82/2104 Bilder zum Anschauungs Unterricht für die Jugend Erster Dritter Theil 
82/2104 Bilder zum Anschauungs Unterricht für die Jugend Erster Dritter Theil 
82/2104 Bilder zum Anschauungs Unterricht für die Jugend Erster Dritter Theil 
82/2104 Bilder zum Anschauungs Unterricht für die Jugend Erster Dritter Theil 
82/2104 Bilder zum Anschauungs Unterricht für die Jugend Erster Dritter Theil 
- The plates (sl.) foxed and w. contemp. ms. descriptions in the plates but otherwise generally in good/ fine condition; 3rd vol. bookblock broken, most plates torn on fold and final plate doubled and lacking part of lower left blank margin. Binding sl. rubbed.
= Wegehaupt I, 155 (2nd ed. of part 1-2, Esslingen 1840).
82 2105 Bishop Boulton E 
82 2105 Bishop Boulton E 
- Fine copies.
= Preface: "These books are not only designed to please children but to show manners and customs of the ancient and modern people of Nippon. The fine illustrations afford an important aid in this respect. It is through the eye that the understanding itself is most quickly reached." Emily Bishop Boulton, born in England on June 2, 1855, travelled out to Japan with Bishop Poole, the first English Bishop in the country, and Mrs. Poole, arriving in Osaka in December, 1883. She at once joined Miss Oxlad in the Eisei (Eternal Life) school, nucleus of the Bishop Poole Girls' School, in which also she worked for some years after its opening in 1890.
82 2106 Blaauw H 
82 2106 Blaauw H 
- Endpapers sl. waterstained/ browned; two pages w. scribbles in col. pencil. Dustwr. browned and sl. stained/ frayed. With sl. later dedication, dated 1926.
Idem. De gestoorde thee visite. Ibid., idem, n.d. (±1923), (11) lvs., title-vignette, num. col. ills. and pict. endpapers by N. HEYLIGERS, orig. pict. hcl. w. dustwr.
- Endpapers sl. browned and w. later owner's entry on first free endpaper, otherwise contents fine. Dustwr. browned and trifle/ sl. dam.
Idem. In regenweertje. Ibid., idem, n.d. (1924), (11) lvs., title-vignette, num. col. ills. and pict. endpapers by N. HEYLIGERS, orig. pict. hcl. w. dustwr.
- Endpapers sl. browned and w. later owner's entry on first free endpaper; contents occas. sl. fingersoiled. Dustwr. browned and trifle/ sl. dam.
82 2107 Bodenheim N Seraphin P 
- Contents fine. Boards trifle soiled.
= De Bodt/ Kapelle p.45 and 231; De hele Bibelebontse berg p.563.
Bodenheim, N. 12 sprookjes en rijmpjes. Amst., S.L. van Looy, n.d. (1908), 72,(3)p., lithogr. title-vignette, num. (col.) plates and ills., orig. pict. hcl.
= De hele Bibelebontse berg p.563.
AND 3 others on (1 by) N. BODENHEIM, i.a. T. SCHENK-BAUMANN, Nelly Bodenheim. Haar leven en werk (Amst., 1988, num. ills., orig. wr.).
82 2108 Bohny N 
82 2108 Bohny N 
- Final leaf closed tear in outer margin. Fine copy, without title-p. (as published?).
= Unrecorded Dutch edition, preceding the first edition. Fine children's book aimed at teaching children the beginnings of mathematics (first publ. Stuttg., 1847): the plate illustrated on p.165 of Lust en Leering differs from the plate in our copy (the top illustration is different and the captions below all three image are differently spaced) and our copy is without title-p. The earliest Dutch edition known was published by D.A. Thieme and H.A. Tjeenk Willink in Arnhem and is dated around 1850 by Buijnsters (p.163-165). The plates, each consisting of 3 or 2 horizontal strips w. images showing objects that young children could recognize, teach the children to count, to add and subtract, to combine, to name colours and forms etc. Lust en leering p.163-165 (calling for a title-p. and 29 plates), referring to the Arnhem edition and the Groningen edition of two similar works by Bohny: "antiquarisch gesproken witte olifanten. (...)". Cf. Rümann 53, Wegehaupt II,374 and Bilderwelt im Kinderbuch 1985.
82 2109 Bouhuys M 
= Published on occasion of the 10th anniversary of the Scapino ballet.
AND 4 others, i.a. W. SHAKESPEARE, Romeo and Juliet (Amst., 1953, woodcut ills. by H.P. DOEBELE, orig. wr., folio) and J. BLANC, Le livre de la pierre (Loiret, Nouvelles Images, 1965, lithogr. plates by P. SZÉKELY, orig. wr., 4to).
82 2110 Bueno de Mesquita D A 
82 2110 Bueno de Mesquita D A 
- Bookblock loose(ning); first and final lvs. sl. stained (final leaf sm. tear). Spine worn; paper over lower joint split.
= De hele Bibelebontse berg p.570. Billie Ritchie was the French imitation of Charlie Chaplin.
Rinke, J. Rakkers uit de Buurt. Ibid., J. Müller, n.d. (±1900), (22)p., (col.) lithogr. ills. and orig. boards w. mounted plate by J. RINKE, 4to.
- Some scribbling on frontcover; paper over spine sl. worn.
AND 6 others, i.a. C. SPOOR, Oude Baker Versjes (ibid., n.d. (±1925), col. plates and orig. clothbacked pict. boards by C. SPOOR, obl. 8vo. Bookblock loose) and 3 works by RIE CRAMER.
82 2111 Busch W 
82 2111 Busch W 
- Partly foxed (incl. boards); hinges weak. Erased owner's entry on frontcover. = Vanselow 25.
Idem. Schnaken & Schnurren. Ibid., Braun & Schneider, n.d. (±1920), 29th ed., 3 vols., 32; 33; 32p., num. coll. ills. and orig. unif. col. clothbacked boards by W. BUSCH, 4to.
- Partly foxed (incl. boards); vol. 2 some tears (repaired w. tape). Spines pasted over w. paper.
= Cf. Vanselow 31 (first ed. 1866).
AND 10 others by the same, i.a. Hans Huckebein, der Unglücksrabe (Stuttg., n.d. (±1880), ills., orig. clothbacked boards, 4to); Die kühne Müllerstochter. Der Schreihals. Die Prise (ibid., n.d. (±1890), 3rd ed., orig. clothbacked boards, 4to) and Humoristischer Hausschatz (Munich, n.d. (±1910), ills., orig. hcl., folio).
82 2112 Carroll L 
82 2112 Carroll L 
- Owner's entry on verso first free endpaper. Partly trifle foxed.
82 2113 Christophe = G Colomb 
82 2113 Christophe = G Colomb 
- Frontcover trifle foxed. A fine copy.
Grandmaison, M. de. Le Tour de France. Ibid., É. Guérin, n.d. (±1900), (32)p., 8 col. plates, ills. and orig. clothbacked boards by J. MAUREL and P. WEBER, 4to. - AND 4 others, all French, all good/ fine copies, i.a. M.M. FRANC-NOHAIN, Les Animaux Sauvages (ibid., n.d. (±1930), (col.) ills., orig. hcl., large 4to) and B. ROY, Le Buffon des Enfants (ibid., 1945, col. ills., orig. boards, sq. 4to).
82/2114 Comics Het avontuur met de Indianen 
82/2114 Comics Het avontuur met de Indianen 
- Sl. creased and fingersoiled; a few sm. dam. spots and (closed) tears; lower edge (near stick) sl. dam.
= Very rare, no copy traced.
82/2115 Comics Eric Schreurs Een strip hommage 
= DELUXE copy of this hommage to the Dutch comic artist Eric Scheurs, with paper portfolio Mappie voor alle shit 2001 (w. loose prints, pin-back button) and a tote bag with illustration.
82 2116 Comics Hergé = Georges Remi 1907 1983 
= Numb. "0857" on label on verso of frame.
82 2117 Comics Hergé = Georges Remi 1907 1983 
82 2117 Comics Hergé = Georges Remi 1907 1983 
82 2118 Comics Hergé 
82 2118 Comics Hergé 
82 2118 Comics Hergé 
82 2118 Comics Hergé 
82 2118 Comics Hergé 
82 2118 Comics Hergé 
82 2118 Comics Hergé 
= A unique collection of unused Persil soap boxes with the original colour scheme designs, used for a campaign to promote (the upcoming) "Tintin" toy figure gifts with each box of Persil. In 1973 Persil started a Tintin campaign to promote the new formula by Persil: two different flip books with Tintin characters were added to boxes and two sets of 4 toy figures each. The front is in two different variants (one announcing the gifts, the other presenting the gifts). The back side of the boxes could also be collected as a portrait gallery, with the following characters: Tintin (Kuifje), captain Haddock (not present on the boxes), professor Tournesol (Zonnebloem), Dupond brother (Janssen), Bianca Castafiore, Snowy (Bobby), Rastapopoulos, Nestor the butler, dr. Müller, Abdallah. The original drawings (of which the photographs were taken) are by the Hergé studio or Hergé himself. The colour schemes are probably by the box designers of Persil/ Henkel. Provenance: the Henkel company. SEE ILLUSTRATION PLATE XLVI.
82 2119 Comics Hergé 
82 2119 Comics Hergé 
= Very rare promotional item, to be hung in grocery stores and supermarkets to promote the Tintin campaign of Persil in 1973.
= In 1973 Persil started a promotional campaign with Tintin characters. Collectibles were added to soap boxes. In 1973 a new formula was presented by the company and it coïncided with the release of the Tintin movie "Tintin et le lac aux requins" (1972, Tintin and the Lake of Sharks) made by the animation studio Belvision. Although usually the Hergé Studio was responsible for the commercial outlets of Tintin, the movie and the Henkel campaign mutually benifited each other and for that reason Belvision was probably made responsible for the drawings (albeit probably under supervision of the Hergé Studio). Two different kind of collectibles were offered: two different flip books with Tintin characters and two sets of 4 toy figures each. This is the box intended for the flip book. The flip book is still shrinkwrapped. Provenance: the Henkel company.
Idem. "Persil. "Gratis 4 Kuifje figuurtjes". Seven unused and unfolded boxes of Persil washing soap, 48x35 cm. (when unfolded), 1973.
= These are the boxes used for the campaign with the toy figurines. Each with a different Tintin character portrait on verso. Probably 10 different characters were used. The front appears in 2 variants: one announcing the figurines (on 4 boxes) and one presenting the figurines "Spaar ze alle 8" (3x).
82 2121 Comics Hergé a o 
= These are the original designs, attributed to the Belvision animation team (after a suggestion by the Hergé Foundation). They were used for the small flipbook, that was a giveaway in a promotional campaign for the detergent Persil (Henkel) in 1973. The campaign coïncided with the Tintin movie "Tintin et le lac aux requins" (1972, Tintin and the Lake of Sharks) made by the animation studio Belvision, owned by Raymond Leblanc (who also directed the movie). Leblanc was the director of the comic publisher Le Lombard (which published the Tintin weekly). Although usually the Hergé Studio was responsible for the commercial outlets of Tintin, the movie and the Henkel campaign mutually benifited each other and for that reason Belvision was probably made responsible for the drawings (albeit probably under supervision of the Hergé Studio). Provenance: the Henkel company. SEE ILLUSTRATION PLATE XLVI.
82 2122 Comics Hergé a o 
= These are the original designs, attributed to the Belvision animation team (after a suggestion by the Hergé Foundation). They were used for the small flipbook that was a giveaway in a promotional campaign for the detergent Persil (Henkel) in 1973. The campaign coïncided with the Tintin movie "Tintin et le lac aux requins" (1972, Tintin and the Lake of Sharks) made by the animation studio Belvision, owned by Raymond Leblanc (who also directed the movie). Leblanc was the director of the comic publisher Le Lombard (which published the Tintin weekly). Although usually the Hergé Studio was responsible for the commercial outlets of Tintin, the movie and the Henkel campaign mutually benifited from each other and for that reason Belvision was probably made responsible for the drawings (albeit probably under supervision of the Hergé Studio). SEE ILLUSTRATION PLATE XLVII.
82 2123 Comics Toonder M 
= Facs. reprint of the weekly installments in Donald Duck, 1955-1969 and 1980-1984.