- Very fine copy of the DELUXE edition.
- Very fine copy of the DELUXE edition.
- Without vol.1; traces of silverfish grazing on wrappers of both vols. (esp. backwr. of vol.3).
Lucebert. Gedichte und Zeichnungen. Hamburg, Ellermann, 1962, no pagination, ills. and orig. clothbacked limp boards by LUCEBERT, 4to (frontwr. trifle rubbed along upper margin). - AND 2 others, i.a. M. PAQUET, Corneille of de sensualiteit van het gevoel (Wijdenes, 1988, richly ilustrated, orig. cl. w. dustwr., 4to).
- No.43 and 51 frontwr. trifle yellowed. Otherwise fine.
= Incl. the rare first issue of Derrière le Miroir with 6 uncol. lithogr. ills. by Geer van Velde. SEE ILLUSTRATION PLATE XIX.
= Catalogue raisonné of the paintings.
= Edited by Tom Homburg, Ko Liggers, R. van Vught. Probably a publication by students of the St.Joost art academy in Breda.
- Title-p. w. mounted publisher's ticket for the English language edition; bookblock loosening; 1x lvs. partly sticking together. Hinges weak; joints trifle worn; some foxing on forntwr.
= With literary contributions by i.a. A. Gide, G. Bataille, A. Malraux, H. Michaux, J. Dos Passos and F.G. Lorca.
- First uncoloured lithograph by Braque foxed; the first two lithographs by Matisse trifle foxed; the uncoloured lithographs by Chagall sl. foxed. Backstrip browned and brittle/ dam.; both covers sl. foxed in upper corners.
= SEE ILLUSTRATION PLATE XX.
- Silkscreens very fine; portfolio sm. closed tear at opening on frontcover.
- Silkscreens very fine; portfolio sl. rubbed and splitting on joints at spine-ends.
- Bookblock loose; upper right corner sl. bumbed.
= Parr/ Badger p.144. Catalogue of the exhibition held at Moderna Museet in Stockholm February-March 1968.
- Folded twice. Otherwise very fine.
= The first and only issue published. Its founder/ publisher, Charlie Tennant (1957-1996), was 21 when he launched the Chelsea Scoop. Tennant had met Warhol earlier in New York and used his interview with Warhol as the eye-catcher for his publication (and as transpires in the interview he himself was an eyecatching young man for Warhol too). Three of four other articles in the issue are interviews: one by Joan Wyndham (about an erotic centre in Amsterdam called Call Boy International, that caters for ladies who are "past the grand climacteric" as the owner of the centre puts it), one by Charlie Tennant himself (with Jordan (aka Pamela Rooke, punk rock fashion icon) and an interview by "four artists, someone else and Duggie Fields). Very rare, only one copy traced on the market. SEE ILLUSTRATION PLATE XXI.
= DELUXE edition containing an orig. gelatin silver print portrait of Andy Warhol holding a camera by Ron GALELLA, signed on verso by the photographer and w. manuscript "© 2008" in felt tip pen. SEE ILLUSTRATION PLATE XXI.
- Last ±40 lvs. w. sm. bump in upper outer corner; otherwise contents fine. Spine-ends worn; chafed area in centre frontwr.
= Parr/ Badger II, p.144. Catalogue of the exhibition held at Moderna Museet in Stockholm February-March 1968.
- Lacks p.17-20, 33, 35, 36, 55-60 and the separate large woodcut by C.A. Lion Cachet. Lacks ties, wrs. dam. along extremities. Poor copy, sold w.a.f.
= Le Coultre 2-7/8d.
AND 2 other issues of Wendingen: year 2, no.11 (De toepassing van gewapend beton) and year 12, no.5/6 (Beeldhouwwerk van Hildo Krop).
- Binding soiled and sl. wormholed; letterpiece loosening. Internally fine.
= Le Coultre 7/3-9e. "This book consists of seven special numbers of the art magazine Wendingen" (colophon). With contributions by H.Th. Wijdeveld, F.L. Wright, L. Mumford, H.P. Berlage, J.J.P. Oud, R. Mallet Stevens, E. Mendelsohn and L.J. Sullivan.
Wendingen. Year 6, no.4/5 (onuitgevoerde architectonische projecten van architect M. de Klerk). Santpoort, C.A. Mees, (1924), (48)p., ills., adverts., orig. wr. by M. KROPHOLLER/ T. BAANDERS, bound as a blockbook, large 4to.
- Backstrip dam. at spine-ends; frontwr. waterst. in lower edge; front- and backwr. sl. worn and creased.
= Le Coultre 6-4/5. Part of the special commemorative series on the suddenly deceased architect M. de Klerk (Le Coultre p.146).
- Most vols. contents (very) fine; a few vols. (sl.) yellowed/ trifle foxed. Wrs. varying from (sl.) frayed to good/ very good and occas. very fine; only a few w. broken ties. Year 2, no.7/8 (Houtsnedennummer) INCLUDING the folded woodcut by C.A. Lion Cachet, edges of wr. frayed; year 4, no.11 (Wright, cover: El Lissitzky): w. some sm. stains on frontcover and w. bookplate on title-p.
= Rare complete run of this legendary periodical, with a few rare inserts, partly loosely inserted in the corresponding issues (i.e. 14 'Technical Sections', 1 purple inlay sheet and 2 'Announcements'). Includes 7 copies in deluxe ed. (year 1 no. 1, year 3 no 11/12, year 4 nos. 3 and 6, year 6 no. 2, and year 8 nos. 1 and 9/10), and all Frank Lloyd Wright issues of year 7 (in good condition) and Year 4, no.11 (Wright, cover: El Lissitzky). The earlier the date of publication, the more striking and daring the richness in subjects, design, typography and covers. To quote H.Th. Wijdeveld, the general editor: "Zij hebben de frisheid van het gedurfde, niet gebonden en zingen hun 'illusies van de komende schoonheid'". For a complete overview consult Le Coultre, Wendingen 1918-1932 (Blaricum/ New York, 2001); with on p.6: "Looking back at the twentieth century, one sees in Wendingen a compelling model of design practice, singular in the intensity of its focus and the originality of its aesthetic form. Nothing in the evolution of avant-garde art and design matches the sustained and impassioned visual inquiry of this magazine." SEE ILLUSTRATION PLATE XXII.
- Occas. sl. foxed; wrappers trimmed.
= Le Coultre 1-11/ 12d. All issues (except no.5) w. the Technisch gedeelte bound in.
- Title-p. sl. creased and fingersoiled. = Le Coultre 1-(11/)12d.
Wendingen. Year 4, no.1/2 (Willem van Konijnenburg). Santpoort, C.A. Mees, 1928, 42p., ills., orig. lithogr. wr. W. VAN KONIJNENBURG, bound as a blockbook, large 4to.
= Le Coultre 4-1/2d.
AND 2 other issues of Wendingen: year 2, no.9/10 (wr. by J. TOOROP) and year 9, no.3/4 (wr. by A.R. ROLAND HOLST. Final lvs. and backwr. waterst./ mouldy).