- Sligthly later annot. on first free endpaper. Backstrip sl. sunned, otherwise a good/ fine copy.
AND 2 others, i.a. J. BUNYAN. The Pilgrim's Progress (London/ Edinburgh, n.d. (±1904), col. plates and ills by BYAM SHAW, orig. gilt and dec. cl., t.e.g., 4to).
- Frontwr. and (first lvs. sl.) chipped in upper corner, trifle creased and yellowed.
= Contains remarkable woodcuts of the Spanish revolution.
- Backstrip worn; frontwr. partly discoloured. = Monod 6514.
= Complete series.
= One of the Roman numb. copies signed by Michael Bown and Rigby Graham with a suite of 4 illustrations, each signed in pencil by the artist, loosely inserted in paper chemise, printed by Hans van Eyk (In de Bonnefoant Press).
Idem and Lorca, F.G. Llanto por Ignacio Sánchez Mejías. The Garciá Lorca Woodcuts 1959 and 1989. Banholt, In de Bonnefant, 1992, 36,(11)p., woodengr. frontisp. and 10 full-p. ills. by R. GRAHAM (1x mounted and printed in red), printed in 75 numb. and signed copies, orig. giltlettered leatherbacked boards w. two-coloured design by the artist, folio.
= With an extra woodengraving SIGNED by the artist loosely inserted.
- (Sl.) foxed. Sl. rubbed along extremities. = Vicaire III, p.1094f.
- Occas. sl. foxed and yellowed; 2nd frontisp. cut sl. short in outer blank margin. Bindings sl. worn; vol. 1 frontcover loose; vol. 2 backstrip loose.
= Cf. Gumuchian 2799 (1st ed., Paris 1847); cf. Carteret III, p.286; cf. Vicaire III, p.133; Brivois 147; Lipperheide Ub 15 (all Paris eds.); Ray, p.268-279: "By preference, however, he still turned towards the strange and wonderful images that came to him during the night, images reflected in his two final volumes of phantasies, both illustrated with colored steel engravings, Les fleurs animées and Les étoiles." Adhémar, Introd. l'Oeuvre graphique (1975), I, 7: "a large part of modern art, from expressionism to surrealism, has come from his images".
- Some usual foxing (worse at the beginning).
= Vicaire V, p.787; Ray 132: "This famous album, which established Grandville's early style of bitter burlesque (...)." Originally published in 1829 with lithographed plates.
- Some foxing. Bindings worn; joints split; backstrips loose(ning).
= Vicaire IV, p.898; Carteret III, p.358; Sander 404.
= With loosely inserted publisher's prospectus (sl. creased).
- Mint. = Both with the prospectus loosely inserted. SEE ILLUSTRATION PLATE XXXV.
= One of 26 alphabetically numb. copies ("A-Z sheets for bookbinders"), our copy numb. "K". With prospectus loosely inserted.
= With the prospectus loosely inserted.
- Upper joint sl. weak. Paper over covers soiled and worn/ dam. at spine-ends and corners.
= Greshoff's (very) rare debut. One of 10 numb. and signed copies, this being one of 4 copies printed on Japanese, bound as a blockbook. Ex bibliotheca Jacob Israël de Haan, with his signature on htitle. With AUTOGRAPH DEDICATION "Voor Jacques Bloem in vriendschap van de Schr. 18 September 1910 - 's Gravenhage."
- Backstrip trifle darkened and w. some rubbed spots.
= Kaleidoscoop 18. One of a few copies on laid paper, bound in gilt full red morocco, covers w. double gilt fillet borders, original wrappers preserved, with slipcase. Van Dijk 368.
- Backstrip sl. darkened; covers some vaguely soiled spots.
= One of 20 copies on Japanese, this copy bound in full lightbrown morocco, w. the gilt Enschedé monogram on frontcover, giltlettered spine.
- Formerly folded; wr. partly discoloured.
= "(...) En negers, niets dan negers op de verdere bladzijden. Schrik niet, lezer! We zullen u niet vervelen met 'Paaschgebruiken aan de Goudkust', overtuigd als we zijn, dat zelfs de Paaschgebruiken in den Achterhoek u niets meer zeggen. Hier laten wij dus Negers aan het woord. Negers en auteurs over negers. Ieder zingt er zooals hij gebekt is. En de lezer moet zelf maar zien, wat hij er van denkt." (p.1).