- A few engravings laid down on mount/ tipped onto mount and w. some small defects.
- Trimmed just outside/ on/ just within the borderline; vague remnants of red chalk. Fine impression.
= Inventaire du Fonds Français 84. In the style of Guido Reni. With the collector's mark of Thomas Clutterbuck (1775-1837) (Lugt 2424) in upper left corner recto. Rare. SEE ILLUSTRATION PLATE CXX.
= With the collector's stamp of Jules Gerbeau (Lugt 1166) in lower right corner above the signature. Lotz-Brissonneau 236
- Sl. fingersoiled in margins.
- Collector's mark shining through, otherwise fine; cut just outside the platemark; sl. grey, but still a fine impression.
= The New Hollstein 98a/ b. From the series Christ and the Apostles. With the collector's mark of Alessandro Castagnari (Lugt 86a) on verso.
- Trimmed on the platemark; sl. fingersoiled; some grey areas; tiny chip in upper left corner; paper strengthened on verso.
= With the manuscript collector's mark of (prob.) Adam Vassilievitch Olsoufiev (1721-1784) on recto (his initials (Lugt 1752) and "gp" (or 92?)). New Hollstein 155 (a/ c). Rare. SEE ILLUSTRATION PLATE CXX.
- Trimmed on the borderline; w. various sm. repairs/ strengthened spots on verso; larger repair/ closed section near upper edge, right of the tree; a few sm. brown stains; sl. grey impression w. a few parts not sharply printed (especially the right upper part), as called for in Hollstein.
= New Hollstein 78, 1st state of 3, a.
- Cut on the platemark; somewhat grey impression, but all lines still visible; tiny section along upper edge near left upper corner repaired and partly redrawn.
= On laid paper with no discernible watermark. New Hollstein and Filedt Kok 116(b?).
- Trimmed on/ just within the platemark, somewhat grey, but fine impression.
= Later impression on laid paper. New Hollstein 114, 1st state of 3 (b). SEE ILLUSTRATION PLATE CXX.
- Fine impression, cut on/ just inside the borderline.
= Hollstein 63, 2nd state of 3; state after the 2nd state as noted by the Rijksmuseum, but before the heavily reworked 3rd state (as noted by the British Museum, part of the series Diverse Tronikens, cf. B.M. S.96).
- Doubled, closing a horizontal tear in right margin of image; trimmed to/ just within the border line; sl. dam. in lower left corner (just touching Zeeman's monogram).
= Hollstein (Mousyn) 87; cf New Hollstein (Lievens) 39 and F.M. Portretten 4633 ff. Apparently published by Lodewijcksz in a series of similar portraits of famous admirals, all with the same naval battle-scene in lower margin. For the naval battle by Nooms see New Hollstein (Zeeman) 12. Very rare portrait (as are all of this series).
Gole, Jacob (±1660-1737). "Cornelis Tromp." Oval portrait, mezzotint, 18,7x14 cm., w. engr. 4-line caption below image and address of Gole below.
- Fine copy. = Hollstein 123; F.M. Portretten 5424.
ADDED: 3 other small portraits, i.a. of Mercator and Plancius.
- Trimmed to the borderline.
= On slightly thick laid paper. Mannocci 9, the first state (of 4). With the collector's mark of Albert van den Briel (Lugt 407a) and vicomte Philogene de Montfort (Lugt 1035). SEE ILLUSTRATION PLATE CXXI.
- Doubled. = Mannocci 39, the 4th state (of 6).
- Trimmed ±2 mm outside the borderline; sm. unobtrusive closed tear in left margin, ±1 cm. into the image.
= Mannocci 37, 3rd state (B) of 5; Robert-Dumesnil 11.
= Incl. 5 battle scenes, 4 of which after JAN LUYKEN and from L. VAN DEN BOSCH, Leven en bedryf van Willem de Darde (Amst., 1694).
= Incl. 18 woodcut capitals, 11 hunting scenes and a nice woodcut by Gruninger from an early 16th cent. Virgil edition.
ADDED: ±30 later book illustrations, incl. a small stack of engr. emblematic illustrations from J. CATS, Sinne- en minnebeelden.
- A few brown spots.
= On late 16th/ early 17th century laid paper with circular watermark with "W". Hollstein 48.
- Trimmed on the borderline; fine dark impression on sl. thick laid paper. = Hollstein 6.