- Partly loose(ning). Spine worn. = Khan-Magomedov p.142f; Rowell/ Wye 852 and ills. p.237.
- Upper corner sl. bumped. Wrappers trifle soiled and some sl. rubbed spots at extremities; a few sm. tears in upper margin of backwr.; frontwr. a few vague folds in lower corner; both wr. lack sm. portion of upper corner.
= Global Avantgarde Netherlands 48. The work was also published in a Wijdeveld-style cloth binding.
- Some sl. occas. foxing.
= With AUTOGRAPH SIGNED DEDICATION, dated "Buenos Aires MCMXXXII". Global Avantgarde Argentina 22; Libros Argentinos p.264; Diagramming Modernity p.144.
- Frontpage w. gluestain and some minute holes along fold; backpage w. vague narrow waterstain along fold.
= Global Avantgarde Czechoslovakia 4; cf. Le Fonds Paul Destribats 198. Extremely rare prospectus for the periodical edited by Jaromir Krejcar, Jaroslav Seifert, Karl Teige and (for France and Germany) Iwan Goll of which only 2 issues were published between 1923 and 1925. On the frontpage of this prospectus the title and subtitle of the periodical are listed in Czech, French, German, Italian, Russian and English.
- Orig. frontwr. cut sl. short, just touching the text. Binding sl. worn.
= Global Avantgarde France 40; Le Fonds Paul Destribats 359; Bolliger III, 166. All published; w. tipped-in leaflef "cette revue n'est ni la suite ni la contre-façon d'aucune autre (...)". Contains contributions by i.a. Tristan Tzara, F.T. Marinetti, Hans Arp, Céline Arnauld, Kurt Schwitters, Willy Baumeister, M. Seuphor and Paul Joostens, and (photogr.) ills. by/ after Kertèsz, Fernand Léger, Herman Vonck, Victor Servranckx, Lucia Moholy, Enrico Prampolini, Moholy-Nagy, Piet Mondriaan, Marcel Breuer and Vordemberge-Gildewart.
- Yellowed.
= Extremely rare German language advertising leaflet for subscriptions in Germany to Documents internationaux de l'Esprit Nouveau, "die erste permanente internationale zusammenarbeit aller neu-schöpferische elemente europas (...): architektur, malerei, literatur, musik, theater, film, fotografie. das organ der neue gestaltung. die manifestation der einheitlichten richtung und der mannigfaltigkeit des modernen geistes. stets mit vielen deutschen texten."
- Upper corner sl. knacked.
= Cf. Global Avantgarde Croatia | Serbia | Slovenia 17. Variant cover design of Rade Drainac' third vol. of poetry (Belgrade, 1923).
Idem. "Izdanja Hipnos Erotikon". ORIGINAL COLLAGE (w. use of the announcement of Erotikon), on verso of the frontcover of Voz odlazi (Belgrade, 1923), w. tipped-on the cut-out first verse from Erotikon, signed [in cyrillic] "Rade Drainac" and "24 XII 1923" in pencil. - AND WITH the first and final leaf from Voz odlazi, resp. w. an additional ORIGINAL COLLAGE design on recto and an AUTOGRAPH POEM on verso, pencil, signed [in cyrillic] "Rade Drainac" and "24 XII 1923".
= Extremely rare ensemble of collages in connection with Drainac' poetical works.
= Global Avantgarde Latvia 43 (variant in red). Rare technical car manual.
= Global Avantgarde Poland 22 (other issue); Rypson p.142.
Rosset, E. Prawa demograficzne wojny. Łódź, n.publ., 1933, 61p., orig. wr. w. anonymous design, sm. 4to. - AND 1 other: T. PEIPER, Szósta! Szósta! Utwór teatralny w częściach (Kraków, 1925, modern facs. wr.).
- Spine and upper blank corner frontwr. neatly restored.
= Global Avantgarde Georgia 1; Chepyzhov 20: "Drosha was the main artistic and literary magazine published from 1923 to 1935 (...). The design of Drosha changed over the years reflecting the different styles dominant in Georgian art. In the first period in 1923-24, the magazine was dominated by David Kutateladze, who designed the wrappers and the lettering - he was clearly influenced by Ilia Zdanevich's letterpress designs."
- Closed tear in frontwrapper.
= Global Avantgarde Georgia 16; Chepyzhov 20: "Drosha was the main artistic and literary magazine published from 1923 to 1935 (...). The design of Drosha changed over the years reflecting the different styles dominant in Georgian art. In the first period in 1923-24, the magazine was dominated by David Kutateladze, who designed the wrappers and the lettering - he was clearly influenced by Ilia Zdanevich's letterpress designs."
- Owner's entry on title-p. Frontwr. creased/ sl. worn and reattached; backstrip sl. dam.
= Global Avantgarde Lithuania 33; Fraser R12. Lithuanian translation of Ilya Ehrenburg's widely popular Thirteen Pipes.
- Right margin of frontwr. sl. trimmed. = Global Avantgarde Poland 21; Rypson p.137.
- Backstrip sl. worn.
= Global Avantgarde Hungary 22. With AUTOGRAPH SIGNED DEDICATION on htitle. Very rare.
- Yellowed. Wrappers loose(ning) and rather brittle; backstrip dam.
= El Lissitzky Retrospektive 79; Rowell/ Wye 403; Compton, Russian Avant-Garde Books 1917-34, p.96. The first of four issues published, containing literary contributions by i.a. Andrei Belyj, Boris Pilnyak and Aleksei Remizov.
- Sm. owner's entry on title-p. Backstrip sl. worn/ dam. (lacking approx. 3,5 cm. at the foot). Very good, untrimmed copy.
= One of 30 copies on "Hollande Zonen Van Gelder" [sic]. Series Collection des tracts, no.6. Text by one of the pioneers of avant garde and modernist cinema, with design and illustrations inspired by constructivism and Dada. Global Avantgarde France 15; Andel p.294; The Avantgarde Applied p.227; Futurisms in the World p.436: "(...) containing poems, prose, reproductions of paintings, manifestos, pages with typographic compositions and a photographic portrait of the Russian actress Alle Nazimova that recalls the Photodynamism of the Bragaglia Brothers."
- Backstrip sl. browned and w. some rubbed spots at extremities. = Monod 4278.
- Paper (especially first lvs.) rather brittle.
= Global Avantgarde France 44; Rowell/ Wye 711; not in Vloemans. First separate edition.
- Textlvs. yellowed as usual. Wr. sl. browned and sl. worn along edges.
= Lissitzky-Küppers no.65; cat. Sprengel Museum Hannover no.72; Andel p.159. The catalogue of the landmark exhibition of Russian art in Berlin and Amsterdam, an event which - along with the Der Sturm exhibition of that year - decisively introduced modern Russian art into the mainstream of Western culture. The catalogue lists all works shown at the exhibition and contains reproductions of a number of these works, i.a. by Malevich, Rodchenko and Tatlin.
- Frontwr. sl. yellowed and w. sm. dam./ worn spot (strengthened on verso).
= Global Avantgarde Georgia 18; Chepyzhov 27.