81/ 684 [Mail art]. "Steinlens 2e procedure". Series of 23 cardboard leaves, mainly 16,5x10,5 cm., 19x w. mounted (col.) ill(s). (each ±5,2x7,5 cm.) in various techniques (i.a. drawings, cards numb. 1-19 in blue ballpoint, and 4 cards w. mounted cut out newspaper fragments, all cards w. poststamp (postmarked from 22/03/1974 to 04/05/1974) and w. artist's/ sender's stamp "Steinlens/ 2e/ procedure" (the last card also "galerie de Kluis").

= All cards addressed and sent to Simon Carmiggelt: the first 19 cards w. stamped address "S Carmiggelt/ 1e Weteringpl 2A/ Amsterdam" and w. stamps "Dederdereeks/ 20steeeuws/ Anoniem" and "66 Sep 1978", the last 4 cards w. "Het Parool/ S Carmiggelt/ Wibautstraat/ Amsterdam" and "77 sep 1978". A series of anonymous mail art objects, that were sent to newspaper journalists in the years 1970-1972. The artist has never been identified.

ADDED: Nieuwe journalistiek. N.pl., n.d. (±1972), 35,(3)p., 9 monochr. plates, (facs.) ills., orig. wr., sm. folio.

= The original brochure for the publication bound in. Reproducing a large number of newspaper articles concerning the mail art sendings by the mysterious "Steinlens 2e procedure", in many of which the possible identity of the artist was discussed.

81/ 685 [Mander, K. van]. Leesberg, M. The New Hollstein. Dutch & Flemish Etchings, Engravings and Woodcuts 1450-1700. Karel van Mander. Ed. H. Leeflang and C. Schuckman. Rott., Sound & Vision, 1999, CXX,(4),206p., ills., orig. cl. w. dustwr., 4to (fine).

81/ 686 Marle, R. van. The Development of the Italian Schools of Painting. The Hague, M. Nijhoff, 1923-1938, 1st ed., 19 vols. (incl. index vol.), plates/ ills., orig. unif. giltlettered cl.

- Fine set.

= Arntzen/ Rainwater M299: "A monumental work on Italian painting from the 6th through the 15th centuries. Most important for the many illustrations. Still indispensible as a reference tool."

81/ 687 Marsyas. No.1 [all published]. Rott., het Atelier van Kunstcentrum 't Venster, 1950, (16)p., stencil printed plates by i.a. Wally ELENBAAS and Gust ROMIJN, orig. letterpress boards.

= Rare.

81/ 688 [Matisse, H.]. Dernières oeuvres de Matisse 1950-1954. Introd. P. Reverdy. Paris/ Utr., Verve/ A.W. Bruna & Zoon, 1958, 182,(4)p., 40 col. lithogr. plates (incl. 8 double-p. and 5 fold.) and orig. col. lithogr. boards by H. MATISSE, 38 monochr. plates, folio.

- One lithogr. page w. sm. crease in lower blank corner; 6 lvs. w. sm. stain (or tiny hole) in blank margin; nevertheless all lithogr. ills. fine. Binding plasticized; spine-ends sl. dam.; lower joint splitting.

= Verve. Revue artistique et littéraire, vol.IX, no.35/ 36. SEE ILLUSTRATION PLATE XII.

81/ 689 [Mees, F.]. Exposition internationale des arts décoratifs et industriels modernes. Catalogue des oeuvres de la section des Pays Bas à l'exposition à Paris. Haarlem, Joh. Enschedé en zonen, (1925), 77,(2)p., woodcut ills. by F. MEES and A. VAN DER VOSSEN after F. MEES, orig. wr., sm. 8vo.

- Verso first and final leaf browned. Wr. sl. foxed and yellowed.

81/ 690 Meyer, F. and Bolliger, H. Marc Chagall. Das Graphische Werk. Stuttg., Hatje, 1957, XL,151,(1)p., 4 col. (double-p.) plates, 147 (full-p.) ills., orig. dec. cl. w. dustwr., 4to.

- Upper hinge weakening. Dustwr. corners trifle/ sl. worn, otherwise fine.

San Lazzaro, G. di (ed.). Homage to Joan Miró. London, Ebeling Publishing, 1976, 135p., num. (col.) ills., orig. giltlettered cl. w. dustwr., folio.

- Dustwr. trifle/ sl. frayed along top, otherwise fine.

= With reproduction of the lithograph made by J. MIRÓ for the original French edition.

San Lazzaro, G. di (ed.). Hommage à Max Ernst. Paris, Société Internationale d'Art XXe Siècle, 1971, 1st ed., 131,(1)p., orig. lithograph by MAX ERNST, num. (col.) ills., orig giltlettered cl. w. dustwr, folio. - AND 1 other.

81/ 691 [Miró, J.]. Alechinsky, P. and Dupin, J. Peintures sur papiers, dessins. (Paris), Maeght, Derrière le Miroir, 1971, 1st ed., (2),31,(5)p., 8 full-/ double-p. (col. lithogr.) plates (incl. wr.) and 2 col. ills. by J. MIRÓ, photogr. ills., printed in 150 numb. and SIGNED copies, in black board chemise and slipcase w. printed title-piece on upper cover, folio.

- Fine copy of the deluxe edition. Slipcase trifle rubbed on spine.

= Cramer 145. SEE ILLUSTRATION PLATE XIII.

81/ 692 [Miró. J.]. Balthazar, A. Sculptures. (Paris), Maeght, Derrière le Miroir, 1970, 1st ed., (4),30p., 8 (full-/ double-p.) (col. lithogr.) plates (incl. wr.) by J. MIRÓ, photogr. ills., printed in 150 numb. and SIGNED copies, in blue board chemise and slipcase w. printed title-piece on upper cover, folio.

- Fine copy of the deluxe edition. Backstrip of chemise and slipcase nibbled by silverfish.

= Cramer 134. SEE ILLUSTRATION PLATE XIII.

81/ 693 [Miró, J.]. Dupin, J. Miró. Peintures sur cartons. (Paris), Maeght, Derrière le Miroir, 1965, 1st ed., 27,(4)p., 23 (full-/ double-p.) (col. lithogr.) plates and ills. (incl. wr.) by J. MIRÓ, printed in 150 numb. and SIGNED copies, in orig. grey board chemise and slipcase w. printed title-piece on upper cover, folio.

- Fine copy of the deluxe edition. Sm. spot nibbled by silverfish on backstrip of slipcase and chemise.

= Cramer 102. SEE ILLUSTRATION PLATE XIV.

81/ 694 [Miró, J.]. Pierre, J. and Corredor-Matheos, J. Céramiques de Miró et Artigas. Paris, Maeght, 1974, 228,(3)p., 2 double-p. col. lithogr. plates by J. MIRÓ, num. (col.) ills., orig. cl., 4to.

- Lacks dustwr. Good copy. = Cramer 183.

AND 1 other on J. MIRÓ.

81/ 695 [Miró, J.]. Pieyre de Mandiargues A. Miró et Artigas, céramiques. Terre Nouvelles de Miró et Artigas. (Paris), Maeght, Derrière le Miroir, 1963, 1st ed., (3),25,(2)p., 7 (col. lithogr.) (single-/ double- and triple-p.) plates by J. MIRÓ (incl. wr.), ills., printed in 150 numb. and SIGNED copies, in orig. yellow board chemise and slipcase w. paper title-piece on upper cover, folio.

- Slipcase sl. soiled and w. traces of silverfish nibbling on spine.

= Good copy of the DELUXE edition. Cramer 83. SEE ILLUSTRATION PLATE XIV.

81/ 696 [Miró, J.]. Waldberg, P. Miró. l'Oiseau solaire, l'oiseau lunaire, étincelles. (Paris), Maeght, Derrière le Miroir, 1967, 1st ed., (3),25,(13)p., 10 (full-/ double-p.) (col. lithogr.) plates by J. MIRÓ (incl. wr.), num. ills., printed in 150 numb. and SIGNED copies, in orig. orange board chemise and slipcase w. paper title-piece on upper cover, folio.

- Three sm. nibbled spots on spine of slipcase. Otherwise a very fine copy of the DELUXE edition.

= Cramer 112. SEE ILLUSTRATION PLATE XV.

81/ 697 [Miró, J.]. Derrière le miroir, no. 14/15, 29/30, 57/58/59, 87/88/89, 123, 125/126, 128, 169, 203, 231. (Paris), Galerie Maeght, 1948-1978, 17 issues in 10 vols., num. (single-/ double-p.) (col. lithogr.) plates and ills., all in orig. (col. lithogr.) wr. by J. MIRÒ, folio.

- No. 14/15 trifle yellowed; no. 29/30 horizontal fold and backwr. nibbled by silverfish; no. 57/58/59 frontwr. faint traces of silverfish nibbling (hardly visible); no. 87/88/89 spine nibbled by silverfish. Otherwise fine.

= SEE ILLUSTRATION PLATE XV.

81/ 698 [Miró, J.]. Derrière le Miroir, no. 125/126. Miró. Paris, Maeght, 1961, 17,(11)p., 10 col. lithographs (2x triple-p., 1x double-p.) by J. MIRÓ (incl. wr.), folio.

- Frontwr. trifle yellowed along margins. Contents fine. = Not in Cramer.

Derrière le Miroir, no. 247. Alechinsky. Ibid., idem, 1981, 20p., 5 (double-p.) col. lithographs (incl. wr.) by ALECHINSKY, orig. wr., folio (fine).

81/ 699 [Miró, J.]. Derrière le Miroir, no. 231 (Joan Miró). Paris, Maeght, 1978, 28p., 2 double-p. col. lithographs J. MIRÓ (incl. wrappers), (col.) ills., orig. wr., folio (fine). - AND a fine copy of DERRIÈRE LE MIROIR, no.163 (Paul Rebeyrolle) (ibid., 1967, 7 (double-p.) col. lithographs by P. REBEYROLLE (incl. wrappers), ills., orig. wr., folio. Fine).

81/ 700 Modigliani, J. Modigliani sans légende. Paris, Gründ, 1961, 1st French ed., 154,(3)p., num. (col.) ills., orig. blindst. cl. w. dustwr., 4to.

Hoffmann, E. Kokoschka. Life and Work. London, Faber and Faber Ltd, 1947, 1st ed., 367p., num. (col.) (tipped in) plates, ills., orig. cl., 4to.

- Library(?) stamp on verso titlep. and lower edge of bookblock. Ticket on spine.

Buchheim, L.-G., Die Künstlergemeinschaft Brücke. Gemälde, Zeichnungen, Graphik, Plastik, Dokumente. Feldafing, Buchheim Verlag, 1956, 1st ed., 408p., num. ills. and tipped-in col. ills., orig. blindst. cl. w. dustwr., 4to.

81/ 701 Moesman, J.H. Op Engel voeten/ à pas de loup. (Schalkwijk), Editions Surréalistes 'Brumes Blondes', 1975, (16)p., printed in black and red, orig. wr. (printed in red and green).

= With AUTOGRAPH SIGNED DEDICATION in pen and ink on verso frontwrapper: "Met de beste wensen van 1975 t/m 1999 in 2000 zien we wel weer!" Typespecimen of the lettertype Petronius, designed by Moesman.

81/ 702 [Moesman, J.H.] Archive, comprising i.a. (calligraphed) correspondence, prints, newspaper clippings, invitations for exhibitions, (sm.) publications by/ on the same.

= I.a. Ko CASSANDRA (= J. Van Lennep), Offeranden op het altaar van Amor en Venus (Tull en 't Waal, 1987, handcol. erotic plate, printed in 100 numb. copies, orig. wr. 2 copies); etching by Ch. DONKER, (portrait of J.H. Moesman) (signed in pencil, RKD studies CD 62-25, printed in 15 copies. Our copy unnumbered); a lithograph by Moesman (surrealist composition w. hands, unsigned); publications by the GREEN ESCAPE PRESS: Ornaprentenboek (n.d., proof copy no.8, signed by Ton van Zuilen (= Moesman) and Henk van Otterloo); G. PREVIN MEYER, At Journey's End (1981, 2 lithogr. plates by Moesman, orig. wr. Signed by Moesman, the printer Henk van Otterloo and the author); W. CORDAN, Essai over het Surrealisme met een beschouwing over het werk van Willem van Leusden (n.pl., n.d., ills., printed in 250 numb. copies (50), orig. wr. One of 50 Roman numb. copies with 2 loosely inserted photogr. portraits of the author and Willem van Leusden, both signed resp.). Also a small calligraphed wishing well note and envelope by Moesman. SEE ILLUSTRATION PLATE XV.

81/ 703 [Monograms]. Renoir, H. Collection Complète de Chiffres et Monogrammes. Paris, Sarazin, n.d. (19th cent.), steelengr. title-p., 66 plates, orig. giltlettered hmor., large 4to.

- Occas. trifle foxed, first few lvs. badly foxed and waterst. along lower margin.

Idem. Chiffres Louis XIV. Ibid., idem, n.d. (19th cent.), engr. steelengr. title-p., 68 plates, bound unif. w. the above.

- Blindstamps on title-p. and first plate (unread); occas trifle foxed.