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82 1844 Maillol A  Longus 82 1844 Maillol A Longus
82/1844 [Maillol, A.]. Longus. Daphnis et Chloe. Paris, Frères Gonin, 1937, (16 [all but one blank]),217,(15 [all but 4 blank])p., 47 woodcuts by A. MAILLOL, printed in 500 numb. copies copies SIGNED by the artist, loose as issued in orig. woodcut wr. by A. MAILLOL, in hvellum chemise and slipcase.

- Occas. sl. foxed; covers chemise sl. dustsoiled/ foxed.

= Carteret IV, p.243 ("Belle édition très cotée"). Cf. Monod 7238 (identical ed. with English text, London, 1937).

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82/1845 Maillol A  Odes d'Horace 82/1845 Maillol A Odes d'Horace
82/1845 Maillol A  Odes d'Horace 82/1845 Maillol A Odes d'Horace
82/1845 [Maillol, A.]. Odes d'Horace. Paris, Ph. Gonin, 1939 [=1958], 2 extra suites only w. 40/ 38 woodengr. by ARISTIDE MAILLOL on diff. kinds of paper, loose as issued in orig. wr., 1x w. monogram and w. annot. "HC VII/X Ph Gn" by the editor.

- Without the textvols.

= Guérin 216-226; Monod 6091. Probably part of one of 50 copies with EXTRA SUITES of the woodengravings.

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82 1846 Maillol A  Vergilius Maro P 82 1846 Maillol A Vergilius Maro P
82 1846 Maillol A  Vergilius Maro P 82 1846 Maillol A Vergilius Maro P
82 1846 Maillol A  Vergilius Maro P 82 1846 Maillol A Vergilius Maro P
82/1846 [Maillol, A.]. Vergilius Maro, P. Les Géorgiques. French transl. J. Delille. Paris, P. Gonin, 1937-1943 [= 1950], 2 text vols.: 174,(2); (2),154,(2)p., 122 woodcut plates by A. MAILLOL, plate vol.: 2 suites of 122 woodcuts on 72 lvs., printed in 750 numb. copies, orig. unif. wr., in unif. hvellum chemises (2x)/ board chemise, orig. unif. slipcases, folio.

- Slipcase some (finger)soiling. Otherwise fine.

= DELUXE copy with (in the plate vol.) two extra suites of the woodcuts, one in black and one in sanguine, each 122 woodcuts on 72 leaves, each loosely inserted in orig. pict. wr., all woodcuts stamped with Maillol's monogram "M" in circle. This was the last book that Maillol illustrated. The woodcuts were conceived over a period of approximately 35 years (between ±1910-1944). Monod 11339; The Artist & The Book 1860-1960, no.175.

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82 1847 Masereel F 82 1847 Masereel F
82/1847 Masereel, F. Jeunesse. Introd. Th. Mann. Zürich, Oprecht, 1948, 1st ed., (15)p., 22 woodcut plates by Frans MASEREEL, printed in 3000 copies, orig. boards w. dustwr., 4to.

= Ritter Ba 40.

AND 1 other: P. COURTHION, Raoul Dufy (Paris, XXe Siècle, 1929, printed in 375 numb. copies, orig. wr., 4to).

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82 1848 Masereel F 82 1848 Masereel F
82/1848 Masereel, F. Die Sonne. Munich, K. Wolff, 1926, 1st - 5th thousand (first trade edition), 18,(4)p., 63 plates by F. MASEREEL, orig. boards.

- Owner's entry ("HB") in felt-tip pen on first free endpaper. Top of spine trifle rubbed. Good/ fine copy.

= Ritter 1919 B a Nr. 7. II and p.153.

Idem. Mein Stundenbuch. Introd. T. Mann. Munich, K. Wolff, 1926, 1st - 5th thousand (first trade edition), 39p., 165 plates by F. MASEREEL, orig. boards.

- Similar owner's entry on first free endpaper. Upper joint trifle worn at top; covers sl. foxed.

= Ritter 1919 B a Nr. 6. II.

AND 2 others, both Dutch fine printing, i.a. Het boek Ruth (Utr. Stichting de Roos, 1964, col. full-p. ills. by W. ELENBAAS, printed in 195 numb. copies (20), orig. hcl. One of 20 Roman numb. copies printed for the artist and other contributors).

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82 1849 Masson A 82 1849 Masson A
82 1849 Masson A 82 1849 Masson A
82 1849 Masson A 82 1849 Masson A
82/1849 Masson, A. Dessins érotiques. Paris, C. Tchou, 1970, (8) textlvs. and 20 full-p. (col.) lithogr. plates by ANDRÉ MASSON, printed in 300 numb. copies SIGNED by the artist, loose as issued in contemp. cl. portfolio w. mounted titled-piece, elephant folio.

- Margins of first and final leaf sl. soiled from offsetting of inside covers portfolio; margins of some lvs. sl. dampstained. Portfolio sl. worn along edges and dam. at one spiine-end.

= Includes the texts "Eros solaire" by A.P. DE MANDIARGUES and an introduction by G. BROWNSTONE.

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82 1850 Masson A  Maurois A 82 1850 Masson A Maurois A
82 1850 Masson A  Maurois A 82 1850 Masson A Maurois A
82 1850 Masson A  Maurois A 82 1850 Masson A Maurois A
82 1850 Masson A  Maurois A 82 1850 Masson A Maurois A
82/1850 [Masson, A.]. Maurois, A. Les érophages. Paris, Les éditions La Passerelle, 1960, 86,(5)p., 16 full-p. col. etchings and aquatint by A. MASSON, printed in 178 numb. copies (104) SIGNED by the author, artist and publisher, loose as issued in orig. Japon nacré wr. w. 3 gilt engravings, green and purple painted chemise, matching slipcase, folio.

- Chemise worn joints; slipcase worn at extremities and partly split on joints.

= This copy printed for Marcel Thomasset. Monod 7963; Cramer 47. "Parodiant Jonathan Swift (...) André Maurois composa une fantaisie d'un pays gullivérien où la race, sur l'habitat de laquelle un couple est abandonné, est mue par la soif plutôt que par la faim sexuelle (...). Maurois a suggéré à Masson un thème doublement érotique. Non seulement les illustrations de Masson renferment une certaine dose d'humour, abstraction faite du portrait de l'auteur qui sert d'introduction, mais encore leur sensualité, particulièrement dans les couleurs, est rarement égalée même dans l'oeuvre de Masson." (Cramer, p.122).

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82 1851 Matrix A Review for Printers and Bibliophiles No 2 5 24 28 31 33 36 82 1851 Matrix A Review for Printers and Bibliophiles No 2 5 24 28 31 33 36
82 1851 Matrix A Review for Printers and Bibliophiles No 2 5 24 28 31 33 36 82 1851 Matrix A Review for Printers and Bibliophiles No 2 5 24 28 31 33 36
82 1851 Matrix A Review for Printers and Bibliophiles No 2 5 24 28 31 33 36 82 1851 Matrix A Review for Printers and Bibliophiles No 2 5 24 28 31 33 36
82 1851 Matrix A Review for Printers and Bibliophiles No 2 5 24 28 31 33 36 82 1851 Matrix A Review for Printers and Bibliophiles No 2 5 24 28 31 33 36
82/1851 Matrix. A Review for Printers and Bibliophiles. No. 2, 5-24, 28-31, 33-36. Andoversford, The Whittington Press, 1985-2016, 29 vols., num. (fold./ tipped-in) ((hand)col.) (woodengr.) plates/ ills., printed in 700 to 955 copies, orig. unif. boards w. dustwr., 4to. - WITH: D. BUTCHER, Index to Matrix 1-21 (ibid., idem, 2003, orig. limp boards w. dustwr., 4to) and J.D. BERRY (introd.), Type and Typography (West New York, 2003, ills., orig. boards w. dustwr., 4to).

= Matrix no.2 is a 1992 reprint of the edition of 1982.

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82 1852 Mauve T 82 1852 Mauve T
82 1852 Mauve T 82 1852 Mauve T
82/1852 Mauve, T. The Wood Engravings from Het Herstel der Kademuren in de Rotterdamsche Zeehavens. Gloucestershire, The Reading Room Press, 2016, (29)p., 9 woodengr. ills. by T. MAUVE, printed in 103 numb. copies, bound as a blockbook, orig. clothbacked dec. boards.
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82 1853 Meijer J  Carmiggelt S 82 1853 Meijer J Carmiggelt S
82/1853 [Meijer, J.]. Carmiggelt, S. Vier verzen. Amst., Atheneum/Polak & Van Gennep, 1976, printed in black and blue 25 copies on Zerkall Bütten by J. MEIJER, orig. wr. w. dustwr., large 8vo.

- Mint.

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82 1854 Mensinga J  Rilke R M 82 1854 Mensinga J Rilke R M
82 1854 Mensinga J  Rilke R M 82 1854 Mensinga J Rilke R M
82/1854 [Mensinga, J.]. Rilke, R.M. Die Weise von Liebe und Tod des Cornets Christoph Rilke. Amst., De Blauwe Reiger, 1959, 32,(2 blank),(1)p., 9 etchings by J. MENSINGA, printed by De Drie in 100 numb. copies on Ossekop, typography by W. WANDEL, orig. giltlettered cl., 4to.

- Fine copy.

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82 1855 Minco M 82 1855 Minco M
82/1855 Minco, M. De zon is maar een zeepbel. Twaalf droomverslagen. Woubrugge, Avalon Pers, 1990, 1st ed., (22)p., printed in 99 numb. copies (25).

= One of 25 SIGNED copies bound in hcloth by 't Kaft.

Gerlach, E. Mevrouw De Aandacht. Terhorst, Ser L.J. Prop, 1992, (3)p., printed in black and ochre in 30 signed copies, orig. wr., 4to.

= With AUTOGRAPH DEDICATION SIGNED ("Margaret"): "voor Theo [Sontrop] & zijn Rooster 2.6.92", and ms. motto by J.L. Borges. In orig. envelope w. ms. addresses.

Perquin. E.N. Aftocht. Baambrugge, Stichting Jo Peters PoëziePrijs, (2010), (13)lvs., printed in 150 numb. and signed copies by the Kalamos Pers, orig. cl., 4to. - AND 13 others similar by i.a. E, Gerlach, E. Jansma, D. Kuik, M. Minco, M. de Vos and E. de Waard.

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noimage
82/1856 [Miniature books]. Dufrène, M. Florilegium. A Collection Of Flower Initials. Introd. N. Franco. Utr., Catharijne Press, 1985, printed in 168 numb. copies (153) by Hans Harzheim, 25 full-p. ills. depicting the letters of the alphabet after M. DUFRÈNE, handcoloured by L. Thürkow, orig. green peau de suede w. mor. letterpiece on frontcover, 16mo.

= Catharijne Press 6. Art-nouveau alphabet.

AND 4 other miniature books published by the same, i.a. O. WILDE, The House of Judgment (1986, 150 copies, orig. cl.) and C. COLUMBUS, De Insulis Inuentis (1991, 175 copies, orig. blindstamped leather). - AND 6 other miniature books.

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82 1857 Miró J  Éluard P 82 1857 Miró J Éluard P
82/1857 [Miró, J.]. Éluard, P. À toute épreuve. Introd. A.H. Greet. (New York), G. Cramer, n.d., (93)p., col. ills. by J. MIRÓ, orig. boards. w. dustwr., orig. giltlettered board chemise and slipcase, 4to.

- Fine copy. = Facs. reprint of the edition Geneva/ Paris, 1958.

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82 1858 Moonen A 82 1858 Moonen A
82/1858 Moonen, A. De anale variant. Arnhem, Nova Zembla, 1983, 1st ed., (40)p., ills. JOOST VEERKAMP, printed in black and yellow in 360 numb. copies (18).

- Small owner's entry on verso htitle and stamp on upper pastedown.

= One of 18 copies bound in brown velvet w. giltlettering on spine by bindery Van Daal, signed by the author, but without the orig. drawing.

Vries, Th. de. WA-Man. Amst., De Buitenkant, 2001, 90p., tipped-in photogr. portrait, printed in 225 numb. copies (200), SIGNED and dated "26.4.2001" by the author below the photogr. portrait, orig. velvet, large 8vo.

= Bantammerreeks 1. With the orig. prospectus loosely inserted.

Paustovski, K. Sneeuw. Transl. J. Enklaar-Lagendijk. Baarn, Arethusa Pers, 1996, 19,(2)p., col. etched frontisp. by A. SPRONK, signed in pencil, printed in black and blue in 100 numb. copies, sm. 4to.

- Bookplate on upper pastedown. Binding foxed. = One of 40 clothbound copies.

AND 11 others similar, i.a. ALAIN-FOURNIER, Le grand Meaulnes (Utr., Stichting De Roos, 1971, ills. by HAN MES, printed in 175 numb. copies, orig. cl., large 8vo); J. HARTEN, Bi de deur hangt een schilderij voorkant tegen de muur (Amst., Veerpers, n.d., printed in 15 numb. copies, orig. dec. boards); Th. SONTROP, Marmerkijker (Amst., 1971, ills. by P. DE LUSSANET, one of 100 copies sigend by the author and artist, bound in full cl. w. dustwr. Owner's entry/ stamp on title/ upper pastedown).

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82 1859 Moreck C  = K Haemmerling 82 1859 Moreck C = K Haemmerling
82/1859 Moreck, C. (= K. Haemmerling). Die Pole des Eros. Hannover, Heinrich Böhme, 1912, 85,(2)p., 7 lithographs by J. EBERZ, printed in 180 numb. and signed copies (by the artist and author), orig. wr.

- Bookplates of C.J. Asselbergs and G.M. van Wees on upper pastedown and first free endpaper.

Suchánuk, V. 6 litografiske exlibris. Freferkshavn, Exlibristen, 1977, 18,(5)p., photogr. frontisp., 6 col. lithogr. plates mounted and signed in pencil by VLADIMIR SUCHÁNEK, printed in 225 copies, orig. wr. - AND 1 other.

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82 1860 Morris H 82 1860 Morris H
82/1860 Morris, H. Pepper Pot. Ingredients: Choice bits of uncommon papermaking, publishing and printing history simmered in a tasty broth of poetry, current events and amusing anecdotes (...). Prepared with a zestful variety of type faces and served by Henry Morris. North Hills, Bird & Bull Press, 1977, 86,(3)p., (col.) (tipped-in) plates, ills., paper-samples etc., printed in 250 numb. and signed copies, orig. giltlettered hmor., 4to. Messer Pietro Mio. Letters between Lucrezia Borgia & Pietro Bembo. Transl. and introd. H. Shankland. Marlborough, Libanus Press, 1985, 46,(66)p., num. woodengr. ills. by R.S. SMITH, printed in 150 numb. and signed (by the artist) copies (135), orig. giltlettered hmor., cl. slipcase. - AND 2 others, i.a. I. BAIN, The Wood Engravings of Richard Shirley Smith (Cambridge, (1985), woodengr. ills. by R.S. SMITH, printed in 100 numb. and signed copies, orig. clothbacked dec. boards, board slipcase. With a suite of 3 signed and numb. woodengravings).
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82 1861 Nahuys H  Bredero G A 82 1861 Nahuys H Bredero G A
82/1861 [Nahuys, H.]. Bredero, G.A. Van de Schoonheyt. Twaalf Sonnetten. Laren, Saturnus-Reeks, (1955), (31)p., 5 lithogr. plates by H. NAHUYS, typography by M. PAULSEN, printed in 100 numb. copies (95), loose as issued in orig. wr., large folio.
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82/1862 Nederlandsche Vereeniging voor Druk en Boekkunst  Lot of ±60 publications 82/1862 Nederlandsche Vereeniging voor Druk en Boekkunst Lot of ±60 publications
82/1862 [Nederlandsche Vereeniging voor Druk- en Boekkunst]. Lot of ±60 publications, The Hague, De Nederlandsche vereeniging voor druk- en boekkunst, ±1940-2005, mostly small publications (prospectuses, wishing cards etc.).

= I.a. J. BROUWERS, De Zondvloed (Uitgegumde fragmenten) (1997, silkscreen print (signed in pencil) and 5 vignettes by JOOST VEERKAMP, orig. giltlettered cl., 4to); J.M.A. BIESHEUVEL, Angst (1996, orig. cl.); S. CARMIGGELT, Zes kronkels (1999, etched frontisp. portrait by ROB COX, orig. cl.); DE SCHEPPINGSDAGEN (1950, woodcut ills. by D. VAN GELDER, orig. wr., folio); A. HAMMACHER, Jean François van Royen 1878-1942 (1947, portrait, col. facs. ills., large 8vo) and OMAR KHAYYÁM, Een schoone waanzin van de hoogste dichterlijke soort. Dutch transl. P.C. Boutens (1999, ills. by W. ARONDÉUS, orig. boards, folio).

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82/1863 Nielsen K  East of the Sun and West of the Moon Old Tales from the North 82/1863 Nielsen K East of the Sun and West of the Moon Old Tales from the North
82/1863 Nielsen K  East of the Sun and West of the Moon Old Tales from the North 82/1863 Nielsen K East of the Sun and West of the Moon Old Tales from the North
82/1863 Nielsen K  East of the Sun and West of the Moon Old Tales from the North 82/1863 Nielsen K East of the Sun and West of the Moon Old Tales from the North
82/1863 [Nielsen, K.]. East of the Sun and West of the Moon. Old Tales from the North. (London), Hodder & Stoughton, n.d. (1914), 206,(1)p., 25 tipped-in col. plates, ills., pict. endpapers and orig. gilt cl. by KAY NIELSEN, 4to.

- Contents occas. trifle/ sl. foxed. Rebacked w. use of orig. backstrip.

= Houfe, p.401. Ray 333: "The contrast between Nielsen's bizarre style, filled with echoes of nineties illustrators (...) and his primitive subject matter greatly enhances the piquancy of the book." SEE ILLUSTRATION PLATE XXXIX.

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