- Title-p. and verso frontwr. trifle waterst and mouldy. Backstrip sl. worn; foot of spine chipped.
= Global Avantgarde Latvia 16.
- Sl. yellowed (incl. wr.). Backstrip lacking portions.
= Global Avantgarde Italy 8; Le Fonds Paul Destribats 162; Riviste Futuriste p.922f; Futurisms in the World p.1045. Contains contributions by i.a. Jean Cocteau, Lipchitz, Luigi Pirandello, Gertrude Stein and Wallace Stevens.
- Frontwr. reattached, some sm. marginal tears and 2 restored lacking portions in blank margin and backwr. 1 restored lacking portion; backstrip lacking som portions.
= Global Avantgarde Italy 9; Le Fonds Paul Destribats 162; Riviste Futuriste p.922f; Futurisms in the World p.1045. Contains contributions by i.a. e.e. cummings, Paul Eluard, E. Gordon Craig and Luigi Pirandello.
- Wrappers sl. yellowed; frontwr. 2 sm. repaired tears, backwr. 2 restored lacking portions in blank margin; backstrip dam.
= Global Avantgarde Italy 11; Le Fonds Paul Destribats 162; Riviste Futuriste p.922f; Futurisms in the World p.1045. Contains contributions by i.a. Comte de Lautreamont, Luigi Pirandello and William Carlos Williams.
= Global Avangarde Norway 6 (other issue w. diff. colours). The magazine "Brukskunst" was published between 1931 and 1934 by the association of the same name. In 1932, the magazine's design profile was changed, following an anonymous competition among the association's book artists. The winning draft for the cover was designed by textile artist Ruth Arnestad (1902-1981) and ceramicist Nora Gulbrandsen (1894-1974). The cover is characteristic of the interwar period's penchant for strong color combinations and strict geometric design, and has similarities with Gulbrandsen's ceramic works (Nordenfjeldske Kunstindustrimuseum).
- Loose (lacks staples).
= Ilk H12; Global Avantgarde Germany 89. Dated "1927" in pencil at the end of the text, w. a large pencil drawing on the first blank page (w. loosely inserted flimsy w. mounted printed ticket "Ella Schrader-Buchholz (...)") and w. a few pencil annots. on the geometrical ill. on the inside of the backwr., all by the author/ artist?
- Fine, unopened copy.
= One of a total of 40 issues that were published from 1924 to 1927. Contains contributions by i.a. H. VAN DE VELDE and G. SEVERINI. The plates showing illustrations of works by Braque, De Chirico, Gromaire, Léger, Picasso etc. Gallery owner and editor Léon Rosenberg (1879-1947) was one of the first propagandists of cubist art, and started collecting works by i.a. Braque, Gris, Léger and Picasso at an early point, thus mentally and financially supporting the artists. In 1918 he opened his gallery "L'Effort Moderne" and organized exhitions of i.a. Laurens, Léger, Braque, Gris, Picasso, Mondrian and Picabia. In 1941 he was forced to close his gallery due to the antisemitic laws. Global Avantgarde France 26 (other issue), Le Fonds Paul Destribats 259; Baudin p.43; Bolliger IV, 332: "(...) seltenen Zeitschrift der "Galerie de l'Effort Moderne" zur Propagierung moderner Kunst, insbesondere des Kubismus (...)".
Le Point. Revue artistique et littéraire. No.XVIII. Ed. P. Betz and P. Braun. Colmar, n.publ., 1938, (242-)288p., photogr. ills., orig. wr. w. anonymous design., large 8vo.
= Special issue on Cinema. Le Fonds Paul Destribats 383.
- Yellowed and sl. brittle, due to the quality of the paper. Wrappers sl. soiled; frontwr. w. vague fold; lower corner of backwr. (and last few lvs.) dam.; backstrip worn/ sl. dam.
= Global Avantgarde Chile 8.
- Fine copy.
= Global Avantgarde Uruguay 29; Diagramming Modernity p.677. With extensive AUTOGRAPH SIGNED DEDICATION on first blank. Published in the series Biblioteca "Alfar".
- Fine copy.
= Global Avantgarde Latvia 52; Fraser L403: "The greater part of the edition was confiscated because of its inflammatory poems".
- Last free endpaper and verso frontwr. sl. foxed; contents otherwise fine. Spine partly dam.; wrs. sl. browned and w. a few waterstains; corners bumped.
= Monod 2395; Carteret V, p.41; Skira 197; Andel, Avant-Garde Page Design 1900-1950 p.99-100; P. van Capelleveen a.o., Voices and Visions. The Koopman Collection and the Art of the French Book p.26f; Bolliger IV,249, V,78 and VI,425: "Ein Hauptwerk des frühen Cendrars, dem Léger von seinen bedeutendsten Illustrationen (Collagen und Typocollagen) widmete. Ein Markstein des modernen illustrierten Buches, in welchem Typographie und Illustration zu vollkommener Einheit verschmelzen." SEE ILLUSTRATION PLATE.
- Fine copy.
Les chroniques du jour. No.6. Ed. G. de San Lazzaro. Paris. Éditions des chroniques du jour, 1930, 30,(8)p., 8 plates, ills., adverts, orig. wr. w. anonymous design, 4to.
= Global Avantgarde France 62 (other issue w. variant wr.); Le Fonds Pauls Destribats 236.
- Backstrip carefully repaired and lacking sm. portion of spine-ends.
= Global Avantgarde Italy 44.
- First and last page w. offsetting from wr.; bookblock loosening. Frontwr. sm. chip at upper corner.
= Global Avantgarde USA 34. Rare volume of poetry on Hawaii by Jane Comstock (Mrs. Adna G. Clarke).
- Frontcover w. horizontal crack; backstrip a few sm. holes. = Copy printed on Japon Dujardin.
= Global Avantgarde France 65 (other issue w. wr. in blue, red and black); Le Fonds Paul Destrobats 300. Contains i.a. a contribution on the textile designs and dresses by Sonia Delaunay and the "Troisième manifest du surréalisme" by Robert Desos.
- Sl. yellowed and occas. foxed; some careful repaired marginal tears and restored spots. Wrappers trifle soiled; spine worn; frontwr. w. restored corner.
= Global Avantgarde Uruguay 1; Boglione p.6 (depicting no.8 w. identical wr. design).
AND a mediocre, waterstained and partly frayed copy of. El Cruz del Sur, no.17 (1927, orig wr. des. by MELCHIOR MÉNDEZ MAGARINOS. Global Avantgarde Uruguay 2).
- One textleaf and backwr. w. sm. stamp. = Global Avangarde Lithuania 20; Jankevičiūtė p.143.
- Some (sl.) foxing. Frontwr. lacks tiny portion of corner; backwr. sm. dam. along spine; spine-ends sl. dam.
= Global Avantgarde Portugal 21.
SW Sudoeste. Ed. A. Negreiros. No. 1. (Lisbon), Edições SW, 1935, 31,(1)p., orig. wr. w. anonymous design.
- Foxed.
= Global Avantgarde Portugal 20. The first issue of one of the most important modernist Portuguese literary periodicals, of which only 3 issues were published.
AND 1 other similar: A. INEZ, Oiça, António Ferro! (Lisbon, 1933, orig. wr. w. anon. design (sl. yellowed/ foxed; Global Avantgarde Portugal 19).
- Hinges sl. weak. Foot of spine chipped. = Global Avantgarde Turkey 27.