82 6500 Artz Constant 1870 1951 
= SEE ILLUSTRATION PLATE C.
82 6501 Backer G 18th cent 
82 6502 Barbiers Bartholomeus 1740 1808 
= SEE ILUSTRATION PLATE CI.
82 6503 Beever Emmanuël van 1876 1912 ? 
82 6504 Berchem Nicolaes 1620 1683 after/ surroundings of 
- Mediocre condition. Browned and sl. foxed; doubled and repaired; old middle-fold; some old closed tears (?) and corners sl. dam.
= Perhaps after an unknown painting by Berchem. He has depicted the tower at least in one of his harbour paintings. SEE ILLUSTRATION PLATE CI.
82 6505 Biragne Aimée de 19th cent 
82 6506 Birds Hayes Charles 1772 1826 
82 6506 Birds Hayes Charles 1772 1826 
82 6506 Birds Hayes Charles 1772 1826 
82 6506 Birds Hayes Charles 1772 1826 
- All drawings sl. foxed/ soiled/ stained, occas. worse, 1x w. large tear.
= Original watercolor drawings of birds by/ attrib. to Charles Hayes, son of the noted ornithological artist William Hayes. He probably completed these watercolours in London between 1808 and 1813. The main work of William Hayes was The Portraits of British Birds, which was compiled by him and part of his pupils, among Charles, who were responsible for the text, drawings, etching, stippling and colouring of the plates.
AND 3 other late 18th cent. watercolours of birds, i.a. by monogrammist "DL".
82 6507 Bonheur Rosa 1822 1899 
82 6507 Bonheur Rosa 1822 1899 
- Craquelé, especially in the centre; dam. spot in centre of upper margin. Needs cleaning. Frame sl. dam.
82 6508 Bosboom Johannes 1817 1891 
- Cut sl. short(?) in left margin, part of the signature cut off.
= Provenance: the collection A.M. van den Broek, with his collector's stamp on verso.
82 6509 Boullée Etienne Louis 1729 1799 in the style of/ by? 
82 6509 Boullée Etienne Louis 1729 1799 in the style of/ by? 
= On laid 18th century papier, with a partial watermark (coat of arms). Provenance: Haboldt & Co gallery, Paris.
82 6510 Brugghen Guillaume Anne van der 1811 1891 
82 6510 Brugghen Guillaume Anne van der 1811 1891 
= Provenance: the collection A.M. van den Broek, both with his collector's stamp on verso.
82 6511 Bulthuis Jan 1750 1801 attrib 
82 6511 Bulthuis Jan 1750 1801 attrib 
82 6511 Bulthuis Jan 1750 1801 attrib 
82 6511 Bulthuis Jan 1750 1801 attrib 
82 6511 Bulthuis Jan 1750 1801 attrib 
= Views of villages in West-Friesland. Hendrik de Winter drew partly the same views in 1744 (now in Noord-hollands archief). It is not certain whether the artist copied them (with small differences) or that he revisited the same places and stood on the same spot. But it appears he must have seen them. The accompanying texts (all but one) give extra topographical and historical information. It is unknown if these drawings were used for engravings. Provenance: the collection A.M. van den Broek, with his collector's mark on verso mounts.
82 6512 Camera lucida Chambre Claire Universelle 
= A camera lucida is an optical device used as a drawing aid by artists and microscopists. It projects an optical superimposition of the subject being viewed onto the surface upon which the artist is drawing. The artist sees both scene and drawing surface simultaneously, as in a photographic double exposure. This allows the artist to duplicate key points of the scene on the drawing surface, thus aiding in the accurate rendering of perspective. (Wikipedia). SEE ILLUSTRATION PLATE CII.
82 6513 Carmine J 19th cent 
= Provenance: Noortman Gallery Maastricht, private Belgian collection.
82 6514 Cranenburgh Pieter van 1792 1858 
82 6514 Cranenburgh Pieter van 1792 1858 
= On laid paper with a large "Pro Patria" watermark.
AND 1 similar by the same: "Aan de Bloemendaalsche Weg op de Beek te zien" (signed).
= Provenance: the collection A.M. van den Broek, with his manuscript collector's mark on verso.
82 6515 Delaunay Jules Elie 1828 1891 
- Formerly restored w. repainted cracks and spots; a few dents and sm. dam. spots.
= SEE ILLUSTRATION PLATE XCIX.
82 6516 Dijk Philip van 1693 1753 
- Brown stain and closed tear in upper part; browned.
= Although the name suggests otherwise, the artists are not related. Drawings by this artist are very rare.
82 6517 Duvaux A 19th cent 
82 6517 Duvaux A 19th cent 
82 6517 Duvaux A 19th cent 
82 6517 Duvaux A 19th cent 
82 6517 Duvaux A 19th cent 
= Attractive design drawings i.a. for a richly ornamented door, sculptures with a large base and parts of a building façade.
82 6518 Ebeling Anna Maria 1767 1812 
82 6519 Eerelman Otto 1839 1926 
- Two (very) vague scratches to the surface in centre.