- Wrappers sl. fingersoiled; frontwr. vol. 2 lacks slim portion of lower corner.
- Wrappers sl. frayed.
Boltyansky, G. Kino-khronika i kak ee snimat'. Ibid., idem, 1926, 75,(5)p., ills., orig. wr. w. anonymous design, sm. 8vo.
- Backstrip partly worn off.
= Grigori Boltyansky directed footage of i.a. the October Revolution and Lenin's funeral.
- Yellowed; spine-ends sl. dam.; overlapping wr. w. inevitable tiny tears in blank margins.
= Global Avantgarde Argentina 32; Libros Argentinos p.175; Diagramming Modernity p.144.
- Stamp on htitle.
= Global Avantgarde Estonia 20. Märt Laarman was a prominent theoretician of the EKR (Eesti Kunstnikkude Rühm - The Group of Estonian Artists).
- Bookplate on verso frontwr. Frontwr. trifle foxed. = Global Avantgarde Estonia 36.
- A few occas. owner's stamps; sl. yellowed. Wrappers sl. rubbed at edges.
= Global Avantgarde Germany 11. Famous first hand account of the 1917 Russian October Revolution by the American socialist journalist John Reed (1887-1920).
- Backstrip restored and chipped at top of spine. = Global Avantgarde Turkey 21.
= Global Avantgarde Spain 44.
Rotary. Órgano Oficial de los Rotary Clubs de España. Year 6, no.61. Barcelona, n.publ., 1933, (8 advert.),22,(6 advert.)p., ills., orig. wr. des. by WILL FABER, 4to.
- Frontwr. cut sl. short in lower margin (as issued).
= Global Avantgarde Spain 52 (other issue w. diff. colours).
Garcia Guardiola, C. Mallorquinas. Ibid., Talleres Gráficos Hostench, 1929, 132,(2)p., 22 plates, ills. and orig. wr. by FERNANDO MANCHÓN AZCONA.
= Global Avantgarde Spain 16.
AND 1 other: EXPOSICION DE BARCELONA (...) Temporada de grandes revistas. Programa oficial (Barcelona, 1930, ills., orig. wr. des. by FRANCESC FONTANALS. Global Avantgarde Spain 25).
- Title-p. sl. foxed and sticking to frontwr. at upper corner. Backstrip sl. worn and chipped at spine-ends and w. title written in ballpoint.
= Global Avantgarde Turkey 5.
= Global Avantgarde Lithuania 9; Futurisms in the World p.673; Jankevičiūtė p.140.
- Paper shelf ticket at foot of spine; backwr. sl. creased. = Rypson p.98f; Kurc-Maj p.302.
- The plan torn in two; loose(ning) and brittle. Sold w.a.f.
= Visitor's guide to Leningrad published shortly after the renaming of the city. Probably the first such publication using the new name.
- Sl. yellowed; some sm. (repaired) tears in margins.
- Wrapper dustsoiled and sl. mouldy/ stained along edges and in corners (also sl. affecting interior); sm. stamp and annot. on frontwr.
= Rowell/ Wye 834. Important periodical of the OSA (Obyedinenie Sovremennykh Arkhitektov - Union of Modern Architects), founded by members of constructivist artists' collective LEF. This issue devoted to the construction of the large Hydroelectric Station on the Dniepr river.
- Some markings/ annots. in pencil and pen; title-p. and first lvs. sl. waterst. in margins; final lvs. trifle mouldy. Wr. sl. creased and worn; pink stain on backwr.
= Global Avantgarde Turkey 13.
- Orig. frontwr. soiled, frayed and some rubbed spots and (repaired) tears.
= Global Avantgarde Peru 10; Diagramming Modernity p.546. One of 200 copies printed on Tamar paper, SIGNED and "Ejemplar: Ch." by the author and w. AUTOGRAPH SIGNED DEDICATION on htitle.
- Inner leaf some handling creases. Spine strengthened on inside.
= Global Avantgarde France 3.
- With manuscript entry.
= Global Avantgarde Germany 86. Extremely rare. "Kommen Sie am 4 Februar auf "Die schiefe Ebene"? Das Winterfest des Akademischen Architekten-Vereins Hannover! Das Fest ohne Attraktionen! Aber: Licht. Farbe. Raum. Tempo! Bauhaus-Kapelle-Dessau! (...) Nicht wahr? Sie Kommen! (...)".
- Partly w. some pencil annotations and underlings. Fine copy.
= Global Avantgarde Czechoslovakia 6; Avantgarda 22; Futurisms in the World p.184f: "Linked to themes and places typical of modernity (transatlantic liners, aeroplanes, the wireless telegraph, radio, electricity, jazz bands, New York, cocktails, the music-hall, advertising etc.), it echoes the experimentation of the Futurist words on many pages, with blank spaces, a variety of typefaces, collages of adverts, onomatopoeias, etc."