- Cut on the platemark or just outside the borderline.
= Hollstein 1 (final state), 2 (final state?); 3 (3rd or 5th state), 4, 6-10 (all final state), 11 (3rd state of 4), 12 (final state). All with the collector's stamp of Albert Pieter van den Briel (1881-1971) (Lugt 407a) and with the manuscript collector's mark of the Parisian art dealer Naudet (variously dated 1787, 1799 and 1807) (Lugt 1937).
- No.2 lower margin trimmed to the borderline and sl. duststained; no.3 w. ample margins; one copy of no. 11 w. brown stains in upper part.
= Hollstein 2 (2nd or 3rd state), 3 (3rd state of 5), 4 (2nd and 3rd state of 3), 9 (3rd state of 3), 11 (2nd and 3rd state of 3). No.2 w. the collector's marks of John Binmer (Lugt 1410) on recto, no.4 w. the collector's mark of Josef Camesina de Pomal (1765-1827) (Lugt 429), all but two with the collector's marks of Albert van den Briel.
- Trimmed on/ just outside/ inside the platemark.; H.9 (Christ) w. closed tear in upper part; H.11 sm. section nibbled by silverfish; H.13 sm. spots/ sections strengthened on verso; H.15 lower left corner repaired w. loss of image; H.17 w. closed tear; H.18 w. closed holes near centre and w. strengthening on verso; H.20 w. repaired section near the knee of the figure; H.21 appears to be printed on 18th cent. laid paper.
= Without Hollstein 22 (Thomas?). Hollstein 9-21. Hollstein 9 (3rd state of 3), w. the collector's mark of Hubert Dupond (1901-1982, Lugt 3926), H.10 and 12, 2nd state of 2, Hollstein 11, 13, 19 and 20, 2nd state of 3, H.14, 1st state(?) (without number, not mentioned by Hollstein), all others only state. Hollstein 9, 10, 16, 18 and 19 on laid paper w. jug watermark.
= Hollstein 59, 2nd state (of 4) with the address of G. Banheynigh.
AND an engr. portrait of Theodorus Schrevelius by the same.
= Provenance: the collection A.M. van den Broek.
- Outer margins strengthened w. paper tape on verso; sl. yellowed.
- Doubled; some thin spots; a few vague creases in lower left corner; a few yellowed spots; traces of tipping onto mount on verso.
= With unidentified collector's stamp ("W" within circle) and owner's name in pen and ink on verso. Hollstein 11. Very rare (as is the complete series, which is only known in 2 copies). SEE ILLUSTRATION PLATE CXXXII.
- A few sm. closed tears and lower right corner repaired; horizontal central fold; soiled and w. various sm. creases.
= With the collector's mark of Eduard Friedrich Weber (1830-1907) (Lugt 913) and with a 17th/ 18th century (collector's?) annotation in pen and ink showing a monogram (?) and "568-30" on verso and "Ao (or No) 281" on recto.
- Section (13x5 cm.) of blank upper right corner restored.
= Hollstein 289, 1st state (of 2), without the added bindweed, 2 lilies and two flies. SEE ILLUSTRATION PLATE CXXXII.
- Fine impression.
= Very rare print (not traced in New Hollstein). "Johannes Teyler (...) produced, towards the end of the seventeenth century, engravings in colour (...). [He] brought the art of colour-printing so near to beauty-point that it becomes obvious that only the revival and perfection of the stipple were necesarry to establish it completely as a fine art" (J. Frankau, Eighteenth century colour prints p.60ff). SEE ILLUSTRATION PLATE CXXXII.
- Dutch letterpress text added on w. glued strip of paper at the bottom; sl. foxed/ soiled.
= Showing four figures in profile, with (presumably) Bismarck on the bottom right. The print can be folded in such a way that the possible anwer to the question becomes clear by transformation of the faces.
AND 2 unrelated others.
- Doubled; sl. foxed. = F.M. 3985 (nr. 28); Niemeijer p.106, bb.
AND 7 others after Cornelis Troost from the same work: "Het verliefde Bregtje", "Hopman Ulrich of de bedrogen Gierigheid", "De schilder door Liefde", "Tartuffe of de Schynheilige bedrieger", Jan Klaaszen, of de gewaande dienstmaagd", "De stiefmoêr" and "De listige vryster, of de verschalkte voogd".
- Old folds; a few tears/ weak spots strengthened on verso.
= Hollstein, Danckerts 117; Hollstein, Nolpe 55; Muller 185; F.M. 1756; Scheepers I, 440; cat. Tulipomania Frans Halsmuseum 28. From the reprint of De drie t'Zamenspraeken tusschen Waermondt en Gaergoedt, over de op- en ondergang van Flora (...) (orig. publ. Amst., 1643), reprinted during the period of high prices for hyacinths (1734). Krelage, Bloemenspeculatie in Nederland p.153: "In 1734 vreesde men zóó zeer een herhaling van den tulpenwindhandel dat een herdruk verscheen (...)." Rare.
- Trimmed ±0,5 cm. outside the platemark. Fine impression.
= New Hollstein 17, 2nd state of 5. One of a series of 4, The story of Tobias. With the collector's mark of Albert van den Briel (Lugt 407a).
- Both cut to the image, lacking the captions; both very dark impressions; first print w. vague creases and trifle soiled.
= Hollstein 73 and 74.
= Hollstein 426, 1st state (of 3). Cat. Harlemia Illustrata 123. Provenance: the collection A.M. van den Broek.
- No.1, 2 and 4 laid down on sl. later/ modern paper, all but one trimmed just outside the borderline; no.3 w. ample margins; all prints browned and sl. soiled.
= Hollstein 320-323, 2nd state of 3.
AND 3 other similar views (of 4) by the same after Pieter MOULIJN, all w. similar defects: Hollstein 324, 326 and 327 (all 1st states).
- Both trimmed to platemark; remargined w. Japanese.
= Hollstein 347 and 248, both 2nd and final state.
AND 4 similar engravings (each laid down on paper mount).