= Contributions by JAN HARTZEMA (lithograph, signed in pencil), GERARD VAN KESTEREN (lithograph, signed in pencil), GERDA VAN LEEUWEN (etching, signed in pencil), ERIC WITTENBERNS ("boekdruk", signed in white marker), BUZZE WEIDEMA (mixed technique, signed in pencil), FONS MOONEN (lithograph, w. artist's stamp) and JOHAN DE ZOETE (photo-engraving, signed in pencil).
ADDED: Merz, G. De Ordine Geometrico. Amst., De Appel Foundation, 1990, (18)p., full-p. col. ills., orig. blindst. cl., obl. folio.
- Frontcover vaguely stained. = SIGNED on final blank.
= I.a. Onrust (1976); Nippon (1976); A. AL-MA'RRI, Zestien Gedichten (1977); J.W. OERLEMANS, Bodem (1977); W. KOTTE, Japanse Terzinen (1977); N. GREGOOR, Harde wener (1978); Avondretour (1978); R. LOWELL, Zeemeermin. Dutch transl. J. Eijkelboom (1983); STICHTING NAUGHTY PEOPLE, Zwartboek (1984, orig. cordbound wr., obl. 8vo) and F. ESPER, Het doorbroken ritueel (1985).
- Wr. sl. soiled. = Petersen/ Brattinga p.33 and 217.
Jefferies, R. Summer in the Woods. Amst., N.V. Lettergieterij "Amsterdam" voorheen N. Tetterode, 1947, VIII,36p., 4 plates by S.H. DE ROOS, printed in 750 numb. copies (50), orig. wr., 4to.
- Wrappers partly trifle yellowed; sm. dam. at top of spine.
= One of 50 Roman numb. copies w. signed dedication by S.H. DE ROOS: "Den Heer en Mevrouw M.B.B. Nijkerk-Van den Berg ter herinnering aan 14 Sept. '47". The first use of De Roos Roman and De Roos Italic.
AND 3 others, i.a. a New Year wishing card (w. orig. envelope) of the Stedelijk Museum Amsterdam for 1957 by W. SANDBERG.
- With a signed dedication on first free endpaper.
Chansons de France depuis le quinzième siècle jusqu'à nos jours. Amst., "De Spieghel", 1946, 43,(1)p., silhouette ills. and orig. clothbacked boards by N. BODENHEIM.
= Schenk-Baumann 21.
AND 5 others.
- With dedication in pencil on title.
- Wrappers sl. fingersoiled; frontwr. sl. frayed along fore-edge and lower corner dogeared. Contents fine.
= One of 3 Roman numbered DELUXE copies on Japanese.
= With AUTOGRAPH SIGNED DEDICATION on htitle.
Idem. La Fenêtre des Rouet. Ibid., La Jeune Parque, 1945, 221,(5)p., 4 col. plates by CHAPELAIN-MIDY, printed in 2665 numb. copies (2600), contemp. gilt hmor., orig. wr. pres.
= No. 19, 26, 31, 33, 35, 47, 50, 51, 53, 55-96, 98, 104-116.
- Upper hinge sl. weak; orig. wr. partly sticking to free endpapers along inner margins; sl. foxed.
= De Crauzat 639; Carteret IV, p.293: "Édition qui devrait être plus recherchée pour les vigoureuses illustrations".
Descaves, L. Barabbas. Paroles dans la vallée. Ibid., E. Rey, 1914, 259,(3)p., frontisp. and num. ills. by T.A. STEINLEN, contemp. giltlettered red hmor., orig. wr. pres. (not in De Crauzat). - AND 4 others illustrated by the same, by/ on ARISTIDE BRUANT.
- Wr. yellowed and stained; spine splitting.
= Remarkable picture book: each right page with the silhouettes of animals and the opposite page with the names of the animals in type and lay-out matching these silhouettes.
Idem. Anatomische studies. Ibid., idem, 1945, woodcut title-p., 9 woodcut text lvs. and 16 full-p. ills. by REIJER STOLK, printed in 500 copies, orig. plain boards w. dustwr., folio.
- Dustwr. waterst. and dam./ torn at spine.
AND a small publication on the same.
= I.a. Proeve der letteren (1975); J.W. HOLSBERGEN, Dat is 'de Clio' mijnheer (1975, printed in 140 numb. copies, SIGNED by the author); A. ROLAND HOLST, Vijf gedichten (1976, col. ills. by W. Koster, printed in 60 numb. copies); H. GORTER, Die geruchtlooze lucht (1980, tipped-in woodcut ills.); F. HARMSEN VAN BEEK, Lof der onmatigheid (1982, printed in 180 numb. copies, this copy numb. "H.C. proefdruk"); Van Leopold tot Lucebert (1982) and K. OBDAM, Waken slapen dromen (n.d., etching and lithogr. ill. by the author, printed in 30 copies).
AND ±45 sm. publications by/ on the press/ printer (mostly prospectuses).
- With the bookplate of Victor van Vriesland on htitle. A very fine copy in a nice private binding.
= "Printed in Garamond Roman and Italic type on Dutch Antique laid paper in September 1928. The edition is limited to fifty copies (not for sale)" [colophon]. Edited by and printed for E. du Perron. Batten/ Stols 82; Van Dijk 134. Rare.
= One of 40 copies "sur les différents papiers hors commerce". Van Dijk 96 ("Een monumentale uitgave werd La jeune parque, dat op verzoek van Valéry werd gezet uit de 18de-eeuwse Fleischman-letter van de firma Enschedé. Het lag voor de hand in dit geval de hele verzorging over te laten aan 'Haarlem'. Van Krimpen tekende de titel in open kapitalen, en ontwierp de initialen en een nieuw 'Valéry-merk'. Deze Stols-uitgave is een Van Krimpen-boek; een van diens fraaiste."
Idem. Villon & Verlaine. Ibid., idem, 1937, 1st ed., 34,(2)p., initials printed in red and azure, printed in 535 numb. copies (500), orig. wr., folio.
= Van Dijk 410.
AND 6 others: Van Dijk 6, 100, 198, 251, 607 and 641.
- Dedication on htitle; occas. trifle foxed. = One of 250 numb. large paper copies.
= One of 33 copies bound in giltlettered hmor. by the Phoenix Bindery, with orig. signed lithograph by VLADIMÍR SUCHÁNEK. Breugelmans 91 ("in werkelijkheid hebben 38 exemplaren de litho").
= One of 25 copies w. orig. "liquid lightprocédé" photogr. by KLAAS KOPPE and bound in giltlettered hmor. by the Phoenix Bindery (backstrip sl. sunned), signed by the author and photographer. Breugelmans 68.
- Title-p. crease in lower corner.
= One of 35 copies bound in full cloth. Breugelmans 92.
Annenski, I. Stalen krekel. Dutch transl. K. Verheul. (Ibid.), idem, 1985, XXIV,(3)p., printed in 69 copies (36).
= One of 36 copies on heavy paper, bound in hmor. Breugelmans 147.
Liebentrau, H.G. (= P.M. Heringa). Vrijstaat. Amst., idem, 1982, 13,(2)p., printed in 70 numb. copies (24).
= One of 24 copies on Zerkall Bütten, bound in full cloth. Breugelmans 81.
= One of 33 Roman numb. copies bound by the Phoenix Bindery, this copy in giltlettered hmor. Breugelmans 123.
Herzberg, J. De val van Icarus. (Amst.), idem, 1983, (17)p., printed in 85 numb. copies (35).
= One of 35 Roman numb. copies on Barcham Green laid paper, bound in dark green hmor., with a signed col. lithograph by CHRIS BUURSEN. Breugelmans 102.