x22,8 cm. (image), 40,3x30 cm. (leaf), signed on the stone.
- Some foxing/ brown stains. = De Groot 56, IV (of 4, w. all letterpress additions in corners).
AND 4 other "Bijvoegels", i.a. by Theo van HOYTEMA, Willem van KONIJNENBURG and Antoon MOLKENBOER.
- Sl. foxed/ soiled; pinholes in outer corners.
Idem. (View of a farmhouse near The Hague). Drawing, black crayon and pencil, 22,7x30 cm., signed and dated "1904" in pen and ink in lower right corner (vaguely foxed/ sl. browned). - AND 2 drawings by Willem van LEUSDEN, (Interior of a mill).
= SEE ILLUSTRATION PLATE IV.
= SEE ILLUSTRATION PLATE IV.
= "Het "zoo snel mogelijk naam willen maken" van jonge kunstenaars is het groote struikelblok van de kunst!" "Als professieoneel [sic] beeldend kunstenaar zit ik reeds 60 jaar in de knel! maar alles went". The manuscript pages i.a. comprise memoirs of his youth.
= Also containing a few mounted newspaper clippings and autogr. annots. One drawing with pencil annot.: "voorgaande 17 tek. en deze in memoriam Gerrit Achterberg. SvdB".
= Frontcover w. mounted drawing (felt-tip pen w. mounted orange paper strips), dated "Dedemsvaart 9-'96/ Amsterdam 29-9-'96". I.a. contains the design for the broadside "Het kind en ik" (poem by Martinus Nijhoff, silkscreen by Siep van den Berg); a sm. tipped in watercolour signed "Pablo", w. caption by Siep van den Berg: "20 10 96 Pablo Lücker 11 jaar. Talent hebben is niet alles maar betekend [sic]: een heel leven hard werken en daarmee doorgaan tot het einde".
- Yellowed; num. tiny foxed spots and waterst. in margins.