- A few lvs. margins restored; one leaf w. professionally closed tear; first leaf lower corner restored. Spine strengthened; wr. trifle stained; backwr. lacks tiny chip in upper margin.
= Rowell/ Wye 410 and p.196; Compton, Russian Avant-Garde Books 1917-34, p52 and passim; Lissitzky-Küppers p.24: "At the beginning of 1922, Lissitzky collaborated with Ehrenburg in producing the first pro-Soviet periodical, Veshch ('Objet'), published by the Skythen-Verlag. Here Lissitzky could make his new typographical ideas become concrete facts - thanks to highly-developed printing techniques. (...) The pages of the journal were architectonically arranged, and all the resources of the type-case were employed to catch the reader's eye and to give emphasis to the contents. The striking effect made by the typographic composition of the cover (a floating Proun in red) is created by the colossal tension in which the letters are held counterpoised on the coloured background. Few cover designs produced since then bear comparison with these first fruits of Lissitzky's typographical genius." Bolliger III, 242: "Zeitschrift der russischen und europäischen avantgarde, die sich zur Aufgabe setzte: "Die in Russland Schaffenden mit der neuesten westeuropäischen Kunst bekanntzumachen und 2. Westeuropa über die russische Kunst und Literatur zu informieren"." Only 2 issues were published (no.1/2 and 3), although a fourth and a fifth were announced.
- Bookblock sl. warped. Backstrip worn; sm. stamps/ annots. and a few stains on backwr.
- Wrappers trifle dustsoiled.
= Global Avantgarde USA 72; Le Fonds Paul Destribats 420. Contains i.a. a contribution by G. DE CHIRICO, "Hebdomeros" (p.80-82, w. ills.), translated by PAUL BOWLES.
= Global Avantgarde Latvia 39. Fraser L292. One of the first publications of the Tagadne (Our Time) publishing house. "The cover designs (...) were certainly vanguard for Latvia and would have been noticed in any design competition of "late-flowering, constructivist design" appearing at that time in Moscow, Prague, or Berlin" (Fraser).
= Global Avantgarde Latvia 37; Fraser L293; Futurisms in the World p.665. One of the first publications of the Tagadne (Our Time) publishing house. "The cover designs (...) were certainly vanguard for Latvia and would have been noticed in any design competition of "late-flowering, constructivist design" appearing at that time in Moscow, Prague, or Berlin" (Fraser).
- Trifle stained in lower corner at the beginning. = Global Avantgarde Estonia 48.
- Fine, unopened copy.
= Global Avantgarde Finland 5; Futurisms in the World p.319: "[Mika Waltari and Olavi Pavolainen] belonged to the Tulenkatajat ("Torchbearers") group which, formed in 1920 and active until 1930, tried to take Finland towards a modernization along European lines. (...) Pavolainen in particular sang the praise of roaring automobiles and modern life in accents that have been compared with those of F.T. Marinetti. In 1928, under the penname of Olavi Lauri, he and Waltari published the volume Valtatiet ("Highways") in which, taking his inspiration from Marinetti's fascination with motoring, he imagined driving through the countries of Europe in a red Fiat car, which then exploded like a star in the Sahara Desert".
- Lower hinge broken; title-p. and first lvs. sl. brittle. = Global Avantgarde Poland 26 (variant in white).
Mozer, B. Beny (Kinder-roman). New York, Umparteishe yidishe arbeter-kinder-shuln, 1930, 156,(2)p., ills. by Y. ZELDIN, orig. cl. des. by B. ARONSON.
- Several scattered stamps; lower hinge (nearly) broken; bookblock shaken; sl. fingersoiled. Binding worn along edges. Used copy.
= Global Avantgarde USA 44; Von Hülsen-Esch/ Aptroot 41.
- First and last few pages some sl. foxing. Dustwr. yellowed at spine and chipped at top. Otherwise fine.
= Global Avantgarde Great Britain 21; Powers p.45.
= Global Avantgarde Estonia 28. Estonian translation of The Country of the Blind and Other Stories, the first of Wells' works ever translated into Estonian.
- Contents sl. yellowed and part of the pages split on outer fold. Covers sl. duststained and sl. yellowed; backcover yellowed (esp. in upper margin); spine and corner sl. rubbed..
= Copy bound in boards instead of wrappers. Global Avantgarde Netherlands 9; Le Coultre 4 - 11d; Lissitzky-Küppers 70; Purvis 3-6.
- Backcover has a few tiny chafed spots; spine-ends worn; otherwise very fine.
= Copy of the rare DELUXE edition. Le Coultre 5-3E (±50 copies).
- Ad 1. Dustwr. strengthened on verso at top of spine; corners sl. worn. Ad 2. Dustwr. chipped at top of spine and sl. worn at corners. Both fine.
= Global Avantgarde USA 55 and 60.
- Second part lacks plate 8 and 25; sl. yellowed and brittle (a few lvs. w. small marginal tear or chip), occas. foxed in blank margins. Portfolio soiled and sl. rubbed.
= Portfolios Modernes Art Deço p.496.The first part shows interiors, i.a. designed by Walter Gropius (3x) and Marcel Breurer (3x) with furniture by Thonet; the second part shows furniture, objects etc., incl. 2 plates (incl. 1 double-p.) showing graphic design and bookbindings.
- Title-p. and frontwr. reattached; backstrip dam. and strenghened w. restoration tape; without orig. backwr.(?).
- Owner's entry on title-p. Wrappers loosening, sl. frayed and spotted; backstrip sl. dam.
= Rowell/ Wye 228; Compton, Russian Avant-Garde Books 1917-34, p.18 (and illustration on frontcover): "Through his friendship with Kamensky, he [Lentulov] was invited in 1919 to make a cover for Reality. Verses for which he produced an elaborate topical design showing workers, factories and red flags. This anthology brought together a motley group of poets: as well as Kamensky, there was the Futurist sympathiser, Boris Pasternak, the Symbolist Andrei Bely, the independant 'Ruralist' Sergei Esenin, and Riurik Ivnev, Anatoly Mariengof and Vadim Shershenevich."
= Global Avantgarde Finland 7 (other issue). Periodical of the Finnish National Broadcasting Company.
Palotorvi. Year 3, no.3. Ibid., n.publ., 1934, (1),34-47,(1)p., ills., advertisments, orig. wr. w. anonymous design, large 8vo.
= Global Avantgarde Finland 18 (other issue). Organ of the Finnish Firefighters Society.
= Global Avantgarde Latvia 5. Provocative poetry by female avant-garde poet and women's rights activist Lucija Zamaič.
= Global Avantgarde Latvia 8. Provocative poetry by female avant-garde poet and women's rights activist Lucija Zamaič.
= Global Avantgarde Croatia | Serbia | Slovenia 10 (printed on pink paper). Extremely rare advertising leaflet for no.10 of the Croation avant-garde periodical Zenit (cf. Le Fonds Paul Destribats 165). The text reading: "Zenit/ East → West Huuuurrrrraaaa! Read! Number 10 Zenit Read! Don't be stupid. You have to become a Zenitist (...)".