= Cat. Harlemia Illustrata 450 and 451; the rare first state w. the text.
- Four etchings trimmed just outside the border line; one perforated on borderline.
= Cat. Harlemia Illustrata 780-784: "een serietje aquatinten".
AND 1 other similar by the same.
= Provenance: the collection A.M. van den Broek.
- Each trimmed just outside the border line.
= Very rare, not in Cat. Harlemia Illustrata. Provenance: the collection A.M. van den Broek.
- Some very vague foxing. = Cat. Harlemia Illustrata 681. Provenance: the collection A.M. van den Broek.
- Fine.
= Van der Krogt/ Koeman IV-2/1, 1674; cat. Harlemia illustrata 148: "bijzonder fraaie en betrouwbare plattegrond van Haarlem" (...). De plattegrond van Wils/ Blaeu heeft bijna twee eeuwen het beeld van Haarlem gevormd." SEE ILLUSTRATION PLATE LXXI.
- One etching washed; 1x w. brownish stain; occas. trifle browned.
= Hollstein 19-21 and 23-27. Complete series of these later copies in reverse. Provenance: the collection A.M. van den Broek.
- Some trifle browned areas; tiny (pin)hole in centre.
= Rare and fine map. Provenance: the collection A.M. van den Broek.
- Trimmed just outside the border line. = Van H. 105. Rare; not in Cat. Harlemia Illustrata.
AND a handcol. engraving by the same: "Spaarendam".
= Provenance: the collection A.M. van den Broek.
- One sm. closed tear in outer blank margin.
= Landwehr, Dutch Books w. Col. Plates 381 ("the first Dutch topographical work published with (coloured) aquatint plates"); Nijhoff/ Van Hattum 217; Harlemia Illustrata 737 and 738. Very fine and rare prints, originally published in instalments: "Numan could (...) paint subtle water-colours and, in 1793, sent out a circular letter with two coloured prints of two mansions, inviting subscriptions for a whole series of such pictures. During the period 1793-1797, he published this series of extremely fine engravings (...)" (Landwehr, p.37f). Provenance: the collection A.M. van den Broek.
= Landwehr, Dutch Books w. Col. Plates 381 ("the first Dutch topographical work published with (coloured) aquatint plates"); Nijhoff/ Van Hattum 217; Harlemia Illustrata 733 and 734. Very fine and rare prints, originally published in instalments: "Numan could (...) paint subtle water-colours and, in 1793, sent out a circular letter with two coloured prints of two mansions, inviting subscriptions for a whole series of such pictures. During the period 1793-1797, he published this series of extremely fine engravings (...)" (Landwehr, p.37f). Provenance: the collection A.M. van den Broek.
= Landwehr, Dutch Books w. Col. Plates 381 ("the first Dutch topographical work published with (coloured) aquatint plates"); Nijhoff/ Van Hattum 217; Harlemia Illustrata 729 and 730. Very fine and rare prints, originally published in instalments: "Numan could (...) paint subtle water-colours and, in 1793, sent out a circular letter with two coloured prints of two mansions, inviting subscriptions for a whole series of such pictures. During the period 1793-1797, he published this series of extremely fine engravings (...)" (Landwehr, p.37f). Provenance: the collection A.M. van den Broek.
- Both cut to the borderline (w. loss of title).
= Landwehr, Dutch Books w. Col. Plates 381 ("the first Dutch topographical work published with (coloured) aquatint plates"); Nijhoff/ Van Hattum 217; Harlemia Illustrata 727 and 735.
= Landwehr, Dutch Books w. Col. Plates 381 ("the first Dutch topographical work published with (coloured) aquatint plates"); Nijhoff/ Van Hattum 217; Harlemia Illustrata 735 and 736. Very fine and rare prints, originally published in instalments: "Numan could (...) paint subtle water-colours and, in 1793, sent out a circular letter with two coloured prints of two mansions, inviting subscriptions for a whole series of such pictures. During the period 1793-1797, he published this series of extremely fine engravings (...)" (Landwehr, p.37f). Provenance: the collection A.M. van den Broek.
- Both numbers vague; lvs. attached to each other along margin.
= Cat. Harlemia Illustrata 175 and 176. Provenance: the collection A.M. van den Broek.
- Very vaguely soiled in corners. = Hollstein 20.
Roghman, Geertruydt (1625-?). "Het Dorp Spaerwouw" and "Spaerwouw aen de Laegewech". Two etchings from the series Thirteen landscapes with villages near Amsterdam ("Plaisante Lantschappen ofte vermackelijcke Gesichten na 't Leeven geteekent door Roelant Rogman"), each ±12x21,8 cm., numb. "11" and "12" and w. title engr. below.
- Fine. = Cat. Harlemia Illustrata 175 and 176. Provenance: the collection A.M. van den Broek.
- Occas. sl. foxed/ waterst. (mainly) in margins.
= Cat. Harlemia Illustrata 1126-1133. Quite rare complete series, comprising "Station", "Buiten-gasthuis", "Paviljoen", "De Dreef", "Societeit in Den Hout", "Kenau Park", "Overveen" and "Bloemendaal". Provenance: the collection A.M. van den Broek.
= Hollstein 422, only state; cat. Harlemia Illustrata 123 ("behoren tot de oudste en fraaiste stadsgezichten van Haarlem").
AND 6 engr./ lithogr. views of Brederode, i.a. a rare unidentified 18th cent. engraving, printed in red.
= Provenance: the collection A.M. van den Broek.
- A few foxed spots; otherwise fine.
= Hollstein 189, 2nd state (of 2); Cat. Harlemia Illustrata 90.
AND 2 similar views of Huis te Kleef, 1x by the same and 1x by H. SPILMAN.
= Provenance: the collection A.M. van den Broek.
= Hollstein 348, the 2nd and final state; cat. Harlemia Illustrata 102.
"Kleine Hout Poort te Haarlem". Etching and aquatint by W. NIEUWHOFF after J. PANNEBAKKER, 15,6x22,8 cm., titled, "J. Pannebakker ad. viv. fec." and "W.N. Sculp." engr. below (Cat. Harlemia Illustrata 811). - AND 3 others, all engr./ lithogr. views of the Kleine Houtpoort.
= Provenance: the collection A.M. van den Broek.
- One etching w. some very vague foxing; 1x doubled w. Japanese; 1x fine.
= Hollstein 420 (1st state of 3), 421 (2nd state of 4); 422 (only state); Cat. Harlemia Illustrata 123, 124 and 126 ("behoren tot de oudste en fraaiste stadsgezichten van Haarlem"). Provenance: the collection A.M. van den Broek.
AND 1 other etching by the same: 'Het Huis te Kleef', near Haarlem (from the series of 18 Landscapes and ruins).