= One of 50 numb. copies of the DELUXE edition, one of a few bound in full vellum, t.e.g. Van Dijk 744.
- First/ last blanks w. offsetting on margins from turn-ins.
= Trajectum ad Mosam 2. One of 20 lettered copies with the portrait SIGNED by the artist. Van Dijk 8.
= One of 20 copies of the DELUXE edition, one of a few bound in full vellum, t.e.g. Van Dijk 820.
= One of 25 Roman numb. copies on Hollandsch Pannekoek, bound in giltlettered hvellum. Van Dijk 535.
= One of 500 numb. and SIGNED copies bound in blindst. cl. w. dustwr., 4to.
= Very rare. Not in Monod. SEE ILLUSTRATION PLATE XLII.
= SIGNED by the author on first blank. Breugelmans 37.
- Top of spine sl. worn; otherwise fine. = SIGNED by the author. Breugelmans 37.
- Wrappers sl. creased. Otherwise a good/ fine copy.
= Very rare first edition of this satirical work alluding to the November Revolution in Germany. At that time Arthur Szyk was artistic director of the Polish military's Propaganda Department, during the Polish-Bolshevik war. SEE ILLUSTRATION PLATE XLIII.
- Without the dustwr.
= The first publication by the Caxton Press (Denis Glover) and the breakthrough of Ernest Mervyn Taylor as wood engraving artist. The book contains twenty-two engravings of indigenous subjects published attractively between red cloth boards. Glover embarked on the project after seeing some of Taylors engravings in The Arts in New Zealand. The result was a landmark in fine printing and the first of its kind to be produced in New Zealand. All 500 copies sold within weeks (cf. G. Ogilvie, Denis Glover: His Life, Auckland, 1999, p. 320-21).
- Fine copy.
= Paris edition of the Situationist Times. Lithographs by i.a. P. Alechinsky, L. Castro, J. de Jong, A. Jorn, P. Klasen, W. Lam, R. Matta, A. Saura, A. Segui and Topor.
= Rare privately published portfolio. Duppen p.52-55.
WITH: Montijn, J. Ten diff. prospectuses (43x11,2 cm.), each w. a diff. etching by JAN MONTIJN, printed in black, brown and red (all (14,4x11,2 cm.), all signed "Montijn 64" and "[various nos.]/ 32" in black ballpoint, letterpress text printed in red.
- First and last few lvs. sl. foxed/ browned; "Presentation copy" blindst. at top of title-p., otherwise a very good copy.
= Houfe p.479.
Sheridan, R.B. The School for Scandal. Ibid., idem, n.d. (±1911), (2),197p., 25 col. tipped-in plates, ills., pict. endpapers and orig. richly gilt cl. by HUGH THOMSON, 4to.
- Upper hinge starting. Backcover w. some light red stains. Otherwise a good copy. = Houfe p.479.
Barrie, J.M. Quality Street, a Comedy in four acts. (London), idem, n.d. (±1913), VIII,199p., 22 col. tipped-in plates, ills., pict. endpapers and orig. richly gilt cl. by HUGH THOMSON, 4to.
- Contemporary owner's entry on verso first free endpaper, otherwise contents fine. Backstrip sl. sunned; backcover sl. soiled.
= Houfe p.479.
- Upper hinge starting at foot of spine; white dec. on frontcover and backstrip partly sl. worn off, otherwise a fine copy.
= Houfe p.479.
- Binding sl. rubbed, otherwise a fine copy. = Houfe p.479.
Idem. The Merry Wives of Windsor. London, W. Heinemann, 1910, VIII,172p., 40 col. tipped-in plates, ills. and orig. gilt cl. by HUGH THOMSON, 4to.
= Fine. Houfe p.479.
- Covers sl. dustsoiled.
= Very attractive frontcover design by JAN TOOROP and richly illustrated by i.a. M. BAUER, P. JOSSELIN DE JONG, J. TOOROP and W. DE ZWART. Braches 1918:1.
- Trifle foxed. Joints and spine-ends. sl. rubbed. = Cf. Vicaire VII, p.859/ 862; Sander 687/ 688.
Cervantes Saavedra, M. de. L'Ingénieux hidalgo Don Quichotte de la Manche. French transl. L. Viardot. Ibid., J.-J. Dubochet et Cie., 1836/ 1837, 2 vols., (4),744; (4),758p., 2 woodengr. titles, 2 frontisp. and a large number of woodengr. ills. by T. JOHANNOT, contemp. unif. gilt hcalf, 4to.
- Partly (sl.) foxed. Covers rubbed. = Rius I, p.542; Vicaire II, p.155/156; Sander 148.
AND 1 other in 2 vols.
= Rare artists' periodical, printed on various sorts of paper.