80 6355 Raimondi Marcantonio ±1480 1527/34 
80 6355 Raimondi Marcantonio ±1480 1527/34 
80 6355 Raimondi Marcantonio ±1480 1527/34 
80 6355 Raimondi Marcantonio ±1480 1527/34 
- Professionally restored, backed w. thin paper.; w. various sm. closed holes and tears; formerly folded.
= Bartsch XIV, 18. The version with the pine tree on the right. Possibly a copy after.
Idem (after). Cleopatra reclining on a bed. Engraving, 10,5x17,6 cm.
- Sm. restorations/ repairs in upper corners and a small spot in right edge.
= Copy in reverse (w. a later added monogram "AD" in pen and ink). Bartsch XIV, 199 (copy C).
AND 3 others by/ after the same: Saint Cecilia, St Paul, St John the Evangelist, St Augustine and Mary Magdalen (Bartsch 116), Two women holding a book under a sign of the Zodiac (Bartsch 397) and Personification of Philosophy (cf. Bartsch 381). - ADDED: 2 very poor copies of engravings by Nicholas BEATRIZET (Fight between Love and Reason and Children's Bacchanal).
80 6356 Randon Claude 1674 1704 
80 6356 Randon Claude 1674 1704 
80 6357 Rembrandt van Rijn 1606 1669 
- Good impression, trimmed on/ just outside the platemark. Expertly doubled. Erased owner's entry on verso.
= New Hollstein 300; Hollstein/ Bartsch 46, 8th (final) state. With the collector's marks of i.a. Vicomte de Montfort (Lugt 1035) and A.P. van Briel (Lugt 407a).
80 6358 Rembrandt van Rijn 1606 1669 
- Washed copy.
= Probably a later impression of New Hollstein 186, 2nd state (of 4). On laid paper without watermark.
80 6359 Rembrandt van Rijn 1606 1669 
- Yellowed/ browned; on 19th cent. paper, no discernable watermark; doubled w. Japanese.
= New Hollstein 243, 4th state (of 5).
80 6360 Rembrandt van Rijn 1606 1669 
- Trimmed just outside the borderline. Fine, strong dark impression on late 17th/ early 18th cent. laid paper, no watermark.
= New Hollstein 302, 4th state (of 5), before the restoration of the shadow on the wall between Christ and the woman.
80 6361 Rembrandt van Rijn 1606 1669 
- Yellowed/ browned; trimmed just outside the plate mark. Printed from a worn plate (signature of Rembrandt almost invisible), on 19th cent. laid paper, no discernable watermark.
= New Hollstein 302, 4th state (of 5), before the restoration of the shadow on the wall between Christ and the woman.
80 6362 Rembrandt van Rijn 1606 1669 
- Printed on thick and sl. yellowed paper, without watermark; w. vaguely visible horizontal fold; verso foxed.
= New Hollstein 119, 8th state (of 8) (Basan workshop). SEE ILLUSTRATION PLATE CXXV.
80 6363 Rembrandt van Rijn 1606 1669 
= New Hollstein 262. 6th state of 10. On laid paper with no watermarks visible. With the collector's marks of Albert van den Briel (Lugt 407a), vicomte Philogene de Montfort (1806-1883, Lugt 1035 and manuscript "Ph. de Montfort 1?49" (cf. Lugt 1822) and Robelot (late 18th/ early 19th cent., Lugt 2141, this copy sold in Robelot's auction in 1847, lot 212). SEE ILLUSTRATION PLATE CXXVI.
80 6364 Rembrandt van Rijn 1606 1669 
80 6364 Rembrandt van Rijn 1606 1669 
- Sm. restoration to the left blank margin and in both upper blank corners. On laid paper without watermark. Otherwise fine.
= New Hollstein 289, intermediate state between 2nd and 3rd state.
80 6365 Rembrandt van Rijn 1606 1669 
- Restored/ repaired copy (especially upper right corner).
= New Hollstein 251, 3rd state (of 5) with the signature of Watelet in lower left corner invisible. With vague collector's mark "P.S" on verso.
80 6366 Rembrandt van Rijn 1606 1669 
- Narrow/ thread margins; sl. dam. to lower blank corners of the plate. Part of an unidentified watermark in left margin.
= New Hollstein 144, the 6th state (of 7); Hollstein/ Bartsch and White/ Boon 124, third and final state. SEE ILLUSTRATION PLATE CXXVI.
80 6367 Rembrandt van Rijn 1606 1669 
- Yellowed/ browned; trimmed just outside plate mark; printed on 19th cent. laid paper, no discernable watermark.
= New Hollstein 292, 5th state (of 6).
80 6368 Rembrandt van Rijn 1606 1669 
- Trimmed between ±1-3 mm. outside the platemark. A strong impression.
= New Hollstein 282, 2nd state (of 2). On late 17th/ early 18th cent. laid paper. Rare. SEE ILLUSTRATION PLATE CXXVI.
80 6369 Rembrandt van Rijn 1606 1669 
80 6369 Rembrandt van Rijn 1606 1669 
- Fine copy, w.4 mm. wide margins; printed on thin laid paper without watermark; traces of former tipping-in in corners very vaguely visible in upper corners.
= New Hollstein 112, 4th state (of 5). Rare. SEE ILLUSTRATION PLATE CXXVII.
80 6370 Rembrandt van Rijn 1606 1669 
- Trimmed on/ just within the plate mark on three sides; cut short to the image in lower blank margin; tipped onto mount at top end of left margin. Printed on thin laid paper without watermark.
= New Hollstein 210, the 3rd state (of 3), prob. a later impression (the signature has become sl. less clear). SEE ILLUSTRATION PLATE CXXVII
80 6371 Rembrandt van Rijn 1606 1669 
- All margins cut short, ±1 to 2 mm within the image, cutting off the signature and date in lower margin; closed hole, just below the right window pane, filled in with pen and ink; closed spot just below the beam in the ceiling; ink line in the right pane.
= On sl. thick laid paper. New Hollstein 212 and White/ Boon 105, 2nd state (of 3).
80 6372 Rembrandt van Rijn 1606 1669 
80 6372 Rembrandt van Rijn 1606 1669 
- Vague small pencil number in upper right corner; good impression on thin laid paper but with signature hardly visible. No watermark.
= New Hollstein 142, 1st state (of 2). SEE ILLUSTRATION PLATE CXXVII.
80 6373 Rembrandt van Rijn 1606 1669 
- Good strong, dark impression.
= On laid paper (late 17th?/ early 18th cent.). New Hollstein 140, the 3rd state (of 4).
80 6374 Rembrandt van Rijn 1606 1669 
- Fine impressoin w. small borders and brown ink framing line. Some very light smudging in centre.
= Hollstein 141, 1st state (of 3). SEE ILLUSTRATION PLATE CXXVII.