- Vaguely foxed/ dustsoiled. = Hollstein 19, 3rd state of 4.
- Sl. offsetting in margins, otherwise fine impression. = Rare etching.
- Old flattened middle-fold.
= Hollstein 134. One of the three architects of the Amsterdam Town Hall. Proof before the engraved inscriptions identifying the engraver and the designer.
- Somewhat browned; wide margins.
= Part of the series: Verscheyden Stranden en water gesichten gedaen door Jan Percelles (title and 16 prints). Hollstein 154, 2nd, 3rd or 4th state of 6; Hollstein (Porcellis) 11.
- Fine. = Nagler 114, Wessely 104, first state of 2.
= Schneiderman 203, probably the 7th state (of 9); Harrington 215.
- Lacks the text.
AND 7 other engravings of ships, 18th-19th cent.
- Two sm. sections of upper blank margin torn off (1x sl. affecting the image); sl. creased in upper right corner; sl. browned/ foxed as usual. Not examined outside the frame.
= F.M. 2261a; Atlas van Stolk 2363a ("Uitnemende gravure"). Without the separate sm. 8vo engraving with 4 portrait profiles.
- A few unobtrusive closed tears.
= The two steamships "Rotterdam" and "Maas" were built by the shipping company that eventually became known as the Holland America Line and were the first ships to succesfully sail on a regular basis from The Netherlands (Rotterdam) to the US (New York). Rare lithograph.
- Some sm. defects, mostly fine.
= Comprises also i.a. 2 copies of a printed prospectus for C. Maas, Practische Zeevaartkunde (±1900) and 2 copies of a printed legend titled "Benaaming van genoegzaam het geheele tuyg van een Drie-mast Schip (...)" (±1800).
- Sl. browned; waterst. in upper left corner. = Hollstein 48, the 2nd state of 3. Rare.
- Washed. = Hollstein 40 and 43. Rare and nice.
- Neatly doubled w. Japanese; trimmed on/ just outside the border line; vague brownish stain near upper edge.
= Hollstein 20.
- A few scattered foxed spots; nevertheless mostly fine.
= Comprises Parisian views of i.a. the Jardin des Tuilleries, Temple de Charenton, Eglise Notre Dame de Boulogne and Chateau de Fremont. SEE ILLUSTRATION PLATE XCII.
- Small mouldy spots.
- Cut on the platemark; stains in upper corners on verso, sl. shining through.
= Rare. One of the five known etchings by the artist. With the collector's mark of Hieronymus von Bayer (1792-1876, Lugt 1293) and manuscript mark of Naudet, dated 1818 (act. ±1763-1830, Lugt 1937). Second state, with the name below.
AND 1 other etching by the same: A stone bridge leading to partly dilapidated buildings (chip in upper edge, reattached. Bartsch 2. With collector's marks of the Kunsthalle Hamburg (Lugt 1328 and doublette stamp, not in Lugt)). Glauber, Johannes (1646-±1726). (Arcadian landscapes). Four (of 12) engravings, each ±23x35 cm., w. "J. Glauber in. et f." or "J. Glauber inv. et fecit" engr. below, numb. "1" and "8".
- Various defects. = Hollstein 10, 15, 17 and 21.
AND 2 others by the same: after Gerard de LAIRESSE and after Gaspar DUGHET.
= Both from Suite de douze paysages publiés par Leblond. The second print w. watermark of a large bunch of grapes. Both first states before the publisher's address.
- One plate sl. foxed in margins; sl. dustsoiled along edges.
= Very rare portfolio. Besides a few views of flooded landscapes for the series De Waterramp van 1855, these are the only etchings by Springer.



































