80 6375 Rembrandt van Rijn 1606 1669 
- Printed on laid paper without watermark. = Fine impression. Hollstein 141, prob. 2nd state (of 3).
80 6376 Rembrandt van Rijn 1606 1669 after 
80 6376 Rembrandt van Rijn 1606 1669 after 
80 6376 Rembrandt van Rijn 1606 1669 after 
- Somewhat foxed.
= New Hollstein 224, copy b, 2nd state of 2. Copy in reverse (previously attributed to Gerard Dou) on laid paper. With the collector's stamp of Erhard Kaps (Lugt 3549). Published in Recueil de Quatre-Vingt-Cinq estampes originales, têtes, paysages et différens sujets, dessinées et gravées par Rembrandt (Paris, Henry Louis Basan, 1819).
AND 21 others (prob. late 19th cent. helio-engravings) after the same.
80 6377 Rembrandt van Rijn 1606 1669 after 
= New Hollstein 191, the 2nd state (of 4), before the lower back of the hurdy gurdy player's cap shaded with strong horizontal lines. Verso with the collector's mark of Henry Hamal (cf. Lugt 1231).
80 6378 Rembrandt van Rijn 1606 1669 after 
= New Hollstein 306, the 8th or 9th state (of 9), probably by Basan.
80 6379 Remonstrants and Counter Remonstrants Anonymous 17th cent 
- Very sm. closed tear in left margin, a few mm within the borderline.
= Rare caricature or cartoon on the Remonstrants in the Netherlands. The date 1618 is typical, because it is the year in which the conflict between the remonstrants/ arminians and the counter-remonstrants (and between stadtholder Maurits and the land's advocate Van Oldenbarnevelt) culminated in the arrest of Johan van Oldenbarnevelt and other prominents. F.M. 1355A.
80 6380 Renoir Auguste 1841 1919 
= Delteil 8, the second state (of 2). Probably a posthumous impression.
80 6381 Renoir Auguste 1841 1919 
- Margins sl. browned (offsetting from passepartout). = Delteil 8, the second state (of 2). Probably a posthumous impression.
80 6382 Renoir Auguste 1841 1919 
= Delteil 5, the 3rd state (of 3).
80 6383 Ribera José de ±1590 1652 
- Closed tear in left margin, ±2,5 cm. within the image; extended modern margins; trimmed a few mm outside the platemark; sl. soiled.
= Bartsch 79; Brown 17 II (Rejected Attributions),
80 6384 Ricci Marco 1676 1730 after 
- Tears on flattened middle-fold.
80 6385 Roghman Geertruydt 1625 1657 
80 6385 Roghman Geertruydt 1625 1657 
80 6385 Roghman Geertruydt 1625 1657 
80 6385 Roghman Geertruydt 1625 1657 
80 6385 Roghman Geertruydt 1625 1657 
= Hollstein 14 and 19, only state, but both without the number in lower right corner; Cat. Harlemia Illustrata 175 ("Spaerwouw").
AND 7 others, i.a. "Gezigt aan de Spaerwouder-Poort" (2 copies, (1x handcol.) engr. view by H. SPILMAN, Cat. Harlemia Illustrata 544) and "Gezigt aan 't Zuider Spaarne, na de Zomervaart" (2 copies, (1x lightly handcol.) engr. view by C. VAN NOORDE, Cat. Harlemia Illustrata 555).
= Provenance: the collection A.M. van den Broek.
80 6386 Roghman Geertruydt 1625 1657 
80 6386 Roghman Geertruydt 1625 1657 
80 6386 Roghman Geertruydt 1625 1657 
80 6386 Roghman Geertruydt 1625 1657 
80 6386 Roghman Geertruydt 1625 1657 
- All ample margins; title sl. yellowed; otherwise all fine.
= Hollstein (G. Roghman) 9-22, only state; Hollstein (C.J. Visscher) 318 (title-p.); with i.a. cat. Harlemia Illustrata 175 and 176. Provenance: the collection A.M. van den Broek. SEE ILLUSTRATION PLATE CXXVIII.
80 6387 Rops Félicien 1833 1898 
80 6387 Rops Félicien 1833 1898 
= Cf. Exteens 364.
AND a drypoint by Berthe MORISOT, Le canard, with cancellation punch (sl. browned).
80 6388 Rubens Peter Paul 1577 1640 by/ after 
- On thick laid (18th cent.?) paper with large watermark showing a building; sl. grey impression.
= Hollstein 2 (Rubens) and Hollstein 48 (Pontius).
80 6389 Ruischer Johannes ±1625 after 1675 
- Fine impression on thin paper. Trimmed on or just outside the platemark; tipped onto mount.
= Fine etching, only known in later states, reworked by A. Waterloo. Hollstein/ Ruischer 14; Hollstein/ Waterloo 40, the 2nd state (of 3), with the address of Waterloo, but before the number.
80 6390 Ruisdael Jacob van 1628 1682 
- Very small closed tear in lower margin.
= Hollstein 1, the 2nd state (of 2), the sky etched and with retouches of dry-point.
80 6391 Sadeler I Johannes 1550 ±1600 
- Upper and outer margins cut to the image. Good strong impression.
= Hollstein 566. Part of a series of 8 prints showing Landscapes with biblical scenes from the Old and New Testament.
80 6392 Sadeler Aegidius 1568 1629 
- Trimmed to/ just inside the plate mark; sl. foxed, esp. in caption below image.
= Hollstein 148, 4th state (of 4). SEE ILLUSTRATION PLATE CXXVIII.
80 6393 Sadeler Raphael 1560 1632 
- Trimmed (sl. unevenly) on/ just within the platemark (w. tiny loss of the image); sm. closed tear in left edge and tiny hole in caption below; upper left corner repaired; formerly folded.
= Hollstein 13. Rare. SEE ILLUSTRATION PLATE CXXVIII.
80 6394 Saenredam Jan 1565 1607 
- Trimmed outside the platemark; somewhat grey impression, sl. weak impression.
= Hollstein 83, this 18th century state (Covens and Mortier started their business in 1721) not mentioned by Hollstein.