81 6075 Wagner Joseph 1706 1780 
- Both sl. dustsoiled.
AND 1 other by the same after David TENIERS.
81 6076 Waterloo Anthonie 1609 1690 
81 6076 Waterloo Anthonie 1609 1690 
- Trimmed to the borderline. = Hollstein 107, 4th state of 5. Part of the series of 6 Large Landscapes.
Swanevelt, Herman van (±1600-1655). Balaam and the ass. Etching, 23x31,5 cm., w. "H. Swanevelt Fecit Rom" and "Poilly Excudit" in upper right corner.
- Trimmed just outside the platemark; on thick laid paper. = Hollstein 5, 7th state of 8.
AND 3 others: by JAN BOTH (2x, both late states/ impressions, 1x w. repaired tear) and ANTHONIE WATERLOO.
81 6077 Waterloo Anthonie 1609 1690 
81 6077 Waterloo Anthonie 1609 1690 
81 6077 Waterloo Anthonie 1609 1690 
= Hollstein 3-6, probably the 2nd state (of 4).
81 6078 Waterloo Anthonie 1609 1690 
81 6078 Waterloo Anthonie 1609 1690 
- Lacks one etching; all doubled; "k" and "m" sl. dam. in upper margin; "h" w. crease or closed tear; sl. foxed/ fingersoiled and yellowed.
= Hollstein 21-23 and 25-32, final states (incl. Basan editions).
81 6079 Waterloo Anthonie 1609 1690 
81 6079 Waterloo Anthonie 1609 1690 
81 6079 Waterloo Anthonie 1609 1690 
- Trifle/ sl. (dust)soiled.
= Hollstein 77-82, 1st and only state. Five of the prints with unidentified (collector's) stamp(s).
- Trifle foxed/ sl. yellowed. = Hollstein 48, the 1st and only state.
81 6081 Waterloo Anthonie 1609 1690 
81 6081 Waterloo Anthonie 1609 1690 
- Hollstein 114 and 115 w. old manuscript collector's mark "Naudet M. Descamps[?] au Louvre 1787". = Hollstein 114ff.
AND 1 other etching by the same.
81 6082 Waterloo Anthonie 1609 1690 
81 6082 Waterloo Anthonie 1609 1690 
- A few dustspots near upper margin.
= Hollstein 47, 1st and only state. Part of a series of 6 landscapes. With an unidentified collector's stamp (not in Lugt).
AND 6 others by the same: Two Cows on a ferry (H.26, 1st state); The sentry-box on the wall (H.31, 1st state); A man and his dog beneath a knoll (H.41, 2nd state); A man sleeping beside a road (H.49, 1st state); A traveller and his dog (H.60, 2nd state. w. the doublette stamp of the Leiden University printcabinet (Lugt 700b)); Two riders (H.63, 1st state, w. the doublette stamp of the Leiden University printcabinet (Lugt 700b)).
81 6083 Waterloo Anthonie 1609 1690 
- Fine impression w. small margins. Sl. foxed.
= Hollstein 91, probably the second state (of 3).
81 6084 Weiditz II Hans 1495 1537 
81 6084 Weiditz II Hans 1495 1537 
81 6084 Weiditz II Hans 1495 1537 
= I.a. a sculptor's atelier and a ceramic workshop.
81 6085 Whistler James McNeill 1834 1903 
= Kennedy 114.
81 6086 Whistler James McNeill 1834 1903 
= Kennedy 30, the second state (of 2). SEE ILLUSTRATION PLATE CIII.
81 6087 Whistler James McNeill 1834 1903 
- Remnants of sellotape in upper blank corners.
= Kennedy 181, the 2nd or 3rd state: with the broken irregular line of the sky at the left and with the square house at left shaded with horizontal drypoint lines.
81 6088 Whistler James McNeill 1834 1903 
= Kennedy 85, the second state (of 4), without the publisher's address.
81 6089 Whistler James McNeill 1834 1903 
= Kennedy 86, the 4th and final state.
81 6090 Wierix II Antonius ±1555 ±1604 
- Upper leaf a few tiny wormholes; some thin spots in blank margins (strengthened on verso). Lower leaf partly mounted on board.
= Hollstein 52.1, first state (of 2); Mauquoy-Hendrickx III.1 no. 1983, first state; cf. Koeman II, p.211. The fine large print depicts 49 important church- or military leaders in costume.
81 6091 Wierix II Antonius ±1555 ±1604 
= Part of a double portrait with his wife Isabella. Rare. Hollstein 2041; Macquoy-Hendrickx 1760.
81 6092 Wierix Hieronymus ±1553 1619 
- Lacks large portion in upper left corner w. loss of image; cut to the platemark.
= Hollstein 1887, state after the removal of monogram "IRW" but before the addition of the address of C.J. Visscher. Rare.
81 6093 Wierix Johannes 1549 after 1615 
= From J. NADAL, Evangelicae Historiae Imagines (Antwerp, 1593) (in total 153 engravings). Hollstein 269, 2nd state of 4.
AND 9 others from the same series, all engraved by the WIERIX brothers.
81 6094 Wohlgemut Michael 1434 1519 
- Upper left corner of woodcut strengthened w. tape on verso, otherwise the woodcut is fine. Tape on verso shining through in text below image; blank margins trimmed to 1 cm. outside border of image.
= Reichelt 160; cat. Mensch und Tod 1143; "Ihr müßt alle nach meiner Pfeife tanzen" p. 23; cf. Oppermann 1125b. Warthin p.38: "Among the most interesting of the incunabula woodcuts, in which this death motive is introduced, is one in the "Weltchronik" of Dr. Schedel, Nürnberg, 1493. The picture, most probably the work of Wohlgemut, shows five deaths celebrating the feast of Resurrection. One blows the flute, the others dance a solemn cancan. The deaths show different stages of dissolution; two are almost completely skeletonized. An interesting tale is told of the artist's difficulty in drawing skeletons. He wished to borrow a skeleton from Schedel to serve as a model. Schedel, however, possessed only a thigh bone; from this the artist developed the whole of the extremities. This woodcut is an amusing and sophisticated caricature of the Totentanz motive, perhaps as a comeback to the special satire against the physician of the Dance of Death." SEE ILLUSTRATION PLATE CIII.