- Fine. = Shirley 254.
- Nicely handcol.; a few foxed spots; overall fine. = Shirley 356A. SEE ILLUSTRATION PLATE LXXIII.
= The map shows the trajectory of Schouten's voyage around the world and is one of a few variant maps published in the various editions of Schouten's book. This copy has replaced the ships Victoria and Eendracht in the upper left and right corner with the portraits of Francis Drake and Thomas Candish. Cf. Shirley 297.
- Foxed; marginal tears and remains of tape in outer corners. = On fine laid paper with "CDC" watermark.
= SEE ILLUSTRATION PLATE LXXIV.
- Backed w. thin paper; professionally restored w. sm. closed holes and tears from acid biting; sl. soiled.
= With small letter annotations by the artist, perhaps colour indications. Perhaps by a Flemish artist. From the collection Ulmann, with their collector's mark on verso.
- Old closed tears in upper and lower margin.
= Curious drawing which appears to have an older underdrawing with a different subject.
- Formerly folded. Some stains and folds; paint partly worn away.
= Skillful drawing with cartouche in auricular style. SEE ILLUSTRATION PLATE LXXIV.
- Sm. dam. spot near lower right corner; a few tiny holes
= On verso a contemporary (?) annotation "Vale" in pen and brown ink and a later "G(?) van Dyers" in pencil. On laid paper with part of an unidentifed watermark. From the Ulmann collection with their collector's mark on verso.
- Two tiny closed holes; tipped onto mount.; sl. foxed.
= On thin laid paper. The Pharisee with the glasses and holding the book is a recurring figure in the Dutch and Flemish depiction of this scene. So perhaps by a Flemish artist or northern France.
- Soiled; left margin frayed, sl. within the image; two vertical folds.
= On thick laid paper (probably late 17th century), no watermark visible.
- Outer margins strengthened on verso; a few small holes due to acid bite. = On paper with anchor watermark.
- Mediocre copy. Lacks upper right corrner; closed tear affecting image; doubled and worn/ soiling.
- Fingersoiled and agetoned; sm. repairs in upper corners.
= On laid paper, no watermark visible. Probably Italian School.
- Closed tear in upper right corner.
= On laid paper with watermark showing a word (unread). With the collector's mark of Jaap Wiegersma (1898-1967) on recto (Lugt 1552b).
- Upper left corner dam.; panel formerly split in centre, repaired and strengthened on verso and repainted along the vertical crack; painted ticket on verso partly worn away.
- Sl. creased; sm. chip and hole in lower margin; lead white partly oxidized.
= On laid paper with watermark "IHS" topped by a cross and within a oval.