80 6255 Lutma Jacob 1630 1654

80 6255 Lutma Jacob 1630 1654

- Hollstein 7 sl. yellowed; both fine impressions on paper w. foolscap watermark; cut to the borderline.

= Rare. Hollstein 6 and 7, 2-4th state? Both w. the collector's mark of Albert van den Briel (1881-1971) (Lugt 407a).

80 6257 Master of the Horse Heads act ±1500 ±1530

- Trimmed on the platemark; soiled; paper w. thin areas (prob. removed mount).

= 'Ornamentprenten in het Rijksprentenkabinet I, 15de & 16de eeuw', Amsterdam 1988, no. 114; Hollstein 9. Very rare. With the doublette mark of the Boymans van Beuningen Museum on verso (Lugt 700a). SEE ILLUSTRATION PLATE CXXI.

80 6258 Matham Jacob 1571 1631

- New margins; some foxing; verso stained (sl. shining through); small tear in lower left blank corner.

= New Hollstein 300, the first state (of 2).

80 6259 Matham Jacob 1571 1631

- Fine impression with small margins.

= New Hollstein 289, the first state (of 2). With the collector's mark of Karl von Guérard on verso (Lugt 1109).

80 6260 Matham Jacob 1571 1631

- Fine impression with small margins. = New Hollstein 71, only state.

80 6261 Matham Jacob 1571 1631

- Portion of upper left corner lacking, repaired and redrawn; sl. (finger)soiled.

= New Hollstein 150, 1st state of 3.

80 6262 Matham Jacob 1571 1631

- Sl. stained, especially on the belly of Joseph and in blank margins; probably a washed copy.

= New Hollstein 198, only state.

80 6263 Matham Jacob 1571 1631

= New Hollstein 29, the first state (of 3). With collector's marks of the Fürstlich Walburg Wolfeggsches Kupferstichkabinett (Lugt 2542), E. Fabricius (Lugt 919) and Thomas Graf (Lugt 1092a).

80 6264 Matham Jacob 1571 1631

- Doubled. = New Hollstein 110. SEE ILLUSTRATION PLATE CXXI.

80 6265 Matham Jacob 1571 1631

- FIne impression with small margins.

= New Hollstein 59, the first state (of 2).

80 6266 Meer de Jonghe Jan van der Jan Vermeer van Haarlem 1656 1705

- Very dark, strong impression.

= Hollstein 2, 2nd state (of 2). With the collector's marks of John Griffiths (1806-1885, Lugt 1464); Ernst Theodor Rodenacker (±1840-before 1894, Lugt 2438); Friedrich Quiring (1886-?, Lugt 1041c) and the manuscript collector's mark of the artist Willem Jodocus Mattheus Engelberts (1809-1887, not in Lugt).

80 6267 Meier Melchior 2nd half 16th cent

- Strong, dark impression, trimmed on the borderline.

= Hollstein 1. Very delicate engraving with many details. What appears to be a horizontal scratch (or a wrongly engraved earlier borderline) still visible in lower right corner. In later impression (British Museum)this scratch is only very vaguely visible. Very rare. SEE ILLUSTRATION PLATE CXXII.

80 6268 Mellan Claude 1598 1688

- Browned; vague glue stain and some paper remnants along edges on verso from former mount; trimmed to the platemark.

= With the manuscript collector's marks of the print dealer Johann Sigmund Bermann (1794-1846) (Lugt 235) and Franz Gawet, dated "1820" (1762 or 1765-1847) (Lugt 1069) on verso. Also contemporary annotation (?) "Basan" in pencil (perhaps collector's mark) and references (Montaiglon/ Leblanc) in pencil. And with the collector's mark of Friedrich August II of Saxony (1797-1854) (Lugt 971) on recto. IFF 3, 1st state of 2; Montaiglon 4. On laid paper with watermark showing bunch of grapes in a double circle with lettering.

80 6269 Mensch leeft vroom en goed! Eert uwen Vader en uwe Moeder

- Sl. yellowed/ soiled,

= Curious prints, the anthropomorphic letters formed by figurines: mainly men, i.a. blowing a horn and walking stilts, but also including soldiers and clowns.

80 6270 Mercati Giovanni Battista ±1600 after 1637

= Part of the series Alcune vedute et prospettive di luoghi dishabitati di Roma (1629).

80 6271 Merian Maria Sibylla 1647 1717

80 6271 Merian Maria Sibylla 1647 1717

80 6271 Merian Maria Sibylla 1647 1717

80 6271 Merian Maria Sibylla 1647 1717

80 6271 Merian Maria Sibylla 1647 1717

= Fourteen leaves with 4 engravings and 2 with 3 engravings. Nissen, BBI 1342; Horn-Schenkling III, 14993; Hagen I, 536; Pfeiffer A9.

80 6272 Miel Jan 1599 1663

- Trimmed a few mm. outside the platemark.

= On late 17th cent. laid paper. With the collector's mark of Pieter Willem van Doorne (1896-1971) (Lugt 4731) and the museum Boymans van Beuningen (doublure, Lugt 700a). Hollstein 12, only state; De Jongh/ Luijten, Mirror of Everyday Life 51 ("Old woman delousing a child", with illustration): "(...) Jan Miel, an Italianate painter from Flanders who spent much of his life in Rome and then Turin. (...) The unsaddled donkey in this attractive etching is part of a composition that can be described as typical of the subject matter favoured by the Bamboccianti, as the illustrators of everyday life in Italy were called. The centrepiece of the scene, which was executed around 1640, is a seated old woman with a pince-nez delousing a child's head. She would not have been to every-one's taste. A donkey was bad enough, but to depict someone killing lice (...) was considered deplorable by many of the artists' contemporaries. Several Italian writers and critics, at any rate, condemned this sort of scene out of hand. Giambattista Passeri speaks of 'abject and repulsive depictions' in his biography of Miel." Rare.

80/6273 Militaria Grand entry of the Allied Sovereigns into Paris on the 31 March 1814

- Sl. yellowed in blank margin along inner margin of passepartout.

80 6274 Militaria Hoynck van Papendrecht J 1858 1933 Staring W C 1847 1916 and Veer J P de 1845 1921

80 6274 Militaria Hoynck van Papendrecht J 1858 1933 Staring W C 1847 1916 and Veer J P de 1845 1921

80 6274 Militaria Hoynck van Papendrecht J 1858 1933 Staring W C 1847 1916 and Veer J P de 1845 1921

80 6274 Militaria Hoynck van Papendrecht J 1858 1933 Staring W C 1847 1916 and Veer J P de 1845 1921

= Showing various Dutch regiments.