- Drawing trimmed to the outer framing line; a few foxed spots; trifle yellowed.
= In the early 18th century, the renovation of the church was paid for by Paulus Loot, master craftsman of Zandvoort. In 1728 he had the burial chapel built for his family, which is clearly visible in this drawing. Provenance: the collection A.M. van den Broek, with his collector's mark and attribution on verso.
- Drawing trimmed to the framing line.
= On paper with a fleur-de-lis watermark. Provenance: the collection A.M. van den Broek, with his collector's mark and attribution on verso.
= Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
- Doubled, causing signature to be vaguely visible; drawing trimmed to the framing line.
= On laid paper with a watermark by "D. & C. Blauw". Sold with incorrect attribution to Paul van Liender at auction: Mak van Waay, 14-01-1974 (lot 1056). With the collector's mark of Hans van Leeuwen (Lugt 2799a) on verso.
Idem. "Groote Houtpoort te Haarlem". Drawing, pen and brown and black ink, watercolour, 12,8x19,7 cm., signed (?) "P. V. Loo" and titled in pencil on verso.
- Laid down along upper margin on contemp. laid paper mount (w. drawn frame).
= On paper w. a part of a "Pro Patria"(?) watermark. Provenance: the collection A.M. van den Broek, both with his collector's mark on verso.
= Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
= Conform the drawing in Noord-Hollands Archief with a very similar caption still attached to the drawing. Provenance: the collection A.M. van den Broek, with his collector's mark on verso.
= Splendid allegorical drawing serving as a "souvenir" for the exhibition taking place from 24 June to 11 August, 1861. Showing an honorary arch incorporating "Souvenir", allegorical scenes, 12 coats of arms of the Dutch provinces and 2 larger coats of arms of Haarlem and The Netherlands. Under the arch a view of the exhibition space visible, with i.a. a statue of Laurens Janszoon Coster and many visiting people. Provenance: the collection A.M. van den Broek.
- On laid paper.
= With an unidentified collector's mark on mount. With probably 18th century annotation on mount: "Jan Luijken fecit" in pen and brown ink.
- Trifle foxed; mount browned. = SEE ILLUSTRATION PLATE CIV.
= On verso a small oil sketch of horses and their riders.
= On verso a 17th century Dutch manuscript text, dated 1669 (?), difficult to read because of the drawing being laid down.
= Probably by a late 18th or early 19th century artist.
= Provenance: Collection Defer-Dumesnil, Paris (Bob Haboldt Gallery (Paris/ New York)). SEE ILLUSTRATION PLATE CV.
- Both browned and foxed.
- Frame cracked and chipped. Miniature fine.
- Foxed. = On contemporary laid paper.
= Perhaps by Albert van Beest, but not entirely in his style.
- A few spots. = Provenance: Robert Noortman gallery (Maastricht).
- Trimmed just outside the framing line.
= Cartouche reading: "Pieter Mathijs zijn knegt genaamd Niebert Adriaensz heeft deze [illegible] Haerlem in Z. Sparend. 23 December Ao 1610". Provenance: the collection A.M. van den Broek, with his collector's mark on verso.

























