= Ordering his commanders to send in the "driemaandelijkse lijsten, der respective Regimenten Cavallerije, Dragonders, en Infanterije (...) op gewoone tijde (...)", and not too late as apparently had been the case.
- Traces of sm. ticket in upper right corner; trifle frayed; tiny hole near right edge.
= Walraad van Nassau, Count of Saarbruch etc., military commander, general and later governor of Bergen op Zoom, took Keizerswaard, Venlo and Roermond from the French in 1702. Here writing on the strength of his army: "(...) hebben wij UEd. mits desen willen bekent maecken, dat 't Guarnisoen dese Winter, volgens het ghemaeckte Project al vrij considerable sal wesen. Ende soo wij niet hadden ghevreest, dat eenigh manquement van stallingen voor meerder ruijterie soude weesen, soo soude noch een regiment te peerdt verder in den Bosch gecomen zijn; Wegens de boomen omtrent Boeckhooven, dewelcke de vaert op de Maes in 't opbrengen der Schepen beletten, hebben wij nochmaels de H.re Grave Tillij gesprocken (...)."
- Folds.
= On the commissioning of "Gerardus Loeff" as "Lieutenant bij het tweede Bataillon van het Regiment van den Lieut. Generael de Braun".
= The Prince briefly explains that he has just received message of the passing of General Berend Lewe van Aduard (1710-1791), who was also acting Governor of Sluis until his death. Via this letter the Prince passes on the act of Governor of "Ecluse" (Sluis) to the addressee of this letter.
= "Lijste van de Persoonen bij Zijne Hoogheid geëligeerd tot Leenmannen van Kennemerland voor den Jaare 1794". Letter concerning the appointment of the lieges of Kennermerland in the year 1794.
= Delicate penwork with trefoils.
- Binding sl. worn; covers loose(ning).
= Incl. a few delicate and attractive drawings of i.a. spheres, screws and pillars.
- One textleaf loose; pastedowns detached. Binding sl. worn/ rubbed along extremities; top of spine dam.
= Manual for i.a. the formation, exercise and manoeuvering of platoons, companies, batallions, regiments and their various types of soldiers, the proper way of saluting, carrying ensigns and performing (other) ceremonial actions, and the conduct of troops entrenched, garrisoned, in towns or in the field. Subjects include "nieuwe soldaaten sullen in het leeren der Exercijtie sagtsinnigh gehandelt worden", "Front, zijden, flanken, rijen, en geleederen, vleugels en divisien, wat het zijn", "het formeeren der Compagnien, en hoe deselve na huis marcheeren", "Manuaal met het musket/ met de snaphaan/ der Grenadiers/ met de piek", "hoe men met geheele plottons uittreedende doet vuur geeven", "hoe men op den viand storm loopt", "hoe men een Retranchement met geleederen plottons wijse defendeert", "Op wat manier de officiers staande salueeren", "hoe men de vaandels van de eene Commandant bij d'andere brengt", "hoe men door het Regiment piquet een quaaddoender met de spitsroeden doet straffen" and "wat Ceremonie de Guarnissoens wagten moeten doen".
= "de muziek is uit "Mosaic" voor hobo, clar, fagot en piano".
Loevendie, Theo (b.1930). "Uit Golliwogg's Other Dances". AUTOGRAPH MUSIC QUOTATION SIGNED "Theo Loevendie", dated "Amsterdam 16/3-'98", ballpoint, 1 bar, 1 leaf, recto only, with the orig. autogr. addressed envelope. - WITH an orig. photograph SIGNED by the same, with accomp. typescript letter asking not to reproduce the photograph. Badings, Henk (1907-1987). AUTOGRAPH MUSIC QUOTATION SIGNED "Henk Badings" on an orig. photogr. portrait, waterproof marker, 1 bar, recto only, w. orig. addressed envelope. - AND 15 similar autograph signed cards by Dutch composers, occas. w. orig. (autogr.) envelope, i.a. by Frank Martin, Robert Heppener, Louis Andriessen, Henk Badings, Konrad Boehmer and Simeon ten Holt.
- Incl. some blank (thinner) lvs. before and after musical notation. Endpapers browned; contents occas. sl. foxed. Boardedges lacking a section of leather where ties/ clasps used to be; foot of spine sl. dam.; extremities sl. rubbed.
= A neat manuscript of Ludwig Spohr's (1784-1859) second symphony, arranged for two violins, two violas and two cellos in an attractive binding. The title-vignette shows a blank space below "door" (by), leaving the manuscript anonymous.
= With autogr. annot. below "aus "Fünf Lieder" 1974/ Verlag DONEMUS Amsterdam".
Andriessen, Jurriaan (1925-1996). "Quattro Movimento für Violine und Piano". AUTOGRAPH MUSIC QUOTATION SIGNED "Mit meinem besten Wünschen [signature +] (Jurriaan Andriessen)", dated "10-2-94", pen and ink, 3 bars, on 1 card, recto only, with the orig. autogr. addressed envelope. Andriessen, Louis (1939-2021). "Hauptmotif der oper Rosa." AUTOGRAPH MUSIC QUOTATION SIGNED "Louis Andriessen", dated "Amsterdam 18. März 94", pen and ink, 2 bars, on 1 card, recto only, with the orig. autogr. addressed envelope. Koetsier, Jan (1911-2006). "Brass Symphony". AUTOGRAPH MUSIC QUOTATION SIGNED "Jan Koetsier", dated "April 1994", pen and ink, 2 bars, on 1 card, recto only, with the orig. autogr. addressed envelope.
= Writing that he is willing to recommend Van Gasteren to the director Willem Royaards for the role of Orestes in Sophocles' Electra, for which Diepenbrock wrote the music. "(...) Daar ik mij voor de groote rol van Orestes juist zoo een barytonstem als U hebt gedacht heb en U ook in andere opzichten m.i. allerlei gunstige gegevens voor die rol hebt (...) wilde ik R voorstellen die rol aan U te geven, daar hij zelf die door een jonger acteur wenscht te zien (...)".
= Quote from "Psalmen voor orgel: psalm 100".
Schuurman, Adriaan (1904-1998). AUTOGRAPH NOTE SIGNED and an AUTOGRAPH MUSIC QUOTATION SIGNED "Adriaan/ A. C. Schuurman", 1x to "Waarde Rene", dated "24/6'98" and "95", pen and ink, recto only, w. the orig. envelope, the quotation on a small note, 1 bar ("Tóch iets voor Vlug Van A C Es, da's stug!"), recto and verso. Jansen, Jan (b.1946). "Es dur Bach". AUTOGRAPH MUSIC QUOTATION SIGNED "Jan Jansen", dated "Utrecht 3 jan 2004", ballpoint, 1 bar, on 1 card, recto only. Thijsse, Wim (1916-1998). AUTOGRAPH LETTER SIGNED and an AUTOGRAPH MUSIC QUOTATION SIGNED, both dated "27/7/94", both ballpoint, (1); (1)p., letter w. printed letterhead "Dr. W.H. (Wim) Thijsse Dr. mus. sc.", w. the orig. autogr. envelope. - AND 12 others, mainly autogr. music quotations, occas. w. orig. autogr. envelope, all by Dutch organists, i.a. Albert de Klerk, Jan Jongepier, Piet Kee, Piet van der Steen and Bernard Bartelink.
= Willem Mengelberg, Dutch conductor, famous for his perfomances of Mahler and Strauss with the Concertgebouw Orchestra.
= Interesting series of letters, showing the warm friendship between the two men, both of a personal and a musical nature. The letters also show that despite his reclusivess, the composer Mompou found a succesful way to disseminate his works through a network of fellow musicians and composers (in Holland Hans Philips, Alexander Voormolen and Wouter Paap). Hans Philips was an art historian and musicologist who played the harpsichord on a professional level. Apart from repeatedly expressing the joy that Mompou and his wife (the pianist Carmen Bravo) find in their friendship, Mompou writes frequently about meeting up whenever he is in Paris or London for concerts, and about possible ways and means to have his works performed in Holland. At the suggestion of Mompou, Philips arranges a radio broadcast of his Musica Callada, of which Mompou writes: "C'est une musique defendue de jouer en public puisqu'elle est conçue pour la solitude: "la solitude sonore .." comme disait St Jean de la Croix. Elle peut être donnée aussi à la radio, excellent moyen de porter la musique dans les coins les plus intimes d'un foyer familial." (letter dated Barcelona 28. Avril 1955"). A year later he comes back to this broadcast, writing: "Je vois que les emissions a la radio ont obtenu du succès ce qui est très encourageant pour en combiner d'autres. Le soprano Nan Merriman dont vous me parlez vient de sortir un disque (ANGEL) dans lequel elle chante les trois mélodies du "Combat du rève". In this same letter he also writes about a fit of depression that has kept him from composing new works (letter dated "Barcelona 18 Avril 1956". Several letters and postcards have additions by Mompou's wife, and on the postcard dated "23 Nov. 1957" Mompou almost cursorily announces that he and Carmen got married and are on honeymoon: "Cher ami Hans. Voici une nouvelle: Carmen et moi nous nous sommes mariés et dans notre de voyage de noces nous vous envoyons notre très cher souvenir. Est-il vrai que vous viendrez en Espagne pour quelques concerts? Nous en serions très heureux et esperons vous recevoir dans notre petit appartement (...)". SEE ILLUSTRATION PLATE LVII.
WITH: a photograph showing Mompou and Philips with his dog in a garden (12,9x8,1 cm.), an issue 298 of the periodical RITMO (for October/ November 1958, containing an article on the Curso International de Interpretacion de la Musica Española "Musica en Compostela" in which Mompou participated), and a concert programme for music (by J.S. Bach conducted by Hans Philips (on 12 July 1948) and a draft of 2 letters by H. Philips, one in Dutch to "W.N." (probably Willem Noske) and one in English to the conductor David Zinman (both concerning a "reconstruction" made by Philips of a trio sonata by Bach "which for several reasons looked like a rudiment of a concerto grosso (...)").
- Folded; two perforations in left margin.
= Herman Rutters, a Dutch music journalist. Willem Pijper writes him mentioning two tickets are enclosed for a concert "Zondag 22 a.s. - 8 uu, Geb.v.K. en W., Mariaplaats, Utrecht. Er zullen plaatsen gereserveerd zijn". Pijper conveys that he hopes Rutters feels no obligation to review the concert: "Je weet: mijn verzoek aan jou om te komen luisteren, Zondag, was een particuliere opzet. Wil je over 't concert eventueel schrijven dan is dat voor deze blazers natuurlijk erg plezierig. Doch laat dáárom, bid ik, je besluit niet afhangen". SEE ILLUSTRATION PLATE LVII.