82 6300 Portraits Lot of 17 engraved/ etched/ lithogr portraits of artists and art scholars 
82 6300 Portraits Lot of 17 engraved/ etched/ lithogr portraits of artists and art scholars 
82 6300 Portraits Lot of 17 engraved/ etched/ lithogr portraits of artists and art scholars 
82 6300 Portraits Lot of 17 engraved/ etched/ lithogr portraits of artists and art scholars 
82 6300 Portraits Lot of 17 engraved/ etched/ lithogr portraits of artists and art scholars 
82 6300 Portraits Lot of 17 engraved/ etched/ lithogr portraits of artists and art scholars 
82 6300 Portraits Lot of 17 engraved/ etched/ lithogr portraits of artists and art scholars 
82 6300 Portraits Lot of 17 engraved/ etched/ lithogr portraits of artists and art scholars 
82 6300 Portraits Lot of 17 engraved/ etched/ lithogr portraits of artists and art scholars 
82 6300 Portraits Lot of 17 engraved/ etched/ lithogr portraits of artists and art scholars 
- Apart from some minor defects mostly fine.
= Comprises i.a. Nicolas DE L'ARMESSIN II, "Donato Scultore Fior" (engraving, from an unknown publication, ±1660); James BRETHERTON, "Frederick Zincke/ Liotard" (engraving of Zincke with an engr. oval vignette of Liotard incorprated, ±1780); Emile BOILVIN, "Eugene Delacroix" (etching, ±1880), Edith Marie HESTER (Portrait of Emma Hamilton) (col. mezzotint, signed in pencil, w. embossed "proof" stamp, ±1912); Léopold FLAMENG, "M. Puvis de Chavannes" (engraving after Leon BONNAT, ±1880), Etienne Gabriel BOCOURT, "Camille Corot" (engraving, 1882) and Theo MOLKENBOER, (Father Van Meurs) (lithograph, signed in black pen).
82 6301 Portraits Lot of ±250 portraits 
82 6301 Portraits Lot of ±250 portraits 
82 6301 Portraits Lot of ±250 portraits 
= I.a. handcol. portraits of Stadtholder Willem V and Wilhelmina van Pruisen and portraits of the counts of Holland.
82 6302 Portraits Maritime history Bary Hendrik 1640 1707 
82 6302 Portraits Maritime history Bary Hendrik 1640 1707 
82 6303 Prestel Maria Katharina 1747 1794 
82 6303 Prestel Maria Katharina 1747 1794 
82 6303 Prestel Maria Katharina 1747 1794 
82 6303 Prestel Maria Katharina 1747 1794 
- All prints w. some fading; partly also w. black stains (from sloppy printing?) in blank margins/ corners and w. whitish spots (from rubbing or silverfish activity); all prints without captions.
= Incl.. one of Le Blanc 54-55 (Evening or Morning). "(...) she produced some plates which are etched with spirit and finished in aquatint in a picturesque manner." (Prideau p.57). The print signed "Prestel" shows a landscape with a shepherd returning with his cattle to a village on a hill, with a mill on top of the hill.
82 6304 Print stands Wooden print stand 
82 6304 Print stands Wooden print stand 
82 6304 Print stands Wooden print stand 
- Leather over panels sl. worn and dam. along upper edge and at corners.
= Large print stand, with the possibility of displaying large prints when the frontpanel is folded 90 degrees.
82/6305 Professions Lot of ±50 mostly handcol engravings 
82/6305 Professions Lot of ±50 mostly handcol engravings 
= From i.a. A. VAN ST. CLARA, Iets voor Allen, Zynde een Verhandeling en Verbeelding Van allerhande Standen, Studien, Konsten, Wetenschappen, Handwerken enz. (...) (Amst., 1740); J. and C. LUIKEN, Spiegel van het menselyk Bedryf (Amst., 1749); J.P. VOIT, Faßliche Beschreibung der gemeinnützlichsten Künste und Handwerke (Nuremb., 1790) and The Book of English trades, and library of the useful arts (London, ±1825).
AND ±20 mostly handcol. steelengravings, various sizes, 19th cent., by i.a. A.H. PAYNE and W. FRENCH, mostly under passepartout.
82 6306 Provost A 19th cent 
82 6306 Provost A 19th cent 
82 6306 Provost A 19th cent 
82 6307 Raffaelli Jean Marius ±1860 1882 
- Trifle foxed (mostly in blank margins).
= Delteil, Oeuvres Apocryphes (first print of a series of six etchings). Marius Raffaelli was a younger brother of Jean-Francois Raffaëlli who died at the age of 22.
82 6308 Raimondi Marcantonio ±1480 1527/34 
- Cut to/ just inside the borderline. Sl. grey impression w. old repairs (marginals tears etc.); sl. foxed.
= Bartsch 417. With the collector's stamp of Fred Bianchi (Lugt 3761) on verso.
82 6309 Read David Charles 1790 1851 
82 6309 Read David Charles 1790 1851 
82 6309 Read David Charles 1790 1851 
82 6309 Read David Charles 1790 1851 
82 6309 Read David Charles 1790 1851 
- All fine, 1x doubled(?).
= Descriptive Catalogue of the Etchings, Landscapes and Portraits, of the late David Charles Read of Salisbury (London, 1874): 90, 96, 99, 104 and 125. Two etchings with the collector's stamp of Richard Jung on verso (Lugt 3791).
82/6310 Recueil d'estampes gravées d'après les tableaux du cabinet de Monsieur le duc De Choiseul 
82/6310 Recueil d'estampes gravées d'après les tableaux du cabinet de Monsieur le duc De Choiseul 
82/6310 Recueil d'estampes gravées d'après les tableaux du cabinet de Monsieur le duc De Choiseul 
82/6310 Recueil d'estampes gravées d'après les tableaux du cabinet de Monsieur le duc De Choiseul 
- Margins for the greater part trimmed in various degrees; a few (sl.) foxed/ soiled.
= I.a. after various Dutch masters, i.a. Rembrandt, van Ostade, Terborch, P. Wouwerman. Catalogue of the collection of the French statesman Etienne-François, duc de Choiseul (1719-1785), a favorite of madame de Pompadour. In 1771 he asked Basan to create a visual catalogue of his art collection. In 1772 De Pompadour died and Du Choiseul fell from grace and he was forced to sell a part of his collection that same year.
AND 4 others similar from other collections.
82 6311 Rembrandt van Rijn 1606 1669 
- Trimmed ±0,5 cm outside the platemark; four tiny pinholes in outer blank margins. Fine copy.
= On thick (18th cent.?) laid paper. New Hollstein 45, 2nd state of 3, before the re-biting by the Basan workshop, but with the horizontal scratch between figures, common in the later impressions. SEE ILLUSTRATION PLATE XCI.
82 6312 Rembrandt van Rijn 1606 1669 
- Modern impression on laid paper w. margins trimmed outside the platemark (±0,5 cm.). Two tiny holes in centre of image.
= New Hollstein 281, only state; White/ Boon 64, only state. SEE ILLUSTRATION PLATE XCI.
82 6313 Rembrandt van Rijn 1606 1669 
- Trimmed on or just outside the platemark; edges partly strengthened on verso w. Japanese paper, prob. taken from an earlier mount; sl. grey impression. Good copy.
= With an unidentified collector's mark on verso "E" (or K or H) (blue stamp). New Hollstein 233, 5th state (of 8). SEE ILLUSTRATION PLATE XCI.
82 6314 Rembrandt van Rijn 1606 1669 
- Yellowed/ browned and scattered thin spots. = New Hollstein 185, 3rd state of 4.
82 6315 Rembrandt van Rijn 1606 1669 after 
- On thin late 18th cent. laid paper w. a few weak spots and offsetting in blank margins.
= Hollstein 238, copy a.
82 6316 Rembrandt van Rijn 1606 1669 after 
- Sl. soiled in margins and w. a few sm. defects: left corners repaired.
= New Hollstein 306, copy a, 1st state of 2. With the manuscript collector's mark of William Esdaile (Lugt 2617) on recto and verso. With the Auvergne watermark.
82 6317 Rembrandt van Rijn 1606 1669 after 
82 6317 Rembrandt van Rijn 1606 1669 after 
- Numerous restored tears around the edges, all affecting the image; cut on/ just inside the border line; yellowed. Not subject to return.
= New Hollstein 206, the 2nd state (of 2); White/ Boon 72, the 2nd state (of 2). Later impression possibly by Pierre-François BASAN.
AND an early 20th cent. facs. reprint after the same: Christ preaching ('La petite tombe') (Cf. New Hollstein 298).
82 6318 Reni Guido 1575 1642 
- Trimmed to the borderline and laid down on mount; sl. foxed and stained; sl. browned along edges.
= Bartsch 53.
82 6319 Renoir Pierre Auguste 1841 1919 
82 6319 Renoir Pierre Auguste 1841 1919 
- Trifle browned; w. a few sm. brownish stains. = Delteil 12, only state.
AND 1 other engraving by Alphonse LEGROS.