= Kunst op schrift 420. The second edition of "Goeree's most important contribution to the theory of proportions" (Bolten p.214).
- Covers a few corroded spots due to mottling. Nevertheless a fine and attractively bound copy.
= The extra plates (not listed in the "Naemrol") are portraits of the following: A. HOUBRAKEN, G. WIGMANA, J.A. WASSENBERGH, J. DE BEYER/ JAKOBUS BUYS/ H. POTHOVEN (3 portraits on 1 plate) and A. SCHOUWMAN (Selfportrait. Mezzotint). Kunst op schrift 401 and 408; Arntzen/ Rainwater H96: "Biographical accounts of Netherlandish painters, a continuation of Houbraken."
BOUND WITH: (Hoet, G.). Brief aan een' Vrient. Behelzende eenige aanmerkingen op het eerste deel van den Nieuwen Schouburg der Nederlantsche Kunstschilders en schilderessen. Door Johan van Gool. N.pl., "Gedrukt voor den Auteur", n.d. (1751), 30p., w. a mezzotint portrait of GERARD HOET by A. SCHOUMAN.
= Bound with: an AUTOGRAPH LETTER by G. HOET to J. VAN GOOL, written as cover to his publication (dated "Hage den 17 Feb: 1751", 1 fold. leaf, pen and ink, recto only).
AND BOUND WITH: Idem. Gerard Hoet's Aanmerkingen Op het eerste en tweede Deel des Nieuwen Schouburgs der Nederlantsche Kunstschilders en Schilderessen. N.pl., "Gedrukte voor den Auteur", n.d. (±1751), 95,(1)p. - AND BOUND WITH: Gool, J. van. Antwoordt op den zoo genaemden Brief aen een Vrient, Mitsgaders noch op de intrede voor het eerste deel der Catalogus van Schilderyen, beide in druk uitgegeeven door Gerard Hoet, ter afwissinge van den Laster en Schendtael, In die beide Geschriften uitgespoogen, zo op den Schryver van de Nieuwe Schouburg der Nederlantsche Kunstschilders en Schilderessen, als op deszelfs meede Kunstgenooten. N.pl., n.publ., n.d. (±1751), 56p. (sl. yellowed).
- Lacks 10 plates; two plates w. closed tear; a few plates sl. yellowed (1x badly foxed).
= Bolten p.77-81. Not in Kunst op schrift. Rare, only one copy in STCN..
- Sl. fingersoiled; p. 272-273 w. sm. stain in outer margin (touching text). Joints starting at top of spine. Nevertheless a fine copy.
= Arntzen/ Rainwater H63; Kunst op schrift 23. The first and only edition of this handbook for artists by one of Rembrandt's pupils. Four plates devoted to the human proportions, the other nine representing the classical muses and the 4 remarkable textills. illustrating the way light falls and shadows are cast.
- Occas. sl. yellowed. Corners showing.
= Chamberlin 2008: "As valuable for the 17th cent. in the Low Countries as Van Mander is for the 16th"; Arntzen/ Rainwater H97: "Important source"; Kunst op schrift 422-424.
- Yellowed and occas. sl. stained; new endpapers. Sm. wormhole in upper joint; vellum sl. soiled.
= Warranted by the artist on the final text leaf. Praz, p.375; Hollstein 118. Very rare.
- Waterstain in upper margin throughout; sl. dogeared; sl. foxed. = Very rare.
- Partly waterstained and waterwrinkled. Vellum on backcover sl. wrinkled.
= Provenance: Bob Luza. Contauins a full-length portrait of Laurens Janszoon Coster, against a background showing the Haarlem-skyline. Arntzen/ Rainwater H64 (listing the Latin ed. of 1694): "An early work by a member of the circle of Rubens. According to Schlosser (...) it is even today a rich source of antiquarian erudition." Kunst op schrift 17.
- Trifle foxed.
= Kunst op schrift 1453. With some portraits of famous/ notorious inhabitants of Leyden, i.a. Klaas Langenakker and Marytje van Harten (a.k.a. "Kluit water en brij"). Rare.
- Sl. foxed/ yellowed. Otherwise fine. = Kunst op Schrift 619; Bierens de Haan 2609 (1st ed., 1701).
BOUND WITH: Segner, J.A. Beschryving Van twee verscheide zeer bekwame en zuinige als mede het Gezicht bewarende Lampen, Van eene wiskonstige Uitvinding, Ongemeen dienstig voor Kooplieden op hunne Comptoiren, Als ook voor Studerende en Konstenaars. Ibid., idem, n.d., (4),16p., 3 fold. engr. plates.
- Partly sl. foxed and yellowed.
= Kunst op schrift 342/ 343; Arntzen/ Rainwater H100; Kat. Orn. Berl. 4626; Timmers, Lairesse p.49ff.
- Trifle foxed. Backstrip rubbed.
= Kunst op schrift 85; cf. Brunet III, p.910; Graesse IV, p.136 (French eds. Paris/ Amst., 1698 and Amst., 1713).
- Joints starting. Otherwise a fine copy.
= Complete copy of the esteemed second edition of this famous book (first edition 1604), enlarged with the life of the author (1548-1606) and the "Toegift" poem by G.A. Bredero. This edition also with complete indexes. Bibl. Belgica M104; Simoni M22; Arntzen/ Rainwater H69.
- Most leaves sl. fingersoiled in blank margins; occas. sl. yellowed. Backstrip worn/ sl. dam.
= With contemp. (stained) manuscript owner's entry: "Ex libris Caroli Patin (...) 1756" on first blank. See also lot 2558 (contents not identical).
- Two plates in final vol. handcoloured. Wrappers sl. duststained. Otherwise fine.
= In total 4 parts were published of this educational series of increasingly more complicated drawing examples for children. Not in Kunst op schrift.
- Title-p. sl. duststained; first free endpaper creased. Corners rubbed/ sl. worn. Otherwise a fine copy.
= Provenance: the library of J. Weissenbruch (stamped on title-p.). Bolten p.47: "Frederic de Wit utilized more than one hundred plates from Van de Passe 1643 for a drawing book which appeared ca. 1660 in his publishing house under the title Lumen picturae et delineationis and which might be considered a second edition of 't Light der teken en schilder konst." The plates show i.a. the human body in perspective, wild and domestic animals, birds etc. Some of the prints form complete sets, such as the series of The Nine Muses of Goltzius, and the series of The six sinners of the Old and New Testament by Swanenburg after Bloemaert. Extremely rare artists' manual. No copy found in the market.
- Two leaves in the second part fingersoiled in lower blank corner; occas. sl. foxed/ vaguely waterstained. Covers trifle rubbed. Good/ fine copy.
= Provenance: A. Pitlo (bookplate on upper pastedown) and B. de Poorter (owner's entry on first free endpaper). Dutch translation by Jacobus de Jong of the Cours de Peinture par Principes (Paris, 1708) by the French painter/ engraver and envoy Roger de Piles (1635-1709) and of the Dialogo della pittura (1557) by the Venetian humanist Ludovico Dolce (1508-1568). First published Amst., A. Mens, 1756. Kunst op schrift 699; cf. Arntzen/ Rainwater H114 (1st Dutch ed. 1756). Rare.
- Title-p. and final plate duststained.
= Contains, apart from the title-page with a portrait of the artist, i.a. studies of the face, eyes, mouth, ears, feet, hands, mouth and nose together, torso; profiles of different classical figures with different facial expressions, and of different ages. See also lot 2554 (contents different).
- New endpapers. Rebacked; frontcover sm. paper ticket upper left corner and upper right corner paper over board torn off. Contents very fine.
= Lipperheide Gb 46; Colas 2312; Hiler p.699. The plates, engraved after designs by J. Perkois and J.H. Prins, depicting tavern scenes, beggars, costumes, professions, such as male and female fish mongers, a wigmaker, a Jewish pedlar. A rare Dutch variant of a "Cries" book, meant as an exercise book for young artists. Not in Kunst op Schrift.
- Lacks frontisp.; one handcol. plate colours sl. smudged. Otherwise a very fine copy.
= Kunst op schrift 376; not in Arntzen/ Rainwater.
BOUND WITH: Goeree, W. Inleyding tot de praktyk der algemeene schilderkonst, waer in Neffens de heerlykheyd en nuttigheyd der zelve, wat dingen tot grondig verstand der Schilderkonst behooren geweten te zyn (...). Bruges, J. de Busscher, n.d. (±1770), 111,(1)p.
- Fine. = Kunst op schrift 701.