80 6455 Velde II Jan van de 1593 1641 surroundings of

80 6455 Velde II Jan van de 1593 1641 surroundings of

80 6455 Velde II Jan van de 1593 1641 surroundings of

80 6455 Velde II Jan van de 1593 1641 surroundings of

- Occas. sl. foxed.

= Hollstein 347-350 (Jan van de Velde II): "Not by Jan van de Velde, but by the same artist of the series of 12 oblong landscapes after Gillis van Scheyndel."

80 6456 Velde Adriaen van de 1636 1672

- Ample margins, fine.

= Hollstein 1, 2nd state of 3; Hollstein 2-10, 1st (only) or 2nd state of 2. With the collector's mark of A.J. Lamme (Lugt 138).

80 6457 Velde Esaias van de 1587 1630 after

80 6457 Velde Esaias van de 1587 1630 after

80 6457 Velde Esaias van de 1587 1630 after

80 6457 Velde Esaias van de 1587 1630 after

80 6457 Velde Esaias van de 1587 1630 after

80 6457 Velde Esaias van de 1587 1630 after

- Occas. some vague creases; 1x w. tiny marginal tear; all trimmed ±2 mm. outside borderline.

= Hollstein 41, copy a; Hollstein 38, copy a; Hollstein 35, copy a; Hollstein (after Van de Velde) 16; Hollstein 39, copy b, in reverse, 2nd state (of 2); Hollstein (after Van de Velde) 17. Rare complete series. Four on paper with foolscap watermark. Each with the collector's mark of Pieter Willem van Doorne on verso (Lugt 4731).

80 6458 Velde Esaias van de 1587 1630 after

= Hollstein 19-21 and 23-27. Complete series of these later copies. Mostly with the collector's stamp of Pieter Willem van Doorne (Lugt 4731) and A.M. van den Broek on verso. Provenance: the collection A.M. van den Broek.

80 6461 Verboom Abraham ±1628 ±1670

- Sl. agetoned, otherwise fine.

= On thin laid paper. Hollstein 1, the 2nd state (of 2). One of only five etchings known by Verboom, follower of Ruisdael.

80 6462 Vernet Charles 1758 1836 after

- Strips of tape along edges (recto and verso).

= Rare and amusing print showing the inconvenience of wearing a wig whilst riding a horse. SEE ILLUSTRATION PLATE CXXXIII.

80 6463 Vernet Claude Joseph 1714 1789 after

80 6463 Vernet Claude Joseph 1714 1789 after

80 6463 Vernet Claude Joseph 1714 1789 after

80 6463 Vernet Claude Joseph 1714 1789 after

- All w. ample margins; occas. (sl.) yellowed/ trifle frayed/ trifle waterst. in blank margins; 1x browned and creased; 1x w. closed tear in centre.

= Comprises i.a. the ports of Languedoc, Marseille and Toulon. Under the title "peintre des marines de sa majesté", Vernet was commissioned by Louis XV in 1753 to paint fifteen views of the main ports of France. At that time the country was at war with England, and Louis specifically requested that the artist show off the economic activities and maritime strength of France. This rare series of engravings was created after those paintings. Despite its incompleteness, a desirable set. SEE ILLUSTRATION PLATE CXXXIII.

80 6464 Vinkeles Reinier 1741 1816

- Tiny tear in outer upper blank margin.

= Splendid night piece. Provenance: the collection of A.M. van den Broek.

80 6465 Vinne Isaak van der 1665 1740

80 6465 Vinne Isaak van der 1665 1740

80 6465 Vinne Isaak van der 1665 1740

80 6465 Vinne Isaak van der 1665 1740

- Blank lvs. and backwr. w. 2 circular dents; otherwise contents fine. Wrappers worn along extremities.

= Extremely rare. Cf. Hollstein XXXVII, p.78, describing a similar album composed by Van der Vinne (1707) and p.80-222 listing the woodcuts in the album, also incl. woodcuts from the present album. See also C.H. Schuckman, "Gebruiksgrafiek bewaard: handelsmerken door Izaak Vincentsz van der Vinne", Doopsgezinde Bijdragen, nieuwe reeks nr.16 (1990), p.155-176. The marks are numbered by hand and have mottoes in a variety of European languages. The images show a large variety, with i.a. black people, Homer, a dancer, Atlas, a skater, town-views, ships, Jean Bart and a violin-player. The collection offers a fascinating view of the branche of Haarlem thread-merchants by the end of the 17th and the early 18th century. The variety of languages also gives an indication of the breadth of the trade. Provenance: the collection A.M. van den Broek. SEE ILLUSTRATION PLATE CXXXIV.

80 6468 Visscher Cornelis 1586 1652 after

- Upper and lower left corner cut-off, w. loss of the dec. borderline; formerly folded; some foxing.

= Cf. Hollstein XXXVIII,29, the 3rd state (of 5). The reduced version in reverse of the heavily reworked state of the original print by Simon Frisius, depicting the defeat of the Arminians, 1618. F.M. 1330; Atlas van Stolk 1348.

80 6469 Visscher Cornelis 1629 1658

- Slightly foxed (mainly) in blank margins.

= Attractive print, with a fine profile of Haarlem in the background. The date tree symbolizes virtue. Hollstein 116, 2nd state (of 2). Rare. Provenance: the collection of A.M. van den Broek.

80 6470 Visscher Cornelis 1629 1658

- Dark strong impression,

= Hollstein 50, 3rd state of 6. "The advice by [the engraver F.] Basan to young engravers, to copy the style of Cornelis Visscher, was widely followed, the rat-catcher favoured by many later engravers as the model for Visscher's oeuvre." (Hollstein).

80 6472 Vlieger Simon de 1601 1653

80 6472 Vlieger Simon de 1601 1653

80 6472 Vlieger Simon de 1601 1653

- First print w. wide margins on 17th cent. laid paper w. crowned coat of arms watermark showing 2 opposing lions rampant; 2nd print trimmed just outside the platemark, somewhat grey impression; verso soiled; third print cut ±0,5 cm. outside the platemark, laid paper w. Amsterdam coat of arms watermark, leaf sl. soiled and w. shallow creases.

= Hollstein 11 and 12, first and only state, and 18, 3rd state of 3. First and 2nd print with the collector's mark of Albert van den Briel (Lugt 407a).

80 6474 Vos Maarten de 1532 1603 after

- Folded once.

= Anonymous copy after Raphael Sadeler. Part of the series of 4 allegorical prints, also representing the Ages of Man. Janssen, Grijsaards in zwart en wit, p.98-100, ill. 38; cf. Hollstein (R. Sadeler) 209; Hollstein (De Vos) 1465.