82 6200 Küssel Melchior 1626 1683 
82 6200 Küssel Melchior 1626 1683 
82 6200 Küssel Melchior 1626 1683 - Good/ fine impression on thin paper. Some wrinkling of paper in upper margin.
= With the collector's stamp of W. Nijs on verso (Lugt 2641b).
AND 2 others by the same, "Prospect der Brügen Wasserfahl, und Vestung eine Meijl v. Lucca" and "Castell del Oro beij Neapoli auf dem Weeg nacher Chiaia".
82 6201 Kuytenbrouwer Martinus 1821 1897 
82 6201 Kuytenbrouwer Martinus 1821 1897 = Rare. With signed annot. in pencil by the artist Johannes Tavenraat in lower blank margin: "van Kuytenbrouwer in 1867 te Parys aan my gegeven".
AND 1 similar etched forrest view by Adolphe MARTIAL.
82 6202 Laan Adolf van der 1684 ±1755 
82 6202 Laan Adolf van der 1684 ±1755 
82 6202 Laan Adolf van der 1684 ±1755 - Ample margins. Sl. (finger)soiled; occas. trifle/ sl. foxed; plates no.4-7 of the 2nd series w. sm. waterstain in lower outer corner.
= Very rare, complete double series. Wurzbach II, p.1; Atlas van Stolk 3019; De Groot/ Vorstman 161-163; not in Hollstein, Schenck; Hollstein, Van der Laan does not exist. Ingalls p.9-13, depicting the 16 prints on whaling: "The (...) set of sixteen is among the classics of whaling prints. The exceptional comprehensiveness, historical accuracy, maritime detail, and artistry are rare in the history of the pictorial documentation of the industry." SEE ILLUSTRATION PLATE LXXXIX.
82 6203 Laer Pieter Bodding van 1592 1642 = Hollstein 20, 1st state of 2, before the borderline. With the collector's marks of Wilhelm Graf von Lepell (1755-1826) (Lugt 1672) and the Kupferstichkabinett of the Berlin Staatlicher Museen (Lugt 1633 and 2398 (Doublettes)). And annot. or manuscript mark "K.N. 24" in pencil.
Idem. Landscape with two trees. Etching, 3,3x4,8 cm. (platemark).
- Collector's mark of Van Nagler shining through.
= Hollstein 18, 2nd state of 2, with the borderline. With the same collector's marks of the Kupferstichkabinett as above and of Karl von Nagler (1770-1846) (Lugt 2529). And annot. or manuscript mark "K.N. 22" in pencil.
82 6205 Lairesse Gerard de 1641 1711 
82 6205 Lairesse Gerard de 1641 1711 
82 6205 Lairesse Gerard de 1641 1711 
82 6205 Lairesse Gerard de 1641 1711 
82 6205 Lairesse Gerard de 1641 1711 
- First two plates (allegories on William III) lower margin cut short, within the decorative border. Spine split, backcover loose.
= Cf. Timmers, p.83, no.24, most plates from the 3rd edition. First three prints are the large Allegories on the glory of William III (Hollstein 304-306; Timmers 71-73), but also Timmers 8, 13, 15 (St. Theresa with angels), 24 (Minerva crowning two priestesses), 25 (Diana and Endymion), 31 (Venus and Aeneas), 37 (Silenus sleeping), 47 (Diana resting), 49 (nymphs surprised by Satyrs), 50, 52, 65, 85 (Awakening), 88 and 89. SEE ILLUSTRATION PLATE LXXXIX.
82 6206 Lairesse Gerard de 1641 1711 
82 6206 Lairesse Gerard de 1641 1711 
82 6206 Lairesse Gerard de 1641 1711 
- Lacks 1 engraving, occas. trifle foxed; nevertheless fine.
= Hollstein 80, 81 and 83, all final state (of 3). Each with the collector's stamp of Pieter Willem van Doorne on verso (Lugt 4731).
82 6207 Lalanne Maxime 1827 1886 
82 6207 Lalanne Maxime 1827 1886 
82 6207 Lalanne Maxime 1827 1886 
82 6207 Lalanne Maxime 1827 1886 
82 6207 Lalanne Maxime 1827 1886 
- Yellowed. = Beraldi 103; Cat. Harlemia Illustrata 1173.
Idem. "A Zaandam (Hollande)". Etching, 14,5x22,5 cm., signed "Maxime Lalanne" in pen below, signed "Lalanne", titled, "1877" and a French line in the plate, "Maxime Lalanne del. et. sc." and title in letterpress below (Beraldi 101). Idem. "Tour de Montalban, Amsterdam." Etching, 13,8x21,8 cm., signed "M. Lalanne", titled and "1884" in the plate (Beraldi 105). - AND 2 similar Dutch views by the same of De Waag in Amsterdam (Beraldi 104) and Delft (not in Beraldi).
82 6208 Lalanne Maxime 1827 1886 
82 6208 Lalanne Maxime 1827 1886 
82 6208 Lalanne Maxime 1827 1886 
= Beraldi 97. First state or proof before the letters.
Idem. Bordeaux, effet de neige. Etching, 13,3x21,7 cm., "Lalanne" and "Bordeaux Jan 1868" in the plate, w. "Maxime Lalanne del. et sculp." and "Rade de Bordeaux (Janvier 1868)" in letterpress below, from P.G. HAMERTON, Etching and Etchers, 1880.
- Trifle yellowed. = Beraldi 50.
AND 1 other etching by the same: Incendie dans le port de Bordeaux (from LIllustration Nouvelle, 1869. Beraldi 51).
82 6209 Lalanne Maxime 1827 1886 
82 6209 Lalanne Maxime 1827 1886 
82 6209 Lalanne Maxime 1827 1886 
= Beraldi 53, 65 and 69.
AND 3 others similar by the same, all French views, i.a. La Cavalier and Château de la Brède (Beraldi 74 and 99).
82 6210 Lalanne Maxime 1827 1886 
82 6210 Lalanne Maxime 1827 1886 
= Beraldi 121 and 123. From A. Augé, Rouen Illustré, 1884.
AND 2 others similar by the same, both views of Rouen (only one in Beraldi: 122).
82 6211 Lalanne Maxime 1827 1886 
82 6211 Lalanne Maxime 1827 1886 
82 6211 Lalanne Maxime 1827 1886 
= Beraldi 125.
Idem. "Aux environs de Paris". Etching, 21,5x30,5 cm., with "Maxime Lalanne Sculpt" and "Imp. Delâtre, Rue St. Jacques, 303, Paris" in letterpress below the image, letterpress title in caption below, on chine collé.
- Foxed (mainly) in blank margins. = Not in Beraldi.
AND 4 others similar by the same, all views in Paris, i.a. À Neuilly (Bras de Seine avec lavoir) and Vue de Bas-Meudon, bords de la Seine (both on chine collé. Beraldi 7 and 124).
82 6212 Larmessin II Nicolas de 1632 1694 
- Sl. waterst. in blank margins; right blank margin sl. cut. Fine impression w. wide margins.
= From I. BULLART, Académie des Sciences et des Arts (Brussels, 1682).
82 6213 Lastman Nicolaas Peter 1586 1625 
= Hollstein 7.
82 6214 Le Pautre Jean 1618 1682 
82 6214 Le Pautre Jean 1618 1682 
82 6214 Le Pautre Jean 1618 1682 
82 6215 Le Prince Jean Baptiste 1734 1781 
- Some foxing (affecting image). = Hedou 125, the 3rd state (of 4).
AND 4 other etchings and aquatint by the same: "La Ménagère", "La nourrice" and 2 copies of "Les nouvellistes".
82 6216 Le Clerc Jean ±1586 1632 publ 
- Fine impressions with small margins. Three etchings with vertical fold/ some creases; 2x upper right corner dam. (touching the borderline).
82 6217 Leyden Lucas van 1489 or 1494 1533 
- Rather grey impression; trifle soiled; cut on/ just (1 mm.) inside the platemark; one collector's mark on verso shining through on recto.
= New Hollstein 103, b or c (grey impression, with minor scratches). With the collector's mars of Karl Ferdinand Friedrich von Nagler (Lugt 2529) and twice Kupferstichkabinett, Staatliche Museen zu Berlin (Lugt 1606 and 2398) on verso.
82 6218 Leyden Lucas van 1489 or 1494 1533 
- Trimmed on/ just outside/ in lower edge just (partly 1 mm.) inside the border line; 2 tiny scratches in left edge.
= New Hollstein 14, b (rather grey impression, w. minor scratches). With an unidentified collector's mark on verso (Lugt 961). SEE ILLUSTRATION PLATE LXXXIX.
82 6219 Leyden Lucas van 1489 or 1494 1533 after 
82 6219 Leyden Lucas van 1489 or 1494 1533 after 
- Trifle foxed; closed tear in upper blank margin.
= Probably New Hollstein 45, copy a (before the inscriptions).
AND 1 other similar by/ after the same, from the same series: Christ carrying the cross (copy after New Hollstein 51).