81 5024 Eisen 1790 1848 
81 5024 Eisen 1790 1848 
81 5024 Eisen 1790 1848 
- Small hole due to paper flaw and one pinhole; one sm. stain along left margin not affecting image.
= Series-title Gosatsu bijin awase (Beauties of the five festivals) on print.
AND 2 col. woodcut fan prints: MORI GYOKUSEN (1792-1864), (Hachiman festival) (±28x28 cm., signed Gyokusen-ga, no publisher. Cut out and laid down on board, sl. browned/ waterst.) and KUNISADA (1786-1865), (Three actors) (signed Toyokuni-ga, publisher Ibaya Senzaburô, w. aratame/ date seal, 1815-1832. With binding holes; laid down on paper).
81 5025 Gekkô 1859 1920 
81 5025 Gekkô 1859 1920 
81 5025 Gekkô 1859 1920 
81 5025 Gekkô 1859 1920 
- Contents fine. Wr. occas. sl. soiled.
= The complete third (and final) series of Irohabiki Gekkô manga, showing a variety of themes and scenes.
AND vol. 1 and 2 of the first series of Irohabiki Gekkô manga (Tokyo, 1894-1895) (partly sl. foxed).
81 5026 Ginkô 1853 ? 
81 5026 Ginkô 1853 ? 
81 5026 Ginkô 1853 ? 
81 5026 Ginkô 1853 ? 
- (Slightly) foxed. = From the series Ô-Edo shibai nenjû gyôji (Annual Events of the Theater in Edo).
AND 3 other prints, i.a. HARUNAMI (?), (Actor with a parasol under a cherry blossom tree) (col. woodcut koban, signed Harunami-ga, publisher unread, 1935 (Shôwa 30)).
81 5027 Hashizume Kan'ichi 1820 1884 
81 5027 Hashizume Kan'ichi 1820 1884 
81 5027 Hashizume Kan'ichi 1820 1884 
- One vol. partly sl. wormholed; 2 vols. partly trifle waterst. in blank margins. Two vols. cords partly dam.
= Jikatasho is a type of handbook for local control (territorial control) first written in the Edo period. This work is probably a revised version of Sanpô Jikata taisei (1837) by Akita Jûshichirô Yoshiichi(?). With ills. concerning land surveying, civil engineering works, and land surveying equipment.
81/5028 Heian meishô nijûkei Twelve scenic views of Heian 
81/5028 Heian meishô nijûkei Twelve scenic views of Heian 
81/5028 Heian meishô nijûkei Twelve scenic views of Heian 
- Blank verso of textlvs. and prints stuck to opposite blank (as published?); all lvs. sl. wormholed in outer blank margin; sl. foxed.
= A series of 12 prints of temples in Kyoto, formerly known as Heian, divided in four seasons. All by different artists, incl. Hara Zaisen (1849-1916), Morikawa Sobun (1847-1902), Takeuchi Seihô (1864-1942) and Utsumi Kichidô (1850-1923).
81 5029 Hirokage act 1855 1865 
81 5029 Hirokage act 1855 1865 
81 5029 Hirokage act 1855 1865 
81 5029 Hirokage act 1855 1865 
81 5029 Hirokage act 1855 1865 
81 5029 Hirokage act 1855 1865 
81 5029 Hirokage act 1855 1865 
81 5029 Hirokage act 1855 1865 
81 5029 Hirokage act 1855 1865 
81 5029 Hirokage act 1855 1865 
- All tipped unto mount and cut sl. short in the left blank margin w. partial loss of publisher's (and censor) seal; 1x sm. restored section in left blank margin; a few unobtrusive tiny holes in 4 prints. A fine lot of prints.
= Comprises: No. 1, Nihonbashi no asaichi (Morning Market at Nihonbashi ); No. 4, Ochanomizu no tsuribito (Fishermen at Ochanomizu); No. 6, Shinobazu ike (Shinobazu Pond); No. 10, Soto Kanda Sakuma-cho (Sakuma-cho outside Kanda); No. 11, Shitaya Onarimichi (Shogun's Road at Shitaya); No. 12, Susaki no shiohi (Low Tide at Susaki ); No. 15, Kasumigaseki no chobo (Distant View at Kasumigaseki); No. 24, Sukiya-gashi (Sukiya-gashi Embankment); No. 39, Fukagawa Mannen-bashi (Mannen Bridge at Fukagawa); No. 41, Asakusa Onmayagashi (Onmayagashi Embankment in Asakusa).
81 5030 Hirosada act 1819 1863 
81 5030 Hirosada act 1819 1863 
81 5030 Hirosada act 1819 1863 
- All prints tipped onto mount at corners; partly trifle foxed; one print w. sm. vague waterstain on his left shoulder.
AND 1 other similar by the same (tipped together with one of the previous 5 prints on one mount).
81 5031 Hirosada act 1819 1863 
- With one small pinhole in the upper right corner of the right panel, but otherwise a very fine impresssion.
= Shows a scene from the play Keisei somewake tazuna (A Courtesan's Multicoloured Reigns), where the vilain of the story has conjured up a giant black snake with his magic.
81 5032 Hiroshige 1797 1858 
- Some offsetting and a white spot near the top of the print, which is a result of damage to the block and present in all copies. Fine impression, with some mica in the black area along the top.
= Station no. 19 from the series Gojû-san tsugi, the Fifty-three Stations of the Tôkaidô, also known as Tôkaidô jinbutsu (People of the Tôkaidô).
81 5033 Hiroshige 1797 1858 
- With some sm. wormholes, but otherwise a good copy and impression.
= From the series Rokujû yoshû meisho zue (Pictures of Famous Places is Sixty-odd Provinces). SEE ILLUSTRATION PLATE LVIII.
81 5034 Hiroshige 1797 1858 
- Without margins; yellowed/ browned and sl. faded; w. restored section along bottom.
= From the series Chûshingura (The Storehouse of Loyal Retainers).
Hiroshige II (1829-1869) (after). Akasaka kiribatake uchû yûkei (Night Rain at Akasaka Kiribatake). Col. woodcut ôban, signed ni-sei Hiroshige-ga, no publ.
- Modern restrike after the original by Hiroshige II; sl. browned; tipped onto mount along right margin; w. a few small foxed spots.
= After the 1859 original print from the series Meisho Edo hyakkei (One Hundred Famous Views of Edo).
81 5035 Hiroshige 1797 1858 after 
= A facsimile restrike of the original from the series Tôkaidô gojûsan-tsugi no uchi (Fifty-three stations of the Tôkaidô).
Idem (after). Kameido Tenjin keidai (Inside Kameido Tenjin Shrine). Col. woodcut chûban, signed Hiroshige-hitsu, facsimile reprint by publisher Uchida.
- Two tiny foxed spots, otherwise fine.
= A facsimile restrike of the original from the series Meisho Edo hyakkei (One hundred famous views of Edo).
81 5036 Hiroshige II 1829 1869 
- All without margins; w. restored holes; (sl.) faded and soiled/ stained; edges strengthened w. thin Japanese; one doubled w. thin Japanese.
= Depicting act 6-8 (rokudanme, shichidanme and hachidanme) of the play Chûshingura (The Storehouse of the Loyal Retainers) about the 47 rônin.
81 5037 Hokusai 1760 1849 
- Laid down on thin paper, closing a large tear in right part and 2 sm. tears in lower part and a few weak spots.
= Restrike from a recut block, perhaps late 19th century. From the series Fugaku sanjûrokkei (Thirty-six Views of Mount Fuji).
81 5038 Hokusai 1760 1849 after 
- Early(?) 20th century copy from new blocks; tipped onto board; sl. wrinkled/ creased; uppermost third sl. soiled; a few sm. foxed spots.
= Cf. Forrer (1991), 11.
81 5039 Hokusai 1760 1849 after 
81 5039 Hokusai 1760 1849 after 
81 5039 Hokusai 1760 1849 after 
- Modern copy from new blocks. Fine. = Part of the series Fugaku sanjūrokkei (Thirty-six Views of Mount Fuji). Cf. Forrer (1991), 21.
AND 11 lvs. w. woodcut ills. by HOKUSAI (1760-1849), i.a. from HOKUSAI MANGA and TOSHISEN EHON (all sl. browned/ trifle foxed and tipped onto mount).
81 5040 Hozumi Eiki 1823 1904 
81 5040 Hozumi Eiki 1823 1904 
81 5040 Hozumi Eiki 1823 1904 
- First "page" foxed; sm. unobtrusive hole in last "page", otherwise fine. Boards sl. soiled.
= An illustrated dictionary of words used for haikai poetry.
81 5041 Hu Zhenyan 1584 1674 after 
81 5041 Hu Zhenyan 1584 1674 after 
81 5041 Hu Zhenyan 1584 1674 after 
81 5041 Hu Zhenyan 1584 1674 after 
81 5041 Hu Zhenyan 1584 1674 after 
= A fine facsimile edition of the 1644 original collection from Hu Zhenyan's Ten Bamboo Studio. Contains many detailed woodcuts of landscapes, plants, animals, objects and people. SEE ILLUSTRATION PLATE LIX.
81 5042 Jin Li b 1958 
- Slightly yellowed; a few vague horizontal folds; nevertheless a fine drawing.
= SEE ILLUSTRATION PLATE LIX.
81 5043 Katagami Lot of 55 mulberry paper stencils 
81 5043 Katagami Lot of 55 mulberry paper stencils 
81 5043 Katagami Lot of 55 mulberry paper stencils 
81 5043 Katagami Lot of 55 mulberry paper stencils 
81 5043 Katagami Lot of 55 mulberry paper stencils 
81 5043 Katagami Lot of 55 mulberry paper stencils 
81 5043 Katagami Lot of 55 mulberry paper stencils 
- Paper partly brittle.
= With a publication on the subject: S. YOSHIOKA (ed.), Katagami Katazome. Paper stencils for Dyeing. The Yoshiake Collection (Kyoto, 1989, num. ills., orig. wr., 4to).