- Free endpapers w. some offsetting, as usual; title-p. trifle browned. (Very) fine copy.
= Braches 1568 ("Tweede band"); Cat. Ned. Boek 47; Gans p.56 and ill. 47. Fine Dutch Art Nouveau book. Endpapers, title and divisional titles decorated, num. vignettes, each page framed with different decorated borders.
- Free endpapers w. some offsetting, as usual. Binding trifle faded.
= Braches 1568 ("Tweede band"); Cat. Ned. Boek 47; Gans p.56 and ill. 47. Fine Dutch Art Nouveau book. Endpapers, title and divisional titles decorated, num. vignettes, each page framed with different decorated borders.
Crane, W. Kunst en samenleving. Dutch adapt. J. Veth. Ibid., Scheltema en Holkema, 1903, 2nd rev. ed., IX,(3),171p., 35 woodcut vignettes, endpapers and design of orig. richly gilt and dec. brown hleather binding by G.W. DIJSSELHOF, t.e.g.
- Gilding on backstrip for the larger part worn off; upper joint splitting at top of spine.
= Fine Dutch Art Nouveau publication. Braches 360. Interesting detail: the colours used on the binding are sl. different from the first edition: the leather is brown (instead of black) and the paper over the covers is grey instead of brown. With loosely inserted a drawn certificate in Art Nouveau style (pen and col. ink and watercolour, 21x16 cm.).
= Published on occasion of the 65th birthday of Constant.
- Spines sl. stained and yellowed; vol. 1 lower joint split and backstrip loosening.
= Three vols. each of 72 Roman numb. copies and 1 vol. of 156 Arabic numb. copies. Each Roman numb. copy with a SIGNED DEDICATION by Pijpers and Drs. P. ("Bij mij zijn kunstenaars wel zeer in tel. Indien ze zo bekwaam zijn als Michel."/ "Mijn hart klopt heftig voor het kunstbestel. Vandaar dat ik graag teken voor Michel."/ "Signeren hier? Dat wil ik wel. Het is tenslotte voor Michel."). Colophon: "Voor de omslag werden uit London ongebruikelijke papiersoorten gehaald, waaronder Mexicaans boombastpapier."
AND 9 others by J.L.S. PIJPERS, all copies (partly variants) of De Liefdesbaby/ Pas op, Liefdesbaby! (n.pl., the author, 2004/ 2005, partly signed and 1x w. sm. drawing by T. LINTELLO/ 2x w. signed tipped-in plate by C. VAN DE WORP, orig. wr. (w. not. unif. dustwr.).
= Provenance: the collection of Michel van Overbeeke.
- One corner of board box sl. bumped.
= With contributions printed by 22 different Dutch private presses, on occasion of the 40th birthday of Ernest Boissevain (Pers No. 14). Some contributing presses: Augustijn Pers, Kopwit, Pastei, Sub Signo Libelli, Avalon Pers, Eikeldoorpers, Kalamos Pers, Mikado Pers, Statenhofpers, De Uitvreter.
Grafisch Centrum Groningen (publ.). Warmoes in hout, op steen, in zink, uit lood & op zeef. Gron., Grafisch Centrum, 1993, 5 letterpress lvs. (frontleaf, title, colophon and 2 index lvs.) and 31 lvs. w. contributions in various techniques, partly signed in pencil, printed in 50 copies, loose as issued in orig. plain cl. dropback box, 4to.
= Contains contributions by i.a. Albert Bouma, Dick Ronner, Pim Witteveen, Antje Veldstra, Hester Verkruissen and Anne van Borselen.
= Each folder contains a specimen to show the characteristics of British printing; 6 folders on printing (early 17th cent., late 17th cent., printing in Oxford, printing in Scotland etc.), 2 folders on illustration (i.a. woodcut illlustrations) and 2 folders on paper. With the original prospectus loosely inserted.
- Endpapers and wr. partly browned. Otherwise fine.
- Backstrip sl. sunned and dam at spine-ends. = Peppin & Micklethwait, p.237.
- Good copy. = Peppin & Micklethwait, p.237.
Omar Khayyam. Rubáiyát. Transl. by E. Fitzgerald. London, G.G. Harrap & Co., n.d. (±1910), (96) lvs., 24 tipped-in col. plates, bookdecoration, endpapers and orig. pict. cl. by W. POGÁNY, t.e.g, sm. 4to.
- Contents sl. browned. Lower board-edges w. dent. = Peppin & Micklethwait, p.237.
- Lacks frontisp. Contents sl. foxed. Corners and spine-ends sl. worn.
AND: Stevenson, R.L. A Child's Garden of Verses, London/ New York, John Lane/ C. Scribner's Sons, 1896, XIV,136,(8),16p., num. ills. by C. ROBINSON, orig. gilt cl., a.e.g. - ADDED: 4 others, i.a. C. HONIGH, Kijkjes in 't Rond (Schiedam, n.d.(±1882), col. lithogr. ills and orig. clothbacked boards by K. GREENAWAY, sm. 4to. Contents partly loose, boards sl. soiled) and L. FRANK BAUM, The New Wizard of Oz (Indianapolis, 1903, num. col. lithogr. ills. by W. W. DENSLOW, orig. pict. cl., 4to).
- Trifle fingersoiled; wr. sl. discol./ sl. worn and creased along margins. Fine copy.
= Famous Czech children's book in Jugendstil style by Vojtech Preissig (1873-1944). SEE ILLUSTRATION PLATE XXXIX.
- Endpapers (sl.) foxed/ browned. Top of spine strengthened w. tape. = Riall p.118.
- Dustwr. torn in two and lacking part of backstrip
= Later issue of the first trade edition, w. the rare dustwr. Riall, p.137.
- Contemporary dedication on upper pastedown. Binding lightly scuffed; corners sl. bumped.
= Cf. Riall, p.177.
- First and last few lvs. trifle foxed. Backstrip sl. sunned, otherwise a good copy.
= Riall, p.182.
AND 1 other: M.H. SPIELMANN, The Rainbow Book (London, 1909, col. frontisp., plates and ills. by i.a. A. RACKHAM and H. THOMSON, orig. gilt cl.).
- Textpages occas. trifle/ sl. foxed.
= Riall p.114: "Reprint of the 1906 edition but having a new coloured frontispiece and an additional 7 no. full-page drawings".