- Vaguely waterst. in right margin.
AND 1 other colour woodcut by the same, "Abenschetterer".
= De Groot 153.
AND 8 other loose calendar lvs. by the same for various years.
- Complete copy. = De Groot 157.
= De Groot 155, 12 and 157, 12. Both separate prints of the 1908 and 1909 calendar.
AND 1 other lithograph printed in yellow by the same: Catalogus van Teekeningen en Lithographieën (De Groot 77, III).
- Mount dam. in upper margin.
Idem. Bladerknoppen. Colour lithograph on chine collé, 13,2x19,3 cm., signed "Th. van Hoytema" in pencil, monogrammed on the stone (foxed).
= De Groot 153.10 and 163.4. Separate prints of the 1906 and the 1914 calendar.
AND 7 other (colour) lithographs by the same, i.a. a mediocre copy of "Dyk op Texel" (browned; blank margins dam.) and 5 (parts of) calendar lvs.
- Partly foxed. = Separate print of the May lithograph from the 1910 calendar. De Groot 159,5.
AND 9 miscell. others by i.a. Marius BAUER (Man op een ezel. Unsigned), P. FRANKEN PZN, Piet MATTHES, Willem de ZWART and Waalko Jans DINGEMANS.
- Some sl. foxing, especially on mount.
= De Groot 116. "Op de veiling van het nagelaten werk van Theo van Hoytema, F. Muller, Amsterdam, 14 november 1917, werd door de firma Tresling het recht gekocht om 'van de navolgende 20 lithographieën vijf en twintig afdrukken te laten maken, welke door R.N. Roland Holst genummerd en geparafeerd zullen worden'. Van slechts een aantal prenten zijn in geconsulteerde verzamelingen dergelijke drukken aangetroffen" (De Groot p.7). This print not seen by De Groot.
AND 2 other lithographs by the same and by Wim Beuning ("De Boom").
- Some vague foxed spots; sl. creased in right margin.
= Provenance: the collection of Liesbeth Brandt Corstius and Kees Broos.
- Folded in four.
= With AUTOGRAPH TEXT in red marker: "This is a very ekelhaft einladung, but so far 5 artists have bought them. Will it turn out that I am an artist's artist? I don't mind. The boxes are grand - each original with a tape recorder + me singing 45 minutes".
AND 7 (picture) postcards and invitations by the same, all but one w. autograph text to Kees Broos and/ or Liesbeth Brandt Corstius, i.a. on the exhibition above.
= "(...) The inviation is dreadful but the boxes are very swell. Each one has a tape recorder inside and a tape with me singing 45minutes. We have sold a number of them & only to artists, by beautiful chance. (...) P.S. This is a Hansjörg Mayer magic cut-up. He made a mistake & sliced up six prints of mine" [verso w. part of col. silkscreen].
- Folded in four.
= Contribution to an exhibition catalogue of André Thompkins. Also showing (in upper margin) "André als schwarzes Schaf, als braunes Schaf gedruckt, (nach einem Gemälde von D.[ieter] R.[oth])".
Idem. "Lists". Fold. offset exhibition announcement, 59,5x33,5 cm., printed in black and orange, Basel, Galerie Felix Handschin, 1970.
- Sll yellowed; small repaired tear in centre; verso addressed in pencil and w. 2 pieces of brown paper tape that closed the print when sent.
= Entirely printed in facs. of the artist's handwriting.
AND 2 others similar, both for exhibitions at the Eat Art Galerie, Düsseldorf: "Singing Boxes - Dinner Musik (...) Dorothy Iannone" (1972, printed in black and red) and "Sarah Pucci" (1973, printed in black on yellow paper, w. extensive facs. text by DIETER ROTH, and w. ms. annnot. "My mother! [w. arrow pointing at the name of Sahah Pucci] Best, dorothy iannone" in black ballpoint).
- Some soiling in outer blank margins. Fine copy. = Bulletin J.H. de Bois 145 (1934), no.6.
= Hubert XIV.
- A few foxed spots; two sm. tears in centre lower part.
= Dutch artist, probably worked as a professional illustrator.
= SEE ILLUSTRATION PLATE XIV.