81 6095 Wonder Pieter Christoffel 1780 1852 
81 6095 Wonder Pieter Christoffel 1780 1852 
81 6095 Wonder Pieter Christoffel 1780 1852 
81 6095 Wonder Pieter Christoffel 1780 1852 
81 6095 Wonder Pieter Christoffel 1780 1852 
- Trifle/ sl. foxed, his selfportrait worse. Spine wr. worn/ sl. dam.
= The only four etchings the artist made. Posthumous 19th century impression on thick paper. Showing his selfportrait, his family's manservant Laurens van Schaik, an elderly female concierge and a portrait of rabbi and theologian Mozes Ben Isaac Edrehi (1771-1840). Edrehi moved Amsterdam in1800 to become a student at the Portuguese jewish seminary. He later settled in London where he died in 1840. His portrait was made by Wonder when Edrehi visited Utrecht in 1816.
81 6096 Wtenbrouck Moyses van ±1590/1600 1646/1647 
- Strong, dark impression; trimmed a few mm. outside the platemark. = New Hollstein 5, final state (of 2).
81 6097 Wussim Daniel 1626 1691 or Kaspar Zacharias 1664 1747 
81 6097 Wussim Daniel 1626 1691 or Kaspar Zacharias 1664 1747 
- All w. minor imperfections.
= Very rare copies in reverse after the engravings by the Sadelers from the series Sylvae Sacrae Monumenta and Solitudo Sive Vitae Patrum Eremicolarum. Daniel Wussim was an engraver and print- and bookpublisher from Graz who moved to Prague. His sons Kaspar and Johann followed in his footsteps as engravers. His son Kaspar also became a publisher and bookseller. Published as plates in J.H. HAIN, Allgemeine Christliche Einöde Das Hayl seiner Seelen Nach dem Exempl der frommen Vättern, und Einsiedlern (...) (published by Kaspar Wussim, Prague, 1733, 51 plates).
AND 3 others from the same series but by Raphael and Johannes SADELER.
- A few plates sl. soiled/ (water)stained.
ADDED: ±80 mostly handcol. engr./ lithogr. plates, various sizes, all subjects of natural history, from various 18th-19th cent. works.
81 6099 Anonymous 16th cent prob Italian school 
- Paper remnants on verso. = SEE ILLUSTRATION PLATE CIII.
81 6100 Anonymous 16th cent 
- Small smudge in and near the monogram.
= Perhaps French. The motto "Sans varier" is i.a. used by the Vergy family (comte de Champlitte). SEE ILLUSTRATION PLATE CV.
81 6101 Anonymous 1st half 17th cent 
- Possibly part of a signature in lower left margin (illegible). A few tiny holes/ thin spots, otherwise fine.
81 6102 Anonymous 17th cent 
- Mediocre condition. Sl. browned; doubled and repaired. Old middle-fold; some old closed tears and corners sl. dam. Mouldy and worn sections.
= Nice drawing in the style of Nicolaes Berghem. SEE ILLUSTRATION PLATE CIV.
81 6103 Anonymous 17th cent 
- Fingersoiled and agetoned; sm. repairs in upper corners.
= On laid paper, no watermark visible. Probably Italian School.
81 6104 Anonymous 17th cent 
- Laid down; sl. browned and dustsoiled.
= Probably Dutch or Flemish school. SEE ILLUSTRATION PLATE CIV.
81 6105 Anonymous 17th/ early 18th cent 
- Some thin/ restored spots. Trifle foxed/ dustsoiled.
= Attributed on mount to GERARD HOET (1648-1733).
81 6106 Anonymous 18th cent 
- Folded; some dam. spots; fingersoiled; partly closed tear.
AND 1 other drawing, (Cornucopia), prob. by the same.
81 6107 Anonymous 18th cent 
- Slightly frayed.
= All with guirlandes and allegorical elements and with captions: "Negotie"; "Navigatie"; "Vreede en Vrijheid" and "Vrijheid, Eendragt, Vrede, Getrouheid".
81 6108 Anonymous 18th cent 
- Formerly folded. w. fold strengthened and repaired on verso; a few sm. stains; sm. hole in right part.
= On laid paper with watermark showing a fleur-de-lis and the monogram GB.
AND 12 other drawings, mostly views/ landscapes.
81 6109 Anonymous 18th cent 
- Probably doubled w. Japanese.
81 6110 Anonymous 18th cent 
81 6111 Anonymous 18th cent 
= Delicate drawing in 17th century style. Provenance: the collection Jan Severijnse and later A.M. van den Broek, w. his collector's stamp on verso.
81 6112 Anonymous 18th cent ? 
- Laid down on board; several closed tears in margins.
= Copy in reverse after the painting by Gerard Seghers, probably based on the print by S.A. BOLSWERT after the painting.
81 6113 Anonymous 18th cent ? 
- On rather thick laid paper, no watermark discerned; foxed/ duststained.
= Sold in 1936 by the antiquarian Charles Férault (Paris) as a genuine Paulus Potter drawing. With Férault's collector's mark in lower right corner on recto (Lugt 2793A) and with the original receipt signed by Férault and reading i.a. "Un petit dessin par Paul Potter; "Taureau couché" and "Dessin garenti du Maître, Ecole Hollandaise du XVIIème siècle". Verso drawing reading "Potter, Paulus, schol [sic] Néd." in pencil.
81 6114 Anonymous 2nd half 18th cent 
- Two lower corners repaired w. later paper; doubled w. very thin paper; soiled; rubbed/ sl. worn along edges, w. various sm. repairs, closed holes and sm. tears.
= On laid paper with the watermark of papermakers "J. Honig en Zoonen" (active between 1765-1836).