- Scratched spot near lower right corner; otherwise fine.
= Impressive etching. Not in Dupont, but strongly resembling Dupont 53 (Garcon d'Ecurie) and Dupont 126 (Omnibuspaarden. Black crayon drawing).
= Dupont 95. First state, before letters.
AND 2 other prints by the same, both unsigned.
= Dupont 97.
AND 3 other prints by the same: Ophaalburg te Amsterdam (w. his atelier stamp. Dupont 31), Ploeg in het land (Dupont 78) and Homme de Peine (w. his atelier stamp, "no. 6" in pencil, on Japanese. Dupont 86).
Copperengraving on chine collé, 1903, 29,6x21,5 cm., signed "Dupont" in pencil, monogrammed in the middle left, w. engr. caption "1878 Hector Treub 1903" and the engr. address "Druk v. Joh. Enschedé & Zonen Haarlem". = Dupont 97.
AND 3 other etchings and engravings by the same, i.a. 2x from the Outillage series (1x signed in pencil).
= Dupont 51; Van Wisselingh 318, 75 impressions.
Brinks, Kuno (1908-1992). Schip aan kade. Drypoint, 22,4x20,5 cm., signed "Kuno Brinks" and "dr. naald" and "Eigen druk" in pencil (Kersten 42). - AND 8 other prints w. ships and boats, i.a. by James HAMILTON MACKENZIE and Herman HEUFF.
= Dupont 61; van Wisselingh 341, 50 impressions.
AND 2 other etchings by the same, both unsigned: Seinpaarden (Dupont 71) and Cheval de Labour (Dupont 92).
- Sl. yellowed. = Kersten 20.
AND 4 other engravings by the same, i.a. "Wijze schillpers beuzelen niet".
= Kersten 94.
AND 6 other etchings and engravings by the same, i.a. "Concarneau" and "Café la Marine".
= SEE ILLUSTRATION PLATE X.
= Taevernier 140.
- Tipped-in the issue Boekcier, 1959, no.3.
= Version without the printed text on verso. H.J.P.C. Buul, De collectie Strens (in: Uit de boeken van Eugène Strens. Zutphen/ The Hague, 1995): "Met Escher wordt ook uitvoerig gecorrespondeerd over de grafische uitvoering van de nieuwjaarswensen. Is er aanvankelijk sprake van vier litho's, uiteindelijk kiest Strens, in verband met de lagere drukkosten voor cliché's. Door de tweekleurendruk van de wenskaarten werden er acht verschillende cliché's gemaakt. In de vakliteratuur en de veilingcatalogi is er tot nu toe steeds van uitgegaan dat de wensen gesneden zijn in hout. Dit blijkt nu dus onjuist te zijn." (p.42-43). Bool 382 (describing the prints as woodcuts); Iaquinta p.40. The periodical contains more nice images, such as an ex libris by P. SCHUITEMA for C. Chevalier and two woodcut ills. by M.C. ESCHER. SEE ILLUSTRATION PLATE IX.
- Some sl. occas. foxing. = Bool 329, 322 and 325; Iaquinta, p.32 and 33.
= From the portfolio Kerstmis 1947 (Ex Libriskring der W.B. Vereeniging, 1947). Bool 329; Iaquinta, p.32.
= From the portfolio Kerstmis 1947 (Ex Libriskring der W.B. Vereeniging, 1947). Bool 329; Iaquinta, p.32.
= From the portfolio Kerstmis 1947 (Ex Libriskring der W.B. Vereeniging, 1947). Bool 329; Iaquinta, p.32.
= Bool 322; Jaquinta p.33.
= On the print: Bool 322; Jaquinta p.33. On the volume: Van Laar 55.