= "Donkere Duinen is gebaseerd op een gevonden verzameling negatieven, gemaakt door een amateurfotograaf in bezettingstijd" (colophon). WIth SIGNED DEDICATION by the artist.
Nooy, A. de. Party Photographer. Life and Work of Pep Jansen. N.pl., De Nooy Collection, n.d., (48)p., photogr. ills., orig. wr.
= "The photos in this publication are part of the De Nooy Collection, an ever-expanding archive containing work from imaginary photographers" (colophon).
Yoshida, H. 1971.7.4. Cranleigh, Beau Geste Press, 1976, (16)lvs., photogr. ills., printed in blue and brown on yellow paper in 850 copies (350), orig. wr.
= One of 350 separately issued copies (500 copies were bound with no.8 of Schmuck Anthological).
AND 14 others similar, including smaller publications, i.a. by Paul Andriesse, Cai Guo-Qiang, Rob Johannesma, Wolfgang Tillmans, Julie van der Vaart and Herman Zeekaf.
= Provenance: the collection of Johan Deumens.
= Rare.
Moderne Nederlandsche toegepaste kunst. Arts décoratifs modernes Hollandais. Modern Dutch Applied Arts. Modernes Holländisches Kunstgewerbe. Amst., Stedelijk Museum, 1929, 34p., 14 ills. on 7 plates, orig. wr., sm. 8vo.
= Catalogue for the exhibition held 29 June - 28 July, showing works by i.a. Lion Cachet, Huszár, Gispen and Sluyters. With loosely inserted errata leaf.
AND 13 others (mostly) on (Dutch) applied arts, incl. small publications and exhibition catalogues, i.a. C. BARTELS, Handleiding bij het ontwerpen van motieven voor houtsnijwerk (The Hague, 1916, plates, loose as issued in orig. portfolio w. ties) and GLASSCHOOL LEERDAM (Amst., Sted. Mus., 1947, ills., orig. wr.).
- Owner's entry on upper pastedwon; a few foxed spots on first page. 2 tiny brownish stains on frontcover.
Berlage, H.P. Inleiding tot de kennis van de ontwikkeling der toegepaste kunst. Een cultuurstudie van dezen tijd. Ibid., W.L. & J. Brusse, 1923, 77p., 26 ills. on 16 plates, orig. cl.
- Owner's entry on upper pastedown; otherwise fine. = Fanelli 225.
- Upper hinge sl. weak.
= Provenance: the collection of the Dutch artist Gust Romijn (1922-2010), w. his owner's stamp.
- Frontwr. trifle fingersoiled.
= No copy traced in the market. Very early exhibition catalogue of works by Jan Toorop and Vincent van Gogh, esp. important for provenance research of works bij Jan Toorop. The catalogue lists 32 works by Jan Toorop with titles and the names of the owners. Van Gogh is given only a 2-line entry for the 48 works that were exhibited: "33-80. Teekeningen toebehoorende aan Mevrouw Van Gogh-Bonger te Bussum." Nevertheless, this is one of the earlier exhibition catalogues of an exhibition of works by Jan Toorop and Van Gogh.
- Foxed; binding sl. worn along extremities.
AND 1 other: L. GOLDSCHMIDT and H. SCHIMMEL (ed.), Unpublished correspondence of Henri de Toulouse-Lautrec (London, 1969, plates, fold. table, orig. cl.).
- Lacks title-p.(?) Lettering on frontcover faded; backcover stained.
= Rare catalogue of the Belgian manufacturer Papeteries de Genval (1904-1980), with 60 designs of its patented Balatum, i.e. smooth floor and wall covering made of felt soaked in bitumen and gutta-perch, similar to linoleum. Plate on frontcover depicts the manufacturer's factory. Also includes 3 designs for "Baladak" roof covering.
- Front- and backwr. sl. dam./ nibbled in corners.
Marque G.B. Catalogue 1911-1912. Edition D. N.pl., Marque G.B., 1911, 128,(2)p., num. ills., orig. wr., folio.
- Lacks title-p.(?); a few scattered stamps. Wrappers dustsoiled. = The brand Gustav Becker.
AND 6 others, i.a. by VENOT FRÈRES & CIE., K. PANDER and É. WETZEL & CIE.
- Covers, spine and edges foxed. = With autograph signed dedication on first free endpaper.
- All very fine copies of the DELUXE edition.
- Small tear in spine of wr. of no.96. Fine copies.
AND 3 issues of DLM on J.P. RIOPELLE: no.160, 171 and 185 (ibid., idem, 1966-1970, (fold./ single-/ double-p.) (col. lithogr.) plates (incl. wr.), all in orig. wr., folio. All fine).
= One of 100 copies signed and numb. by Ulay with a loosely inserted c-print of a Chinese man making a picture loosely inserted (signed "Ulay", numb. "96/100" and "98.2000" in red pen on verso).
= Supplied in over 20 copies.
= Complete run. All in orig. wr. (no.7 and 9 in orig. (sl. worn) envelope); no.3 loosely inserted in orig. plastic bag. Partly hand-numbered. Periodical for 'scientific entertainment' founded by four students of architecture in Delft: Han Kamphuis, Hans Oldewarris, Jan Pesman and Peter de Winter. "Een nieuwe tijd is aangebroken! Weg met de jaren twintig! We hebben te lang reeds stilgestaan bij de verdiensten van vervlogen jaren, omdat we deze zelf niet konden op- of teberde brengen! Door gebrek aan zekerheid in onze eigen tijd zochten we die in gepruil met Verkadealbummetjes, Jugendstilfrutsels en ander crisisjarengeslijm. Open je ogen voor de nieuwe tijd, voor onze eigen tijd! Vandaar UTOPIA (...)." Utopia, vol.1, p.3. Rare.
- Spine-ends trifle worn. = XXe Siècle 4.
- Fine set.